Symposium 
Listening to Fear: Music, Emotion, and Crisis in Eurasia, 1550–1750

6–8 May 2026
Festsaal (Seilerstätte 26, 1010 Vienna) 

 

This interdisciplinary symposium explores how fear shaped early modern Eurasian societies (1550–1750) through the lens of sound and music, with a focus on the often-overlooked lands bridging the Habsburg and Ottoman monarchies. By bringing together experts on the histories of emotions, the body, and the senses with scholars in music and sound studies, it will examine the ways that fear was used as a tool of authority, a response to crisis, and as a spiritual and embodied force. Topics to be discussed range from sonic strategies of protection in Christian or Muslim traditions to the emotional resonance of music in moments of war, plague, and migration. In doing so, this symposium aims to explore the shared human experiences that emerge when fear and sound intersect and to thereby challenge entrenched narratives of division.

 

Programme

Wednesday, 6 May 2026

PANEL 1

 

10:00–10:20

Welcome and Introduction

Linda Pearse, Marie Louise Herzfeld-Schild, Scott L. Edwards

10:20–10:50

Una McIlvenna

The Manipulation of Fear in Early Modern Disaster Ballads

10:50–11:00

Florian Kasseroler

Lightning Talk
 

 

COFFEE BREAK

KEYNOTE 1

 

11:30–12:30

Andreas Bähr, Europa-Universität Viadrina Frankfurt (Oder, GER)

The Power of Fear and the Power of Sounds in Early Modernity

12:30–13:15

Workshop with Andreas Bähr
 

 

LUNCH BREAK

PANEL 2

 

14:50–15:20

Vladimír Maňas

The Last Two Waves of Plague in Baroque Brno (Moravia): The Role of Music in Public Processions and Other Rituals

15:20–15:30

Delilah Rammler

Lightning Talk

15:30–16:00 

Agata Katarzyna Meissner
The Presentation of the Siege of Vienna in an Anonymous Viennese Lamentation: An Example of Military Motifs in Late 17th-Century Keyboard Music
 

 

COFFEE BREAK

KEYNOTE 2

 

16:30–17:30

Jacob Olley, Durham University (UK)

Speaking Mountains, Shrieking Vampires, and Whistling Djinns: Sonic Supernaturalism in the Ottoman World

17:30-18:15

Workshop with Jacob Olley

Thursday, 7 April 2026

PANEL 3

 

9:50–10:20

Linda Pearse

Bells and the Adhān: Sonic Rituals and Fear in the Austrian Habsburg–Ottoman War (1593–1606)

10:20–10:30

Elina Viluma-Helling

Lightning Talk

10:30–11:00

Salih Demirtaş

Sonic Traces of Order against the Fear of Decline: Aural Vision in the Post-Passarowitz Ottoman World
 

 

COFFEE BREAK

KEYNOTE 3

 

11:30–12:30

Nina Macaraig, previously Koç University (TUR), independent scholar

Sound Measures against Disease and Death: The Soundscapes of Ottoman Hospitals and Tombs

12:30–13:15

Workshop with Nina Macaraig
 

 

LUNCH BREAK

PANEL 4

 

14:50–15:20

Hee Seng Kye 
Sounding Danger: Heuristics of Fear from Ottoman Drums to Digital Worlds

15:20–15:30

Blake Shepherd

Lightning Talk

15:30–16:00

Vijay Ratiney 
The Musical Offering as Political Allegory: Fear, Power, and Faith at the Prussian Court
 

 

COFFEE BREAK

KEYNOTE 4

 

16:30–17:30

Alexander Fisher, University of British Columbia (CAN)
‘Erhör uns, lieber Herre Gott’: The Litany and Fear in Early Modern Germany

17:30–18:15

Workshop with Alexander Fisher

Friday, 8 May 2026

PANEL 5

 

9:30–10:00

Leonie Krempien

‘And be your Loves Immortal as your Fames!’ War, Patriotism, and Witchcraft in Dennis/Eccles' Rinaldo (1698)

10:00–10:30

Martin Čurda

Storms, Furies, and Divine Wrath in Early-Eighteenth-Century Vocal-Instrumental Music
 

 

COFFEE BREAK

KEYNOTE 5

 

11:00–12:00

Bettina Varwig, Cambridge University (UK)
An Archaeology of Musical Chills

12:00–12:45

Workshop with Bettina Varwig
 

12:45–13:00

Final Remarks
Linda Pearse, Marie Louise Herzfeld-Schild, Scott L. Edwards

 

Organizers:
Dr. Linda Pearse, Canada Research Chair in Music, Contact, and Conflict, Mount Allison University
Dr. Marie Louise Herzfeld-Schild, Professor of Music, University of Music and Performing Arts Vienna (mdw)
Dr. Scott L. Edwards, Assistant Professor, University of Music and Performing Arts Vienna (mdw)