Participatory Approachesn
Marko Kölbl and Fritz Trümpi (eds.)
Ambivalences in Music and Democracy. Introductory Remarks
Marko Kölbl and Fritz Trümpi
Part 1: From Recorded Democracy to Digital Participation?
Entrepreneurial Tapists: Underground Music Reproduction and Distribution in the U.S. and U.S.S.R., 1960s and 1970s
Marsha Siefert
New Model, Same Old Stories? Reproducing Narratives of Democratization in Music Streaming Debates
Raphaël Nowak and Benjamin A. Morgan
Part 2: Political Impacts of Bourgeois Music Culture
The National Society of Music (1915–1922) and the Ambivalent Democratization of Music in Spain
David Ferreiro Carballo
Verdi at the Heart of the Dictatorship: A celebrazione verdiana Among Fascists
Gabrielle Prud’homme
Part 3: (Non‐)Democratic Participation in Popular Music and Performance Cultures
The Intervision Song Contest: Popular Music and Political Liberalization in the Eastern Bloc
Dean Vuletic
“Vodka, Beer, Papirosy”: Eastern European Working-class Cultures Mimicry in Contemporary Hardbass
Ondřej Daniel
Disembodiment and South Asian Performance Cultures
Rumya S. Putcha
Part 4: Sonic Implications of Political Changes
Music Activism in Serbia at the Turn of the Millennium: Counterpublics, Citizenship, and Participatory Art
Milena Dragićević Šešić and Julija Matejić
Expanding Musical Inclusivity: Representing and Re-presenting Musicking in Deaf Culture through Hip Hop
Katelyn E. Best
Appendix
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