A Monday in December at the Vienna Gasometers. I’m moving between shops, escalators, and long glassed-in corridors. The four gasometer towers here can be viewed as something like a city-within-the-city, being home to around 1,500 people. Their approximately 220,000 m2 of floor space play host to residential flats, offices, retailers, and cultural offerings. It’s a place of everyday life—and it was precisely here that the fourth edition of the community music series “Grätzl Töne”, which I experienced as an enrolee in the music mediation course “Vermittlung von Musik”, played out