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“Sharing is Caring”, or: Why the Humanities, Social Sciences, and Cultural Studies Disciplines Should not Cede the Stage(s) to Others

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“External science communication” refers to the practice of communicating and lending visibility to research results, protagonists of academic life, and entire research disciplines for the benefit of non-academic audiences of all ages.

“We’re looking to keep this topic on a constant simmer.”

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What’s the present-day significance of music-related commemorative work? And just how might one familiarise people with “ostracised music” in the absence of contemporary witnesses? On these topics, Priska Seidl spoke with Volker Ahmels and Gerold Gruber at the Festival Verfemte Musik [Festival of Ostracised Music] in Schwerin.

Review: Dialektik der Schrift. Zu Adornos Theorie der musikalischen Reproduktion [Dialectics of the Written. On Adorno’s Theory of Musical Reproduction]

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It was to this fragment, hitherto viewed as being of secondary importance in research on Adorno, that the initiators of the international D-A-CH project “Writing Music. Iconic, performative, operative and material aspects in musical notation(s)” devoted the 2019 conference “Music, Writing, Difference – An Interdisciplinary Conference on Adorno’s Theory of Musical Reproduction”, which was held at the Arnold Schönberg Center in Vienna.

Review: Inklusives Musizieren. Praxis, Pädagogik, Ästhetik am Beispiel der All Stars Inclusive Band Wien

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The newly released fourth volume of the Viennese music education-related publication series wiener reihe musikpädagogik revolves around inclusive music-making in all its breadth, covering its practical, pedagogical, and aesthetic dimensions including actual music-making practice.

Audio Dramatisations from the mdw Archive

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Three podcasts created as part of the project Klingende Zeitgeschichte [Audible Contemporary History] take on the topic of institutional discontinuities at the mdw and its institutional predecessors. To create them, individuals all across the University worked to acoustically stage “peripheral stories” from the 20th century, efforts that have since made it possible to hear the archival documents themselves on multiple musical and linguistic levels.

Review: Tuning up! The Innovative Potential of Musikvermittlung

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This publication, prepared by editors Sarah Chaker (IMS) and Axel Petri-Preis (IMP) on the basis of an mdw lecture series, offers a conglomerate of theory and practice pertaining to the innovative potential of those community and audience engagement-related artistic and educational practices that are known collectively as Musikvermittlung.

The International Gender Studies Conference Facing_Drag

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From 23 to 25 June, the mdw hosted the conference Facing_Drag with renowned international guests from various fields of cultural studies and from the performing arts, continuing where last year’s online conference left off.

Parallel Societies

In everyday life, notions of supposed “parallel worlds” and “parallel societies”, of imagined social niches and bubbles that are (supposedly) moving apart and frequently considered irreconcilable, are widespread. In the realm of popular music practice (in general) and in popular music studies (in particular), such constructions can also be observed on the most varied levels
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