He does ask himself whether his story will really be of that much interest, says Enzo Brumm right at the beginning of our conversation. 25-year-old Brumm is an acting student in his fourth and final year of study at the Max Reinhardt seminar. As a teenager, he was in the youth club at the Ernst Deutsch-Theater in Hamburg, and he’s now returning there for a production—as a full-fledged actor in a production of Don Carlos.
On 11 November 2020, the Music and Minorities Research Center (MMRC) launched its first annual lecture, delivered in online form. Despite the special circumstances, this event managed to engage an interdisciplinary audience from all around the world and fulfil its main goal, which was to bring scholars from different disciplines together in constructive and lively discussions.
Rector Ulrike Sych and Vice Rector Johannes Meissl provide insights into the future of this new building from the Rectorate’s perspective, outlining the overall backstory, expectations, and possibilities.
The academic year of 2020/21 marks the birth of the mdw’s Department of Early Music—and in the following conversation, department head Stefan Gottfried and deputy head Eugène Michelangeli speak about their approaches to historically informed performance and the initial projects of this new department.
Austrian musicologist Gerold W. Gruber is the founder and head of the mdw’s exil.arte Centre. exil.arte functions as a point of contact and interface for research on as well as the reception, preservation, and presentation of works by Austrian composers, musicians, and music researchers who were deemed “degenerate” by the Third Reich.
After two years of intensive work, our university’s Diversity Strategy is finished. How diversity can be compatible with the idea of entrance exams, what concrete measures have now been planned, and just what good all this will do our institution are explained by Rector Ulrike Sych and Vice Rector Gerda Müller in the following interview.