In November, the mdw invited the public to the Ehrbar Saal for a musical soirée: this variety-packed musical evening, led by conductor Vasily Valitov, featured the Webern Sinfonietta and Lukas Sternath.

At this year’s 32nd edition of isa, whose motto “Always anew” invited participants to place the positive power of creativity and the motivation to start over and reinvent oneself at the centre of their artistic work and reflection, Israeli pianist Yuval Shmila was among the students. Yuval allowed mdw Magazine to spend an entire day accompanying her.

A violin suspended in mid-air next to an indoor swimming pool, another producing delicate sounds as if by itself: it was with such unusual impressions that HannaH Walter’s lecture-performance “becoming vyborg. becoming with technology” ushered in the second day of isaScience 2022, aptly fusing essential aspects of this interdisciplinary, hybrid humanities conference with the theme of “Un/Learning: Norms and Routines in Cultural Practices” in Reichenau an der Rax.

Perhaps your transition out of active professional life at the mdw was many years back, or you’ve just recently retired. But whatever the case, you still reminisce about your active working life. Many of us would like to remain in contact with the mdw as well as with former colleagues—and this inspired us to launch a project that includes regular get-togethers at the University.

In the series “What do the arts have to do with the Earth’s climate?”, the “Green mdw” initiative is inviting concerned individuals to speak out on their personal approaches to this issue. Maria Happel, born in Spessart, Germany in 1962, joined the ensemble of the Burgtheater in Vienna following engagements in Cologne, Hannover, and Bremen between 1991 and 1999.

The outcomes of the artistic research project Creative (Mis-)Understandings: Methodologies of Inspiration, led by Johannes Kretz and Wei-Ya Lin and sponsored by the Austrian Science Fund (PEEK-FWF), were presented to a broader public at the Weltmuseum Wien on 20 May and at the Magyar Zene Háza (House of Hungarian Music) on 23 May.

It all came together in September: “Mythos Mozart”, a brand-new multimedia experience covering 1,500 square metres beneath the Steffl department store that invites visitors to immerse themselves in Mozart’s world, officially opened its doors to the public.

Rosa Reitsamer has received the Gabriele Possanner State Prize of the Austrian Federal Ministry of Education, Science and Research for her work as a preeminent expert in intersectional gender research within the field of music sociology.