The goal of a truly diverse university is a lofty one. Making people fully aware of deep-seated patterns of thought and action as well as structural discrimination and both inclusionary and exclusionary criteria (in contexts such as entrance exams), calling these into question, and opening up new perspectives—all this and more plays a central role where diversity is concerned.
On 1 October 2019, mdw Rector Ulrike Sych began her second four-year term of office.
For the Greco-German stage director Sarantos Georgios Zervoulakos, settling on theatre was a big step.
The artistic research project Confronting Realities delves into the hot topic of artists’ social backgrounds while also shedding light on film production’s limitations and opportunities.
In April of 2018, the mdw sent Beverly Blankenship and Anna Maria Krassnigg to the Hanoi Academy of Theatre and Cinema, an ASEA-UNINET partner institution, to join students there in developing a condensed stage version of William Shakespeare’s Romeo and Juliet.
Max Reinhardt Seminar Students in a Production by Nicolas Charaux at the Vestibül.
Even in music, the gender gap is finally beginning to close … at least here and there.
A New Collaborative Project Between the mdw’s Career Center and the Department of Cultural Management and Gender Studies,
Conceiving, arranging, producing, and performing with guidance from the internationally renowned artist Steve Sidwell.
Rita Waszilovics and casting director Deborah Congia spoke with mdw Magazine about their work.
Nicole Heesters visits the Max Reinhardt Seminar
The 24-year-old German actor spoke with mdw Magazine about her fear of the acting profession, her plans for the future, and why she wants to play Jedermann in Salzburg.
Since this autumn, the exceptional director David Bösch has been teaching stage directing at the Max Reinhardt Seminar.
Virtual Reality in Film: One needn’t be a tech nerd to find virtual reality fascinating.
Saskia Arth is working on her BA in Production. We followed her and her team through a typical day of filming work.
A Calling Card, not an Income Source
With her recent monograph on Hugo Kauder published in 2018 as part of the series exil.arte-Schriften, musicologist Karin Wagner has given the interested reading public a biography of a composer, music philosopher, and theoretician who was forced to flee National Socialist-ruled Austria.
The European Commission-funded research and innovation action TROMPA aims to create a digital platform on which all of us can help shape the digitisation, interconnection, and enrichment of all manifestations of “classical music”, including scores and sound recordings.
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