Musethica

It is music’s power to overcome barriers and leave people deeply touched that the association Musethica has to thank for its consistent development since the very beginning.

Contemporary Arts Practice

Over the past four semesters, 16 students have engaged deeply with forms of artistic expression, techniques, and processes, also pursuing intensive work on the deepening of their own artistic language, various modes of collaboration, the scholarly undergirding of artistic practice, the cultural landscape’s socioeconomic and/or socio-political structures, and competencies relevant to managing organisations and oneself.

Sounding Visions Award 2025

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On 20 February, the Future Art Lab’s Sound Theatre hosted the final round of the Sounding Visions Award. Six exceptional artists and ensembles presented their performances to a live audience both in the hall and online.

An International Composition Competition of the mdw, Beijing’s Central Conservatory of Music, and Universal Edition

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2025 marks the beginning of a special cooperative project: CCOM, the mdw, and the renowned Austrian music publisher Universal Edition (UE) have teamed up to plan a competition for young composers. This competition is set to take place every two years, alternating between chamber and orchestral music focuses.

Music

“It’s not about faster, higher, farther!”

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Jan Jiracek von Arnim, who was appointed as the mdw’s youngest-ever professor of piano in 2001 and assumed artistic directorship of the International Beethoven Piano Competition Vienna in 2011, talks about proper breathing, dancing lessons’ beneficial impact on music-making, and his ambivalent stance toward competitiveness in the arts.

Alumna in Focus: Verena Giesinger

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It was in 2014 that the formally trained music therapist Verena Giesinger assumed musical leadership of the Wiener Schmusechor, a choir she’d founded herself—thereby veering off from her former professional path to embark upon a new career. Today, the mdw graduate has found fulfilment in conducting and is setting an example for more diversity in the music scene with her exceptional ensemble.

Alumni in Focus: Paul Müller

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Ever since he was very little, Paul Müller has been fascinated by singing and by theatre. And to this day, the Austrian-Swiss unites these two passions—winning over audiences when he takes the stage as a singer and actor and demonstrating his pedagogical prowess as a school textbook author and secondary school teacher as well as in his position as a senior artist for voice-related subjects at the Max Reinhardt Seminar and lecturer at the Antonio Salieri Department.

Drama

Entering into Dialogue with the World

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For all of them, it began with everything standing still: the present year’s crop of graduating stage directors at the Max Reinhardt Seminar—Manuel Horak, Lukas Schöppl, and Florian Thiel—commenced their studies at the height of the pandemic. That period’s outward stasis had given rise to an inner urge to move forward—and all three, with their starkly differing life histories up to then, took and passed the entrance examination for the Max Reinhardt Seminar’s stage directing programme.

Allowing Room for Error – Role Development at the Max Reinhardt Seminar Florentina Finder

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Elizabeth Blonzen has been teaching the subject of Role Development at the Max Reinhardt Seminar since October 2024. In the following, the actor and playwright tells mdw Magazine why Vienna is the ideal city for actors, how one goes about cultivating courageous acting personalities, and why people at the Max Reinhardt Seminar might allow each other a little something more.

“Intimacy coordination creates meaningful scenes within actors’ boundaries”

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Actor Katharina Haudum also works as an intimacy coordinator— in which capacity she has been teaching the course Intimacy Coordination and Consent-Based Practice at the Max Reinhardt Seminar since the summer semester of 2024. She recently provided mdw Magazine with intriguing insights into her work.

An Interview with Ute Lemper: “No matter where you land, keep on searching“

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In her recently published book Die Zeitreisende [Time Traveler], global star Ute Lemper describes her unusual journey as an artist—including the years she spent at the Max Reinhardt Seminar. The reading tour of this multiple award-winning actor, singer, dancer, and author included a stop in Vienna, where she joined us at the Seminar for this interview.

Film

Claire Simon: Every Life Is a Film

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In conjunction with the Claire Simon retrospective Jedes Leben ist ein Roman [Each Life Is a Novel] at the Film Museum from 17 January to 24 February 2025, the filmmaker herself came to Film Academy Vienna, the mdw’s Department of Film and Television, for a one-day seminar on 20 January. Students had the opportunity to discuss Simon’s films with her at the Arthouse Cinema, the University’s own movie theatre.

The Annual Showcase of Film Academy Vienna

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Film Academy Vienna’s “Werkschau”, a showcase event that gives its students the opportunity to present their projects to a wide audience on a big screen, takes place once each year. The Gartenbaukino, the Stadtkino Wien, and the mdw’s own Art House Cinema treat the general public to a multifaceted three-day programme comprised of feature-length and short films by Film Academy students from various degree programmes and semesters.

Les funambules du son direct

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In a film industry somehow capable of rescuing itself from crisis to crisis, as part of which its magic is being systematically stripped away layer by layer, location sound has a smaller and smaller role to play. It has separated from filmmaking as such to become something like a peculiar accessory of the film industry.

Research

mdwHistory: The Fachhochschule of Music and Performing Arts – A Failed Experiment 100 Years Ago at the mdw

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In late 1924, just over a century ago, the then-Academy of Music and Performing Arts was joined by a Fachhochschule of Music and Performing Arts—a further predecessor of today’s mdw that was intended to operate in parallel with the Academy. Just a few years later, however, the Fachhochschule was dissolved—plunging its sister institution into a deep crisis.

Early Stage Researchers: Phædrus, an Ecological Practice of Resonance through Uncharted Music

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The promise of transformative, touching experiences is what drives the art business. Sociologist Hartmut Rosa, framing it in a broader perspective, identifies this quest as a historical paradigm that propels the acceleration of late modern society in the interest of increasing the individual’s “shares of the world”. He refers to it as the promise of resonance. Resonance, as a modality of correlation with the world, is something to which we are naturally drawn.

‘Trans-Bodied Knowledge’ Goes to Japan

“Trans-Bodied Knowledge” is an artistic research project led by Efilena Baseta and supported by the Austrian Science Fund’s PEEK programme for arts-based research in which a technologically oriented university—TU Wien—is collaborating with an artistically oriented university—the mdw—in an attempt to generate unique insights by blurring the boundaries between science and art.