Be it a concert for hospitalised cancer patients, a neighbourhood forum in a newly developed residential area, or making music together in a park: community outreach can take on all kinds of shapes.
On 25 February, mdw conducting students participated in a master class on Beethoven’s 5th Symphony at the Vienna Konzerthaus given by Andrés Orozco-Estrada together with the Vienna Symphony.
This versatile artist gathered her initial experiences with community outreach during a voluntary social year in Costa Rica. And by now, she can look back upon numerous successful projects—like developing the All Stars Inclusive Band (the mdw’s first inclusive ensemble) and assuming musical direction of the Wiener Festwochen festival opener.
The theme of this multiauthor volume, which presents lectures from the 29th Annual Conference of the German Society for Popular Music Studies, hits a socio-political nerve for more reasons than just the increasingly nation-centred coronavirus mitigation strategies.
In music acoustics, the process by which player actions affect the acoustics of an instrument is known as “player-instrument interaction”, which is a research topic that has been investigated in connection with a broad variety of instruments. In single-reed woodwind instruments such as the clarinet and saxophone, sound is produced by the vibration of a single reed attached to a mouthpiece.
Stage director Wojtek Klemm has joined forces with third-year acting students of the Max Reinhardt Seminar to develop a play about showbusiness itself. Killing of Silent Hopes casts its gaze on the trials and tribulations of life as an actor/actress.
Richard Strauss’s opera Ariadne auf Naxos is the ideal material for a project that aims to interlace the numerous departments of the mdw – University of Music and Performing Arts Vienna. Participants explain just why that is so in a conversation with mdw Magazine.
What kinds of works written for the piano are well suited to helping young players discover the world of contemporary music? What are the technical boundaries within which one can compose innovative piano pieces of pedagogical value that are realisable in lessons and still embody convincing compositions in their own right?
Since 2015, Marialena Fernandes and her students have taken regular trips to the Indian province of Goa. And last year, before the backdrop of Beethoven 2020, they were able to gather some very special musical impressions.
The Webern Kammerphilharmonie, whose players are drawn from the ranks of the mdw, was first brought together with a concrete objective in mind: to support young artists in launching their future careers as professional orchestral players. The ensemble, originally with the English words “Chamber Orchestra” in its name, was founded in 2015. Ever since, it’s been bringing together excellent mdw students and graduates.
In keeping with the motto “change as a driving force”, this successful and authentic singer, bandleader, and composer—a courageous, powerful woman whose art overcomes divisions in more ways than one—is fighting for better working conditions in her profession and for social justice.
4th-year Max Reinhardt Seminar students Johanna Mahaffy and Anton Widauer are fast approaching graduation. But the ongoing pandemic means huge challenges in terms of training and job-hunting.
Friderikke-Maria Hörbe has been a professor of ensemble work and role development at the Max Reinhardt Seminar since March 2020. She recently spoke with mdw Magazine about her teaching work and about how she came to acting.
Jane Austen and karaoke – an unusual combination? Indeed. And an extremely compelling one, at that. With Pride and Prejudice* (*sort of) [German title: Stolz und Vorurteil* (*oder so) ], British author Isobel McArthur recently created a refreshing adaptation of Jane Austen’s world-famous novel for the stage in which five women give their all.
Maria Happel and Annett Matzke, the Max Reinhardt Seminar’s new leading team, on their visions for this legendary theatre school.
Sci-Fi flicks with breathtaking visual effects and digital art: for a whole lot of us, the instant association here is with Hollywood. But the filmmakers behind Rubikon want to demonstrate that in the future, people should also think of Austria.
Film Academy Vienna has a new professor of directing: Jessica Hausner joined us to discuss her approach to the filmic medium and the emphases that she envisions for her teaching. This spring will see the release of a book on this filmmaker’s oeuvre as part of a series published by Film Academy Vienna.
The core feature of training for the job as cinematographer is students’ freedom to learn in a playful manner. They need time and space so that they can grow artistically, dare to experiment, probe boundaries, explore visual languages, and pursue new avenues of creativity.
After 52 years, Film Academy Vienna is leaving this history-steeped building on Metternichgasse and moving to its new home in the Future Art Lab on the mdw Campus. Screenwriting and directing student Albert Meisl provides his own very personal look back at the history and spirit of this building.
On 11 November 2020, the Music and Minorities Research Center (MMRC) launched its first annual lecture, delivered in online form. Despite the special circumstances, this event managed to engage an interdisciplinary audience from all around the world and fulfil its main goal, which was to bring scholars from different disciplines together in constructive and lively discussions.
Even if the field of cultural management—to which Cultural Institutions Studies as developed in Vienna belongs—is a relatively young field of study, there do exist a number of introductions to it that are intended for use in academic teaching.
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