Fr 6th Oct and Sa 7th Oct 2023
mdw – Universität für Musik und darstellende Kunst Wien
Future Art Lab –Klangtheater, Anton-von-Webern-Platz 1, 1030 Wien
Veranstaltungsort: Universität für Musik und darstellende Kunst Wien, Anton-von-Webern-Pl. 1, 1030
Wien, Gebäude S (der Eingang befindet sich zwischen der Universitätsbibliothek und der Mensa), 2.
Liftstock, Spielmach(t)raum bzw. Raum-Nr. S 02 25. Der Zugang ist barrierefrei.
Freitag 29.9.2023
13:00 – 13:10: Begrüßung (Tasos Zembylas)
13:10 – 14:25: Christiane Schürkmann: „Zur-Welt-Sein zwischen Können und Nichtkönnen – Leib und Sinne im Spannungsfeld von implizitem Wissen und Nicht- wissen“
14:25 – 15:40: Stephanie Porschen-Hueck: „Leibliche und sinnliche Zugänge bei Kollaboration im virtuellen Raum? Erkenntnisse aus der Forschung zu ‚physischer Distanz‘ in der Coronapandemie“
15:40 – 16:00: Pause
16:00 – 17:15: Bernd Hackl: „Künstlerische Intelligenz. Versuch über das Menschliche im Zeitalter seiner technischen Simulierbarkeit“
17:15 – 17:30: Pause
17:30 – 18:45: Birgitta Flick: „Sinnliche Wahrnehmung und leibliche Erfahrung als Grund- lage für Praktiken des Komponierens und Improvisierens“
ab 19:00 Uhr: gemeinsames Abendessen
Samstag 30.9.2023
09:15 – 10:30: Barbara Lüneburg: „Untersuchung von Verkörperung (Embodiment) und Expressivität in der klassischen Instrumentalpraxis durch Methoden der künstlerischen Forschung“
10:30 – 10:45: Pause
10:45 – 12:00: Kai Ginkel: „Hybride Körper und intergenerationale Sozialität: Implizite Wissenspraktiken in der Performance von Exzellenz in der klassischen Musik“
12:00 – 13:30: Mittagessen
13:30 – 14:45: Wilfried Datler, Margit Datler und Bernadette Strobl: „Wenn zwischen dem Psychischen und dem Körperlichen noch gar nicht getrennt werden kann … Über die frühen Prozesse der Ausbildung von implizitem Wissen in den ersten Lebensjahren“
14:45 – 15:00: Pause
15:00 – 16:00: Resumé und Diskussion (Fritz Böhle)
Die Teilnahme ist kostenlos; eine formlose Anmeldung senden Sie bitte bis spätestens 10.9.2023 an:
zembylas@mdw.ac.at
Fritz Böhle, Jörg Markowitsch, Georg Hans Neuweg und Tasos Zembylas (Organisationsteam)
mdw – Future Art Lab – Klangtheater
Anton-von-Webern-Platz 1
1030 Wien
“As closing presentations of the Artistic Research Lab in the artistic doctoral program, fifteen mdw students will present audiovisual contributions from their current artistic research projects. The spectrum ranges from new and sometimes transcultural forms of composition and interpretation to experimental approaches to creation, media art, film sound, theater and choreography to historically informed performance practice as well as innovative turntablism”.
From April 19-21, 2023, the Norwegian University of Science and Technology (NTNU) hosts the 14th International Conference on Artistic Research in Trondheim. Organized in collaboration with the Society for Artistic Research, it is the largest conference on practice based research through the arts.
Friday 31st March
9:00 – 9:30 | ‘Not-the-L8Nite performances’ I A
Birgitta Flick artistic research doctoral candidatemdw – University of Music and Performing Arts Vienna (Austria) |
Studio Hall and online |
In the frame of the course “composition workshop”, the Iranian composer, singer, and Setar player Soroosh Ghahramanloo will present his work on May, 22nd 2023, which includes the development of an electric setar (traditional iranian string instrument) as well as his artistic work and research.
Place: mdw – University of Music and Performing Arts Vienna, Anton-von-Webern-Platz 1, 1030 Vienna, Room AO201.
Time: May, 22nd 2023, 18:15 – 20:15
Guests are welcome.
Free entry.
For further information please contact kretz@mdw.ac.at
The Austrian Federal Ministry of Education, Science and Research (BMBWF) – in cooperation with the Recovery and Resilience Facility (RRF) of the EU – is investing 40 million euros in the expansion and modernization of existing as well as in the acquisition of new high-quality (digital) research infrastructure within the framework of the call for proposals “(Digital) Research Infrastructures”.
The cooperative infrastructure research project “ÆSR Lab – Applied/Experimental Sound Research Laboratory” of the University of Applied Arts, the mdw (Artistic Research Center and Department for Composition, Electroacoustics and Tonmeister_innen-Education) and the Austrian Academy of Sciences (Phonogrammarchiv) was selected for funding.
