Annuß: Dirty Dragging (de)

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Annuß, Evelyn. 2025. Dirty Dragging. Performative Transpositionen. mdwPress. https://doi.org/10.14361/9783839474747. Cite



 

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  2. Mogamat Kafunta Benjamin, »Salted Earth« zeigend, District Six, Cape Town, 2019. Foto: Evelyn Annuß.
  3. Kewpie und Sodia Osman (l.), Marie Antoinette Ball, Ambassador Club, Sir Lowry Road, Cape Town, 1967. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886/81.3).
  4. Kewpie, Brigitte und die Seapoint girls, District Six, bei Invery Place, Cape Town, späte 1960er-Jahre. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886/116.4).
  5. District Six vor den Zwangsräumungen, undatierter Zeitungsausschnitt. National Library of South Africa, Cape Town (PHA 3709 Coons).
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  7. Karneval, Athlone Stadium, Cape Flats, 2019. Foto: Evelyn Annuß.
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  11. Mr. Raw & Mr. Raw, Carnival, Athlone Stadium, Cape Flats, 2019. Foto: Evelyn Annuß.
  12. Carnival, Cape Town, Wale Street, Ecke St. George, frühe 1960er-Jahre, vermutlich Honolulu Dainty Darkies. National Library of South Africa, Cape Town (PHA 3155 CT Coons 005).
  13. Mogamat Kafunta Benjamin (r.) und unbekannte Person, Carnival, Nähe Green Point Track, Cape Town, undatiert, um 1990. Melvyn Matthews Private Collection (Cape Town).
  14. Eva Braun, vermutlich im Atelier Heinrich Hoffmann, ca. 1928/29. Abfotografie aus Brauns Privatalbum. Nachlass Heinrich Hoffmann, Bayerische Staatsbibliothek, München (hoff-333).
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  18. Lilian Gish als Elsie Stoneman in D. W. Griffiths Birth of a Nation, 1915 (Screenshot).
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  24. Hanna Reitsch, durch die Deutschlandhalle fliegend. Ki sua heli, Berlin, 1938. Nachlass Traugott Müller, Theaterhistorische Sammlungen des Instituts für Theaterwissenschaft der FU Berlin.
  25. Afrika-Darstellende, Probenfoto, Ki sua heli, Deutschlandhalle Berlin, 1938. Nachlass Traugott Müller, Theaterhistorische Sammlungen des Instituts für Theaterwissenschaft der FU Berlin.
  26. Revue Girls, Probenfoto, Ki sua heli, Deutschlandhalle Berlin, 1938. Nachlass Traugott Müller, Theaterhistorische Sammlungen des Instituts für Theaterwissenschaft der FU Berlin.
  27. Pausenfoto, Ki sua heli, Deutschlandhalle Berlin, 1938. Nachlass Traugott Müller, Theaterhistorische Sammlungen des Instituts für Theaterwissenschaft der FU Berlin.
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  31. Pinzgauer Tresterer, undatiert. Österreichisches Volkskundemuseum, Wien (CC PDM 1.0).
  32. Krampuslauf, Gastein 2022, Foto: Evelyn Annuß.
  33. Lynching Memorial, National Memorial for Peace and Justice, Montgomery, 2018. Foto: Alan Karchmer.
  34. Supermarkt, San Diego, Kalifornien, Social Media Post, 2020 (Screenshot).
  35. Supermarkt, Hillenburg, Südthüringen, Social Media Post, 2020 (Screenshot).
  36. Ku Klux Klan-Maske von Joseph Boyce Stewart, 1870er, Lincoln County, Tennessee. Chicago History Museum (ICHI-062420).
  37. Mistick Krewe of Comus, Mardi Gras Parade, New Orleans, 1867. Frank Lesley‘s Illustrated Newspaper, April 6, 1867: 41. Library of Congress, Washington, D.C. (99614058).
  38. »Meeting of the Courts«, Comus, Rex, Mardi Gras 1941, New Orleans. Foto: John N. Teunisson. The Historical New Orleans Collection (THNOC 1985.233.1).
  39. Gorilla or The Missing Link, Wasserzeichnung für die Mistick Krewe of Comus Parade 1873, New Orleans, Charles Briton. Tulane University, Carnival Collection.
  40. Demoiselle Fly, Wasserzeichnung für die Mistick Krewe of Comus Parade 1873, New Orleans, Charles Briton. Tulane University, Carnival Collection.
  41. Tramps Band Local 23, Mardi Gras, New Orleans, 1907. The Historical New Orleans Collection (THNOC 1981.261.58, 12.2.1907).
  42. T. D. Rice als Jim Crow, mit Publikum auf der Bühne des American Theatre, Bowery, New York, 1833. Harvard Theatre Collection on Blackface Minstrelsy, 1833—1906 (Houghton Library).
  43. Bert Williams, undatiert. Harvard Theatre Collection on Blackface Minstrelsy, 1833—1906 (Houghton Library).
  44. Zulu King Baley Robertson, Mardi Gras, New Orleans, 1925. The William Russel Collection, The Historical New Orleans Collection (THNOC 92-48-L.77; MSS 520.3223).
  45. Lee Circle, Mardi Gras, New Orleans, 2024. Foto: Evelyn Annuß.
  46. Zulu Parade, Mardi Gras, New Orleans, 2020. Foto: Evelyn Annuß.
  47. L. J. Goldstein und Mia Sarenna, Mardi Gras, New Orleans, 2020. L. J. Goldstein Private Collection (New Orleans).
  48. Krewe du Jieux, Mardi Gras 2006, nach Hurricane Katrina. L. J. Goldstein Private Collection (New Orleans).
  49. Times Democrat, 25. Februar 1903: 7. New Orleans Public Library.
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  51. Allison Tootie Montana, Big Chief der Yellow Pocahontas, 1991. The Michael P. Smith Collection. The Historical New Orleans Collection (THNOC 2007.0103.2.122). Foto: Michael P. Smith.
  52. Second Big Chief Jeremy Stevenson, Monogram Hunters, meeting Big Chief Corey Rayford, Black Feathers. Mardi Gras Practice, First and Last Stop Bar, Tremé, New Orleans, 2019. Foto: Ryan Hodgson Rigsbee.
  53. Spy Boys, Meeting of the Tribes, Mardi Gras, Tremé, I-10 Bridge. New Orleans, 2020. Foto: Evelyn Annuß.
  54. Black Indians de la Nouvelle-Orléans, Musée du Quai Branly — Jacques Chirac, Paris, 2022.
  55. Le Pavillon Hotel, Poydras Street, New Orleans, Postkarte. © Le Pavillon Hotel.
  56. Ausstellung Black Indians de la Nouvelle-Orléans, Musée du Quai Branly — Jacques Chirac, Paris, 2022. Foto: Evelyn Annuß.
  57. Baby Dolls, New Orleans, 1944. The Historical New Orleans Collection (THNOC MSS 536.33.3.1). Foto: Bradley Smith.
  58. Marika Antifascista, La Legua, Chile, 2021. Foto: Elianira Riveros Piro.
  59. Baby Dolls, ›under the bridge‹, Tremé, New Orleans, 2024. Foto: Aurélie Godet.