The core feature of training for the job as cinematographer is students’ freedom to learn in a playful manner. They need time and space so that they can grow artistically, dare to experiment, probe boundaries, explore visual languages, and pursue new avenues of creativity.
Malina Nwabuonwor and Alexander Reinberg study in Film Academy Vienna’s Screenplay Writing and Dramaturgy class. The two young authors spoke with mdw Magazine about how they got started writing, their takeaways from experiences studying abroad, and where they find inspiration for their work.
Income losses of up to 100 % and still-non-existent perspectives on how, in what form, and above all when things might be able to go forward: that’s the situation in mid-April for numerous arts and cultural professionals in Austria.
Well-tempered is an expression that pops up frequently in conversations with Henning Backhaus. This wouldn’t be surprising if he were a musician, but when a filmmaker uses it, it’s a good bit more noticeable.
Six months from the screenplay’s initial words to completion of a four-part TV series: four Film Academy Vienna students took up this challenge and produced the series Prost Mortem – Die letzte Runde.
There exists virtually no form of human fear or anxiety that hasn’t at some point been employed in thrillers or horror movies.
Three Young Filmmakers Tell Us About Filmmaking with Children.
A New Event Series of the mdw’s Department of Folk Music Research and Ethnomusicology (IVE).
Being in their early 30s—and though they’re students at Film Academy Vienna, they’re also already in demand as camera operators.
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