“Facing Ethnic Drag”, a long-planned mdw Gender Studies conference, had to be repeatedly postponed because of the pandemic. Finally, on June 17, it was at least possible to hold this year’s kick-off event on a virtual stage with a keynote by Jay Pather and an artist talk with Mamela Nyamza.

Contesting Border Regimes – Sounds and Images was the title of 2021’s international symposium Transkulturalität_mdw, which took place online on 7 and 8 May.

A symposium and a lecture series that took place in 2018 at the mdw have now given rise to the open-access multi-author volume Knowing in Performing, which includes contributions in English and German.

After a flat, circular artifact reminiscent of a compact disc had been found in Vienna’s Auer-Welsbach Park back in June of 2019, it took quite some analytical work to determine that it was indeed a digital data medium containing a lengthy message of unclear origin.

The theme of this multiauthor volume, which presents lectures from the 29th Annual Conference of the German Society for Popular Music Studies, hits a socio-political nerve for more reasons than just the increasingly nation-centred coronavirus mitigation strategies.

In music acoustics, the process by which player actions affect the acoustics of an instrument is known as “player-instrument interaction”, which is a research topic that has been investigated in connection with a broad variety of instruments. In single-reed woodwind instruments such as the clarinet and saxophone, sound is produced by the vibration of a single reed attached to a mouthpiece.

So here we are: in its ninth year of existence, isaScience is going “hybrid”! With the mdw’s international and interdisciplinary summer conference having been postponed in early 2020 due to the COVID-19 pandemic, the isaScience team is now preparing for its first-ever hybrid edition, in which it will pick up right where it left off.