Review: Vorzeichenwechsel. Gesellschaftspolitische Dimensionen von Musikpädagogik heute
How does the music education field deal with socio-political shifts, culturally relevant re-assessments of value, debates on norms, and new qualities?
How does the music education field deal with socio-political shifts, culturally relevant re-assessments of value, debates on norms, and new qualities?
Just recently, the mdw saw the establishment of “Voice Science” as a subject area in its own right with its own new career position. And this semester, three mdw students have commenced their scientific doctoral studies in the field.
Mina Yang’s statement “Beethoven and the Dangers of Hero Discourses”, delivered on 19 August 2020, initiated an animated and critical exchange on the various topics of the postponed isaScience conference, entitled “Heroes, Canons, Cults. Critical Inquiries”.
At Austrian postsecondary institutions, recent months have seen teaching take place mostly online. So how has that worked out? What’s gone well, and what hasn’t? Here’s what members of the mdw teaching staff have to say.
The academic year of 2020/21 marks the birth of the mdw’s Department of Early Music—and in the following conversation, department head Stefan Gottfried and deputy head Eugène Michelangeli speak about their approaches to historically informed performance and the initial projects of this new department.
For two years now, the mdw has been one of the first universities in Austria to use 100 % green power—which is just one among many examples of sustainable university management set by the initiative “green mdw”.
Wilfried Aigner, a senior scientist at the Department of Music Education Research, Music Didactics and Elementary Music Education, talks about music education’s status, lobbying work for the arts, and music teaching in times of crisis and beyond.
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