These days, playlists with titles like “Music About Suicidal Thoughts” are easy to find. It’s thus anything but a marginal topic that the book Musik und Suizidalität. Interdisziplinäre Perspektiven sets out to tackle, thereby taking its place among a growing number of publications that scrutinise the effects had by music about suicidal fantasies, intentions, preparations, and acts both generally and on the phenomena that it addresses.

When one thinks of the popular music of Yugoslavia, it’s frequently that country’s well-researched rock and punk music that come to mind—genres that are ascribed a political and subversive character. Disco, in contrast, has been viewed as apolitical and commercial and hence received commensurately less attention. It is with the comparatively little-researched area of Yugoslav disco that this special issue of the open-access journal TheMA therefore deals.

This volume, edited by mdw scholars Rainer Prokop and Rosa Reitsamer, presents an excellent collection of articles that critically examine how neoliberalism has shaped recent changes in music education policies and programmes.

The fact that Helmut Lachenmann now occupies an outstanding position in the contemporary music scene is owed not just to his compositions but also to the efficacy of his writings, which have stimulated the production of a considerable number of texts referring thereto.

The November 2023 release Handbuch Musikvermittlung [Music Mediation Handbook] has not only met but also far exceeded all expectations. Editors along with their 57 co-authors from the music mediation community and adjacent fields, succeed here in sketching out the contours of music mediation in all of its dimensions, colours, and nuances across this handbook’s easily digestible chapters.

Following up on Music – Media – History (transcript, Bielefeld 2021), Elias Berner and Matej Santi have now published the second book of the project “Telling Sounds”. While their first publication—based largely on contributions to an international conference held at the mdw in 2019—was released at the project’s outset, the present volume serves as something of a concluding summation.

Judith Kopecky’s investigation of Viennese musical life in 1928 for her dissertation project is an accomplishment of meticulous rigor. Her research focused on that era’s genre of the “concert song” (Konzertlied), under which she subsumed not only works for voice and piano but also Lied-type works accompanied by an instrumental ensemble or orchestra.

In the multi-author volume YouTube and Music. Online Culture and Everyday Life, edited by Holly Rogers, Joana Freitas, and João Francisco Porfírio, various contributors shed light on how record companies, musicians, and users take advantage of YouTube’s potential.

Die Eroberung des Museums by Ina Roß investigates how the Tribal Museum (founded in 2013) of the City of Bhopal, which lies in the central Indian state of Madhya Pradesh, has been appropriated and also co-determined by its visitors since it opened.

The newly released fourth volume of the Viennese music education-related publication series wiener reihe musikpädagogik revolves around inclusive music-making in all its breadth, covering its practical, pedagogical, and aesthetic dimensions including actual music-making practice.