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STRANGE RESEARCH
December 17, 2025
Meeting point: Main entrance, mdw Campus (Anton-von-Webern-Platz 1, 1030 Vienna), 18:00
Participants: Marilies Jagsch, Sarah Kolb, Manuel Riegler, Thomas Thalhammer with team (Julia Hölzl, Derrick Ryan Claude Mitchell, Ruth Anderwald)
This event is situated within the first research program of the FWF PEEK project “Unknown Beyond Abyss: Toward Vocabularies of/for/at the Limit”.
Aiming at a collaborative exposure to the limits of knowing and the im/possibility to experience them, it will engage philosophical-artistic practices that oscillate between understanding and unknowing.
This research was funded in whole or in part by the Austrian Science Fund (FWF) 10.55776/ART5589424
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Defence of Birgitta Flick
Date: 25 November 2025, 16:00
Location: mdw-Bankettsaal (AW SEG 23), Anton-von-Webern-Platz 1, 1030 Wien
The mdw Artistic Research Center invites you to the defense of the artistic dissertation Refiguring Composition by Birgitta Flick.
Commission Members:
Henrik Frisk, professor in music, specialization in digital sound art, Royal College of Music, Stockholm
Monika Herzig, Vizerektorin für Diversity & Internationales, Univ.-Prof.in für Artistic Research, JAM MUSIC LAB University
Maria Gstättner, Bassonist, Composer and Artistic Researcher, mdw
Supervision:
Tasos Zembylas, Samuel Grillusz, Annegret Huber, Fredrik Hedelin
Final Presentation Jagoda Szmytka
Date/Time: 01 October 2025, 18:00
Place: Klangtheater, Future Art Lab, Anton von Webern Platz 1, 1030 Vienna
Beautification is an event comprised of concert of instrumental solo and chamber music composed by Jagoda Szmytka, accompanied by an exhibition of sketches and drawings created by the composer in parallel with her work on the scores. Four of the six programmed compositions were written especially for three artists — violinist Marta Piórkowska, cellist Leo Morello and guitarist Samuel Toro Pérez — and will be premiered by them at the Hashtag Lab in Warsaw (22 September 2025) and performed again at the Klangtheater of the University of Music and Performing Arts Vienna (1 October 2025). In addition to the new pieces, the programme includes two older pieces — one of which is composed for amplified string instrument and audio- and video projection — in a new, revised version.
Beautification is one of the first public presentations of the results of Jagoda Szmytka’s artistic research, which she conducted from 2021 to 2025 in the framework of the Doctor Artium programme under the supervision of Professor Johannes Kretz, Professor Gesine Schröder, Franz Schuber and Professor Tasos Zembylas at the University of Music and Performing Arts in Vienna. The work on the scores and sketches, as well as the artistic collaboration between the composer and Marta Piórkowska, Leo Morello and Samuel Toro Pérez, was realised with the support of the mdw, the Tokyo Foundation, the Polish Institute in Vienna, the Austrian Federal Ministry for Housing, Arts, Culture, Media and Sport, the City of Vienna Cultural Department, the Austrian Cultural Forum Warsaw and the Capital City of Poland Warsaw. After the concert, Jagoda Szmytka will give a public lecture in which she will discuss the musical compositions performed in the concert, the sketches on display, and other parts of her artistic doctoral research project Almanac of Extended Composition.
CONCERT PROGRAMME
fantasia on beautification (2025) for electric guitar solo
f* for music (2012/2024-2025) for electric guitar and violoncello
canon (2025) for electric guitar and violoncello
figures and emotions (2025) for violin solo
variations on a theme by Forsythe (2025) for violoncello solo
körperwelten (2008/2025) for amplified bowed string instrument, audio and video projection
Jagoda Szmytka’s musical compositions are published by PWM Edition.
