Mag.a Dr.in Elisabeth Reisinger, BA

Lothringerstraße 18 (LS 03 12), A-1030 Vienna

reisinger-e@mdw.ac.at

+43 (1) 71155 3530

Principal Investigator (Senior Postdoc) – FWF-funded project “Performers as Commissioners of New Music in the Twentieth Century”

Secretary General of the Austrian Society for Musicology (ÖGMw)

ORCID

Research Blog

Research Topics

  • Patronage and sponsorship of music through performers (20th century)

  • Benny Goodman

  • Performances/reception/context of Franz Liszt’s music in Rome (19th century)

  • Aristocratic music culture (18th and early 19th centuries)

  • Cultural and social history of music

Short Bio

Elisabeth Reisinger studied musicology and history at the University of Vienna, where she was engaged in several research projects on music at the Bonn Court in the late eighteenth century (2013–2018). In 2019, she was a postdoc fellow at the Austrian Historical Institute in Rome and subsequently at Harvard University’s Department of Music. In August 2020, she returned to the University of Vienna to complete her FWF-Schrödinger-project on Benny Goodman. Before she started her current position at the mdw, she held a short term research fellowship by the Paul Sacher Foundation in Basel. Since 2017, she has been Secretary General of the Austrian Society for Musicology.

Reisinger’s research articulates a relational conception of music as a vibrant and dynamic sociocultural practice, driven by a specific interest in the relationships, networks, and agencies of musical actors, as well as the dynamics in the field of patronage. While in her diploma thesis she dealt with the institutional structures and economies in which musicians were embedded in the early nineteenth century, her dissertation was positioned in the field of patronage research and focused on Maximilian Franz of Habsburg-Lorraine, Elector of Cologne, as a musical actor and patron in the second half of the eighteenth century. In an additional research project on Franz Liszt, Reisinger further focused on one performer and broadened her research scope in the fields of performance and reception history. In her current project, she highlights the economic and creative involvement of performers in processes of musical creation and repertoire formation.

Upcoming Lectures / Conference Papers / Events

"The 'Classical' Benny Goodman: Conceptions, Perceptions, Legacies" - free paper at the 21st Quinquennial IMS Congress, Athens, Aug. 2022

"Transatlantic Perspecitves on Women Performers as Patrons: Antoinette Vischer, Sylvia Marlowe, and the Modern Harpsichord" - paper at the study group meeting "Musical Patronage across Borders: Gender, Institutions, and Economics of Music" at the 21st Quinquennial IMS Congress, Athens, Aug. 2022

» complete list of lectures and conference papers

Recent Publications

"Zwischen Wien, Bonn und Modena: Erzherzog Maximilian Franz und die kurkölnischen Musiksammlungen." Studien zur Musikwissenschaft 61 (2022), 41–71 (with Birgit Lodes and John D. Wilson)

Musik machen – fördern – sammeln. Erzherzog Maximilian Franz im Wiener und Bonner Musikleben (Schriften zur Beethovenforschung 31; Musik am Bonner kurfürstlichen Hof 3), Bonn: Beethoven-Haus, 2020

Forthcoming

“More Than One ‘Double Life:’ Artistic Conceptions, Networks, and Negotiations in Benny Goodman’s Commissions to Paul Hindemith and Darius Milhaud” (manuscript accepted for the Journal of the Society for American Music)

» complete list of publications