Review: Das Max Reinhardt Seminar. Im Weltgarten des Spiels. 1928–1965
That a seminar for acting and directing should be named for a founder who was seldom present at his own institution is a truly remarkable circumstance. Just why this is not a contradiction and just how Max Reinhardt managed to make precisely this acting school into one of the German-speaking region’s most illustrious can now be learned—along with numerous other intriguing details—from a new book by Peter Roessler.