The ÆSR Lab is a three-part, mobile and modular sound research laboratory at the interface of art and science, which as an infrastructure – with precise instrumentation and state-of-the-art technology – promotes interdisciplinary research and artistic design and helps to open up the development and testing of new technologies.
At mdw, the sub-project “ÆSR – sound projection laboratory” will now be implemented in the years 2023–2026 under the direction of Thomas Grill. The system to be developed within the framework of research and teaching will enable new and unconventional forms of spatial acoustic design for musical composition and performance.
Intersubjektives Klanglabor zur Beforschung auditiver Wahrnehmungsphänomene
Projektleitung: Bernhard Gál & Veronika Mayer
Anbindung: Institut für Komposition, Elektroakustik und TonmeisterInnen-Ausbildung, mdw – Universität für Musik und darstellende Kunst Wien
Finanzierung: AR-Pilot Call 2022 der mdw
Datum: 21. Januar 2023; 15:00-18:00
Ort: Klangtheater – FAL, mdw – Universität für Musik und darstellende Kunst Wien
Eintritt frei. Keine Anmeldung erforderlich.
15:00-16:00 Begrüßung | Mehrkanal-Hörraum
16:00-17:00 Präsentation des beantragten PEEK-Forschungsprojektes AUDIO GHOSTS
17:00-18:00 Mehrkanal-Hörraum sowie informeller Austausch + kleines Buffet
Präsentierte Werke (Auswahl)
Diana Deutsch Phantom Words and Other Curiosities (2003, Ausschnitt)
Bernhard Gál Defragmentation/Krems (2005, Ausschnitt)
Vierband (2023, Preview)
Christopher Haworth Correlation Number One (2011)
Veronika Mayer splitter (ghost version #1) (2022)
James Tenney For Ann (rising) (1969)
In artistic research the word “reflection” is booming, and its meanings range widely: from spoken and discursive analysis before or after an artistic performance to improvisation as sonic reflection in the artistic activity itself. The RAPP Lab project playfully investigates the qualities, and often slippery properties of “reflection” as being vague, concrete, unvoiced or embodied and creates six experimental settings (Labs) in which students can expand and specify their reflective skills. We invite the artistic research community to switch the perspective from “What is reflection?” to “In which learning and teaching parameters and conditions can reflection and critical thinking in artistic research emerge?”
This digital event will focus on the three Labs which have taken place during the year 2022: Lab 3 (May 2022) at the HfMT Cologne on Embodied Reflection, Lab 4 (June 2022) contributed by mdw Vienna on Transculturality, and Lab 5 (September 2022) by the Estonian Academy of Music and Theatre in Tallinn on Autoethnography. It will present a kaleidoscope of methodological perspectives of artistic research between these three learning environments.
Coordination: Hochschule for Music and Dance Cologne (Dr Sybille Fraquelli)
Artistic Direction: Dr Evelyn Buyken
To join please subscribe here: https://www.rapplab.eu/events/registration
Schedule
From 17.00 on Lock in and soft meet & greet
17.30 Opening and Introduction
17.45-19.15 Improvised Presentation and Sharing of (Video) Materials on the topics “Methodology”, “Social Impact” and “Pedagogical Culture” of Reflection in Artistic Practice with Johannes Kretz (mdw Vienna), Theodore Parker (EAMT Tallinn) and Evelyn Buyken (HfMT Cologne)
19.15 Q&A
RAPP stands for “Reflection based Artistic Professional Practice” and brings together the artistic research expertise of seven partner institutions in Europe. During a series of multi-national, experimental, thematically and methodologically differentiated encounters, described as Labs, advanced music students have the opportunity to try out new teaching and learning formats. RAPP Lab is a three-year EU-funded research project supported by the ERASMUS+ programme “Strategic Partnerships”. RAPP Lab explores how the reflective methodologies of artistic research empower musicians to creatively respond to the economic-cultural environment with which they are confronted. The project brings together the artistic research expertise of seven partner institutions in six different European states: Association Européenne des Conservatoires – AEC, Bruxelles, Belgium; Conservatorio di Musica Santa Cecilia, Rome, Italy; Eesti Muusika-ja Teatriakadeemia, Tallinn, Estonia; Hochschule für Musik und Tanz, Cologne, Germany (as Coordinator); mdw – Universität für Musik und Darstellende Kunst, Vienna, Austria; Norges musikhøgskole, NMH, Oslo, Norway; Orpheus Instituut Ghent, Belgium.
Picture credit: Still from Video-Documentation by Agafia Wieliczko on Lab 3, Cologne 2022
07 Dec 2022, 6:30 PM , Joseph Haydn-Saal
Anton-von-Webern-Platz 1, 1030 Wien
In its third edition, the interdisciplinary project “Confusing Inspiration” again aims to connect composition, artistic practices and scholarly research.