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AUSZEICHNUNG: ROTTING SOUNDS – Subject to inevitable erosion
ROTTING SOUNDS – Subject to inevitable erosion
Der digitale Zwilling lebt auf Servern der mdw – sekundenaktuelles Buch unter „free download“: https://fragments.mdw.ac.at/
Artistic Doctorate: Final Presentations 2026
In the artistic doctoral programme’s annual Forum of the Artistic Research Lab, mdw students of the Dr. Artium programme present audiovisual contributions from their current artistic research projects. The spectrum ranges from new forms of composition and interpretation to experimental approaches to curating, media art, film, and performance practice.
Friday, 12 June 2026
19:00–22:00
Saturday, 13 June 2026
19:00–22:00
Location:
Future Art Lab am mdw-Campus, Bauteil V
Anton-von-Webern-Platz 1, 1030 Wien
Rooms: Klangtheater and Arthouse-Kino
Programme
Friday, 12 June 2026
| 19:00 | Christos Marantos Εἰκὼν τοῦ εἰκότος (Τιμαῖος / Πλάτων) — Image of the Likely (Timaeus / Plato), Karlsplatz |
| 19:20 | Clarissa Thieme Save the Amazon – Resumption |
| 19:40 | Belenish Moreno-Gil Mesa Camiya: Voices, Instructions and Other Temporalities |
| 19:55 | Intermission — move to Arthouse-Kino |
| 20:15 | Hannah Dörr Deconstruction of Image Spaces: An Approach to an Unreliable Image |
| 20:30 | Yulia Lokshina Forest of Things |
| 20:45 | Ginan Seidl spectral habitats: audiovisual strategies of kinship |
| 21:00 | Intermission — move to Klangtheater |
| 21:15 | Lianzi Li From Within: Relational Dynamics in Zheng Performance |
| 21:35 | Marco Döttlinger MACHINA INQUIETA |
| 21:55 | Caroline Heider FOTOTECHNIK * trouble |
| 22:00 | End of evening programme |
Saturday, 13 June 2026
| 19:00 | David Panzl The Art of Timing and Presence: Jo-Ha-Kyū and Zanshin |
| 19:25 | Aya Masui Ambi-/Perspec-topia |
| 19:40 | Dustin Zorn From Prototypes and Sketches: The Before and In-Between of Setup Design in Live Electronics |
| 20:00 | Paolo Vuono Outside Expanded: Remote Listening and Temporal Displacement |
| 20:15 | Patrik Lechner Title TBA |
| 20:30 | Intermission |
| 20:50 | Athanasia Kontou Comedic Monologue and Musical Comedy in the Context of Personal Vulnerable Storytelling |
| 21:15 | Katelyn King Performance Trace #1.6 |
| 21:35 | Gerhild Steinbuch Title TBA |
| 21:50 | End of evening programme |
Philosophy on Stage #6: Notebook of the Heart
Herzforschung auf der Bühne und auf allen Ebenen: Philosophy On Stage #6: Notebook of the Heart ist ein viertägiges Forschungs-Lab zwischen Kunst und Philosophie, in dem das Publikum eingeladen ist, an crosskultureller Forschung über das Herz teilzunehmen. Forscher*innen aus Indien, Europa und Nordamerika aus den Bereichen Kunst, Philosophie, Kardiologie und Quantenphysik bringen ihre Expertisen über die pulsierenden Realitäten des Herzens auf die Bühne des brut nordwest und vermitteln so einen Geschmack und ein gemeinsam geteiltes Gefühl für rhythmisch vibrierende Materien: vom Pulsschlag des menschlichen Herzens über kosmische Herzschläge bis zum Puls der Erde, mit dem sich alle Lebewesen in Übereinstimmung bringen.
Time & Location
09 Apr 2026, 6:00 PM
brut nordwest
Nordwestbahnstraße 8–10
1200 Wien
more Dates
09 Apr 2026, 6:00 PM
10 Apr 2026, 9:30 AM
11 Apr 2026, 9:30 AM
12 Apr 2026, 10:00 AM
Entry
Free
Registration
online via brut-wien.at
Contact
Eva Maria Jägle
jaegle@mdw.ac.at
Katelyn King EPARM Research performance
EPARM Working Group
Friday 10 April, 15:50 – 16:30, Levinsalen, Norwegian Academy of Music (NMH) OSLO
aNOther festival: „Dirty Hands“
The urgency for artists to address the existential threat of climate change raises the question of how this could or should be done. While artists are probably not necessarily experts when it comes to calculating the carbon footprint of a performance, they are highly qualified to explore the boundaries between nature and culture or even to question them fundamentally. Must art necessarily be artificial in the sense of unnatural? Wouldn’t it be an artistic approach to move away from abstraction and aloofness—perhaps even from human arrogance—and literally get our hands dirty?
Program:
Saturday from 19:00 pm:
mdw bass clarinetists, Petra Stump-Linshalm, Heinz-Peter Linshalm und mdw Studierende: Psalms
Yeison Fernando Buitrago Vargas, Hanna Abril, Aleida Ramírez: Amazonia Sonora
Belma Bešlić-Gál, Catherine Spet: Pod zemljom
W.A.L.Z. Performance Collective: Andrea Nagl, Karlheinz Essl, Markus Wintersberger: Geology of Thought
Margarethe Maierhofer-Lischka: those who take care of us
Tian Fu, Xinyue Hu, Sihua Ren, Sophie Thammer: 贰null⅞♭ · Eremita Case
Sunday from 19:00 pm:
Si Pehbowen, Johannes Kretz, Charlie Beresford: Native Aliens
DIGMA: Trani-Argence Alice, Bouvier Samuel: Loud Parleur
ensemble N, Teresa Doblinger, Audrey G. Perreault, beyond frames
Franz Hautzinger, Oleg Soulimenko: First there were holes, and that’s the way it was supposed to be
Birgitta Flick, Sylvia Bruckner, Christa Stöffelbauer: Handmade Resonances
www.anotherfestival.org www.ignm.at www.ikultur.com
pay as you wish

STRANGE RESEARCH – EVENT CANCELLED!
