On 23 June 2025, the Banquet Hall of the mdw played host to the third edition of “Kooperieren – Amateurmusiker_innen musizieren mit Studierenden” [Cooperating – Amateur Musicians Make Music with Students]. This evening event, held as part of the annual Fête de la Musique, once again placed amateur music-making and musical exchange between students, teachers, and lay musicians firmly in the spotlight.

How does the truly “artistic” manifest itself in a music lesson—and how can that be put into words? These questions were central to the interdepartmental workshop “Instrumental-/Vokaldidaktik künstlerisch befragt” [Instrumental and Vocal Didactics, Artistically Queried], organised by the Music Education for Voice and Instruments (IGP) team.

It is music’s power to overcome barriers and leave people deeply touched that the association Musethica has to thank for its consistent development since the very beginning.

Over the past four semesters, 16 students have engaged deeply with forms of artistic expression, techniques, and processes, also pursuing intensive work on the deepening of their own artistic language, various modes of collaboration, the scholarly undergirding of artistic practice, the cultural landscape’s socioeconomic and/or socio-political structures, and competencies relevant to managing organisations and oneself.

On 20 February, the Future Art Lab’s Sound Theatre hosted the final round of the Sounding Visions Award. Six exceptional artists and ensembles presented their performances to a live audience both in the hall and online.

2025 marks the beginning of a special cooperative project: CCOM, the mdw, and the renowned Austrian music publisher Universal Edition (UE) have teamed up to plan a competition for young composers. This competition is set to take place every two years, alternating between chamber and orchestral music focuses.

12 June will witness an international symposium and, with it, the opening of the International Research Center Gender and Performativity (ICGP) chaired by the theatre studies scholar and gender studies professor Evelyn Annuß. In view of current anti-gender politics, the establishment of the ICGP is a clear statement by the mdw concerning academic and cultural policy.

From 4 to 7 February of this year, the 6th Mauricio Kagel Composition Competition took place in the Fanny Hensel-Saal and was also streamed live on the Internet. Its jury publicly discussed the 14 compositions nominated for the final round, which saw them performed by students of the Ludwig van Beethoven Department of Piano in Music Education.

isa, the International Summer Academy of the mdw, will take place this year on the mdw’s main campus at Anton-von-Webern-Platz, a new spatial setting that’s well positioned to offer students more opportunities—especially for creative exchange.