Austrian Composers’ Day 2016
Den 22. Oktober 2016 nutzten 150 KomponistInnen und SongwriterInnen, um sich über aktuelle Entwicklungen im Musikbereich zu informieren.
Den 22. Oktober 2016 nutzten 150 KomponistInnen und SongwriterInnen, um sich über aktuelle Entwicklungen im Musikbereich zu informieren.
Nach der Gründung des österreichischen Forschungsnetzwerks PopNet Austria fand von 1. bis 3. Dezember 2016 erneut eine Tagung zur Popularmusikforschung in Österreich statt.
The history of the mdw actually embodies two centuries of Austrian cultural history, all of whom have one thing in common: their ascent to the world stage.
Beverly Blankenship explains why you need thick skin to work as a director and how rehearsals run in an international ensemble.
China invests in the encouragement of creativity and trusts in the mdw‘s specialised expertise.
Success is something very subjective. It’s often small successes and big failures that bring us closer to our actual goals...
Two graduates and a current student tell the mdw Magazine about their time at the mdw, how they deal with setbacks, and what success means to them personally.
With the 7th International Joseph Haydn Chamber Music Competition just around the corner, we take a look into the rear-view mirror and ask previous participants what significance the competition has had for them.
The seventh edition of the Vienna Music Business Research Days featured the comparatively new theme of career centres at universities of music.
Angela Myles Beeching provides a look into her work as a career adviser and coach for musicians while also talking about the role of the audience and the challenges young artists face today.
This past summer, the University Library moved to its new location on the mdw campus after 103 years on Lothringerstraße.
From 1945 to his death in 1973, music theorist Erwin Ratz taught theory of form at today’s mdw. He was appointed professor in 1957.
The leading team of ipop explains what would be missing from Austria’s musical landscape without the department.
Art and research connect at the Department of Popular Music: a survey of the research project Performing Diversity and a look back at the experimental concert Clash Concerty.
Since the autumn of last year, Barbara Strack-Hanisch has headed the Leonard Bernstein Department of Wind and Percussion Instruments.
In the early summer of 2017, young pianists will converge on the mdw for the 15th time to prove their Beethoven expertise before an international jury and the Viennese public.
It’s with a very special sound experiment that Wien Modern will once again be traveling unconventional paths.
Josephine Bloéb and Meo Wulf, both recently graduated from the Max Reinhardt Seminar, are building their onstage careers with lots of energy and selfconfidence.
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