INTERPRETERS
Samuel Toro Pérez — electric guitar
Marta Piórkowska — violin
Leo Morello — violoncello
Philipp Kleinwort — sound direction, AV projection (concert in Klangtheater)
Wojciech Błażejczyk — sound direction, AV projection (concert in Klangtheater)
WORKS ON DISPLAY
The exposition features visual works which were created at the same time and in formal or other specific relation to instrumental compositions created during and as part of doctoral
artistic research studies. These are executed with mixed techniques — such as ink, graphite, pencil, polychromos pencils, oil pastels and gouache — drawings on paper which are related to programmed musical pieces, fantasia on beautification, canon, figures and emotions and variations on a theme by Forsythe. Moreover, the presentation includes selected visual sketches and score excerpts from the summer diary (2024-ongoing) — a double cycle of piano and drawing miniatures, score excerpts from states of matter for large orchestra and drawings which I created during compositional processes. The last group of drawings and score excerpts is entitled growth.
Katelyn King – The Performer as Protagonist: Taking Stock of Performer Initiatives and Agency
Transplanted Roots: Percussion Research Symposium
Festival Dates: September 10-13, 2025
Location: ESMAE (Escola Superior de Música e Artes do Espectáculo), Porto, Portugal
September 11 2025, 10:55
Katelyn King
“Investigating Affordances of “Things,” “Performers” and “Composers”:
The Collaborative Lab as Site of Knowledge Production”
Final presentation of “ikultlab”
Innovative, intercultural summer course for young people and children at Raabs an der Thaya Castle.
25 July 2025, 7:00 PM, Festsaal S1AEG01, Seilerstätte 26, 1010 Wien
Entry
Free
Contact
Johannes Kretz
Further information: www.ikultlab.at
Final Presentation by Brigitte Wilfing
Choreographic Composition an auto-theoretical cultivation of relations
Location: mdw — Future Art Lab, Klangtheater, Anton‐von‐Webern‐Platz 1, 1030 Vienna
Final Presentation by Birgitta Flick
Date: June 27, 2025, 4:30 PM
Location: Bankettsaal (AW SEG23, Building S), mdw, Anton‐von‐Webern‐Platz 1, 1030 Vienna
This lecture performance aims to retrace the intertwined artistic and reflective paths of Birgitta Flick’s doctoral artistic research project in which she explored the multiplicity of entangled activities in which a musical composition is involved within her practice as a composer and saxophonist-improviser—thus examining some of the manifold transformations and relations that unfold between all participants of creating through their interacting.
feat. James Banner (bass)
Commission Members: Henrik Frisk, Monika Herzig, Maria Gstättner
Supervision: Tasos Zembylas, Samuel Grillusz, Annegret Huber, Fredrik Hedelin
Defence of Ivar Roban Križić
Date: 21 May 2025, 16:00
Location: mdw-Bankettsaal (AW SEG 23), Anton-von-Webern-Platz 1, 1030 Wien
The mdw Artistic Research Center invites you to the defense of the artistic dissertation Performing Reflection: Improvisation in Word, Thought, and Action by Ivar Roban Križić.
Commission Members:
Lucia D’Errico, Professor for Artistic Research, Mozarteum University Salzburg
Theodore Parker, Lecturer in Artistic Research, Estonian Academy of Music and Theatre
Maria Gstättner, Bassonist, Composer and Artistic Researcher, mdw
Supervision:
Burkhard Stangl, Peter Herbert, Tasos Zembylas, and Thomas Grill
Artistic Doctorate: Final Presentations
Date: 13–14 June 2025, starting at 19:00 each day
Location: mdw – Future Art Lab, Klangtheater, Anton-von-Webern-Platz 1, 1030 Wien
As the public closing event of the Artistic Research Lab in the artistic doctoral program, sixteen mdw students will present audiovisual contributions from their current artistic research projects. The spectrum ranges from new and sometimes transcultural forms of composition and interpretation to experimental approaches to creation, curating, media art, film and theatre to historically informed performance practice.
Applications for the Artistic Doctorate for the upcoming academic year 2025 are now possible – until 29.04.2025.
Further information: www.mdw.ac.at/ar_center/doctor-artium-program






