Friderikke-Maria Hörbe has been a professor of ensemble work and role development at the Max Reinhardt Seminar since March 2020. She recently spoke with mdw Magazine about her teaching work and about how she came to acting.
Jane Austen and karaoke – an unusual combination? Indeed. And an extremely compelling one, at that. With Pride and Prejudice* (*sort of) [German title: Stolz und Vorurteil* (*oder so) ], British author Isobel McArthur recently created a refreshing adaptation of Jane Austen’s world-famous novel for the stage in which five women give their all.
Anna Marboe, born in Vienna in 1996, is a stage director and musician. She studied directing at the Max Reinhardt Seminar, from which she graduated in 2019. mdw Magazine got in touch with this versatile artist recently to talk about her artistic development and creative work.
Those who become professional actors necessarily end up developing a certain relationship with death.Romeo drinks poison and Juliet stabs herself with a dagger; Stella drinks poison and Fernando shoots himself; Woyzeck murders Marie in a fit of bloodlust with countless stabs of a knife; Ferdinand kills Luise and himself with poison...
“The body already does a lot of things right on its own; the training that we do here acts as a ‘helping hand’,” says Aleksandar Acev, who’s been a professor of basic physical training and physical theatre at the Max Reinhardt Seminar since this October.
In April of 2018, the mdw sent Beverly Blankenship and Anna Maria Krassnigg to the Hanoi Academy of Theatre and Cinema, an ASEA-UNINET partner institution, to join students there in developing a condensed stage version of William Shakespeare’s Romeo and Juliet.