December 17, 2025 (CANCELLED!)
Meeting point: Main entrance, mdw Campus (Anton-von-Webern-Platz 1, 1030 Vienna), 18:00
Participants: Marilies Jagsch, Sarah Kolb, Manuel Riegler, Thomas Thalhammer with team (Julia Hölzl, Derrick Ryan Claude Mitchell, Ruth Anderwald)
This event is situated within the first research program of the FWF PEEK project “Unknown Beyond Abyss: Toward Vocabularies of/for/at the Limit”.
Aiming at a collaborative exposure to the limits of knowing and the im/possibility to experience them, it will engage philosophical-artistic practices that oscillate between understanding and unknowing.
This research was funded in whole or in part by the Austrian Science Fund (FWF) 10.55776/ART5589424
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Defence of Birgitta Flick
Date: 25 November 2025, 16:00
Location: mdw-Bankettsaal (AW SEG 23), Anton-von-Webern-Platz 1, 1030 Wien
The mdw Artistic Research Center invites you to the defense of the artistic dissertation Refiguring Composition by Birgitta Flick.
Commission Members:
Henrik Frisk, professor in music, specialization in digital sound art, Royal College of Music, Stockholm
Monika Herzig, Vizerektorin für Diversity & Internationales, Univ.-Prof.in für Artistic Research, JAM MUSIC LAB University
Maria Gstättner, Bassonist, Composer and Artistic Researcher, mdw
Supervision:
Tasos Zembylas, Samuel Grillusz, Annegret Huber, Fredrik Hedelin
Final Presentation Jagoda Szmytka
Date/Time: 01 October 2025, 18:00
Place: Klangtheater, Future Art Lab, Anton von Webern Platz 1, 1030 Vienna
Beautification is an event comprised of concert of instrumental solo and chamber music composed by Jagoda Szmytka, accompanied by an exhibition of sketches and drawings created by the composer in parallel with her work on the scores. Four of the six programmed compositions were written especially for three artists — violinist Marta Piórkowska, cellist Leo Morello and guitarist Samuel Toro Pérez — and will be premiered by them at the Hashtag Lab in Warsaw (22 September 2025) and performed again at the Klangtheater of the University of Music and Performing Arts Vienna (1 October 2025). In addition to the new pieces, the programme includes two older pieces — one of which is composed for amplified string instrument and audio- and video projection — in a new, revised version.
Beautification is one of the first public presentations of the results of Jagoda Szmytka’s artistic research, which she conducted from 2021 to 2025 in the framework of the Doctor Artium programme under the supervision of Professor Johannes Kretz, Professor Gesine Schröder, Franz Schuber and Professor Tasos Zembylas at the University of Music and Performing Arts in Vienna. The work on the scores and sketches, as well as the artistic collaboration between the composer and Marta Piórkowska, Leo Morello and Samuel Toro Pérez, was realised with the support of the mdw, the Tokyo Foundation, the Polish Institute in Vienna, the Austrian Federal Ministry for Housing, Arts, Culture, Media and Sport, the City of Vienna Cultural Department, the Austrian Cultural Forum Warsaw and the Capital City of Poland Warsaw. After the concert, Jagoda Szmytka will give a public lecture in which she will discuss the musical compositions performed in the concert, the sketches on display, and other parts of her artistic doctoral research project Almanac of Extended Composition.
CONCERT PROGRAMME
fantasia on beautification (2025) for electric guitar solo
f* for music (2012/2024-2025) for electric guitar and violoncello
canon (2025) for electric guitar and violoncello
figures and emotions (2025) for violin solo
variations on a theme by Forsythe (2025) for violoncello solo
körperwelten (2008/2025) for amplified bowed string instrument, audio and video projection
Jagoda Szmytka’s musical compositions are published by PWM Edition.
INTERPRETERS
Samuel Toro Pérez — electric guitar
Marta Piórkowska — violin
Leo Morello — violoncello
Philipp Kleinwort — sound direction, AV projection (concert in Klangtheater)
Wojciech Błażejczyk — sound direction, AV projection (concert in Klangtheater)
WORKS ON DISPLAY
The exposition features visual works which were created at the same time and in formal or other specific relation to instrumental compositions created during and as part of doctoral
artistic research studies. These are executed with mixed techniques — such as ink, graphite, pencil, polychromos pencils, oil pastels and gouache — drawings on paper which are related to programmed musical pieces, fantasia on beautification, canon, figures and emotions and variations on a theme by Forsythe. Moreover, the presentation includes selected visual sketches and score excerpts from the summer diary (2024-ongoing) — a double cycle of piano and drawing miniatures, score excerpts from states of matter for large orchestra and drawings which I created during compositional processes. The last group of drawings and score excerpts is entitled growth.
Katelyn King – The Performer as Protagonist: Taking Stock of Performer Initiatives and Agency
Transplanted Roots: Percussion Research Symposium
Festival Dates: September 10-13, 2025
Location: ESMAE (Escola Superior de Música e Artes do Espectáculo), Porto, Portugal
September 11 2025, 10:55
Katelyn King
“Investigating Affordances of “Things,” “Performers” and “Composers”:
The Collaborative Lab as Site of Knowledge Production”




