#musiksoziologie – mdw-Magazin

Home Tag Archives: #musiksoziologie

Tag Archives: #musiksoziologie

Report

Gabriele Possanner State Prize Goes to Rosa Reitsamer

Rosa Reitsamer has received the Gabriele Possanner State Prize of the Austrian Federal Ministry of Education, Science and Research for her work as a preeminent expert in intersectional gender research within the field of music sociology.

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Amenca ketane

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Music as Memory

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Music, Migration, Belonging/s

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Review: Telling Sounds. Tracing Music History in Digital Media Archives

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Congratulations to the 2023 mdw young research award Winners

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Review: 1928. Vienna and the Contemporary Austrian Concert Song

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The mdw Greets its First Two Postdoctoral Fellows

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Transculturality_mdw: Music & Racism

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Review: YouTube and Music. Online Culture and Everyday Life

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Anti-Asian Racism: Popular Examples from 250 Years of Western Cultural History

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Review: Die Eroberung des Museums [Conquering the Museum]

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Music-Making at the Medical University of Vienna’s Comprehensive Center for Pediatrics

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“Sharing is Caring”, or: Why the Humanities, Social Sciences, and Cultural Studies Disciplines Should not Cede the Stage(s) to Others

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“We’re looking to keep this topic on a constant simmer.”

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Vitamins A, C, and—Relatedness?

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Review: Dialektik der Schrift. Zu Adornos Theorie der musikalischen Reproduktion [Dialectics of the Written. On Adorno’s Theory of Musical Reproduction]

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Review: Inklusives Musizieren. Praxis, Pädagogik, Ästhetik am Beispiel der All Stars Inclusive Band Wien

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Audio Dramatisations from the mdw Archive

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Review: Tuning up! The Innovative Potential of Musikvermittlung

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The International Gender Studies Conference Facing_Drag

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Parallel Societies

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Three Initiatives for Fair Music Cultures, Integrity, and Anti-racism

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Review: Music and Democracy: Participatory Approaches

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Xenakis 2022: Back to the Roots

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Queering Identity in Music – The 2021 MMRC Lecture

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Learning Musikvermittlung

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Review: Instrumentalists and Instrumental Practice at the Court of Albrecht V of Bavaria, 1550–1579

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Are we actually allowed?

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Now Online: The Karl Scheit Archive

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Review: Lieder, Geister und Tabus. Zum soziokulturellen Wandel der Musiktradition bei den Tao in Taiwan

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„Facing Ethnic Drag“: On the Kick-Off to an Event Series at mdw Gender Studies

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Contesting Border Regimes – Sounds and Images

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The Politics of “Critical Composition” in the Writings of Helmut Lachenmann

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Review: Knowing in Performing. Artistic Research in Music and the Performing Arts

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Rotting Sounds – Embracing the Temporal Deterioration of Digital Audio

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Review: One Nation Under a Groove – „Nation“ als Kategorie populärer Musik

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Is it a Man’s, Man’s, Man’s World?

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Expressive Performance on Single-Reed Woodwind Instruments: An Experimental Characterisation of Articulatory Actions

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Introducing the Structured Doctoral Programme at the mdw

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2020’s MMRC Lecture and an Interview with Dawn Chatty

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Between Music and Politics: Exiled Musicians in the Antifascist Fight of the French Popular Front

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Review: Einführung in die Kulturbetriebslehre

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Bye-Bye … Refugee Camps!

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voice science @ mdw

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Review: Vorzeichenwechsel. Gesellschaftspolitische Dimensionen von Musikpädagogik heute

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Marta Eggerth and Jan Kiepura between two Worlds

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The Dream of Becoming a Hochschule – A Research Report

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Review: Zauber, Improvisation, Virtuosität. Schriften zur Musik

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“Exposing the delimits of not-understanding”

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Let’s talk about gender!

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Review: Musik und Schrift. Interdisziplinäre Perspektiven auf musikalische Notationen

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The 2020 “Long Night of Research” at the mdw’s exil.arte Centre

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ipop Meets Vienna Pop

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Choral Figurations: Music – Theatre – Film

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Review: (Dis-)Orienting Sounds. Machtkritische Perspektiven auf populäre Musik.

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Review: Roads to Music Sociology

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The Development of Cultural Funding in Vienna Norbert Hofer

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Shifting Perspectives on Heinrich Schenker

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Facilitating Discourse between Research and Practice

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Review: Hugo Kauder (1888–1972): Komponist – Musikphilosoph – Theoretiker, Eine Biographie

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41st International EPTA Conference

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SAPERE AUDE! POP/ULIS/M/USIC/RESEARCH IN THE POSTFACTUAL ERA

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Digitising and Enriching our Cultural Heritage Together

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Review: Lothar Knessl. Vermittler neuer Musik, Autor, Komponist, Kurator.

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From Editions to Memoires, from Mangas to Motets.

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Quality Assurance in Humanities and Cultural Studies Publications

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Telling Music History (Differently?) – Music History Research Using Audio-Visual Sources

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rotting sounds

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What is Open Science? And to What End is Science Open?*

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Review: Transkulturelle Erkundungen

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The mdw’s New Publication Server

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“I don’t pass judgement; I observe.”

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Improvisation and Transformation – A Look at Two Phenomena in the Study of Rhythmics

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On Knowing in the Arts

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This Should Have Us Up in Arms!

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An Interview with Barbara Lüneburg

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Review: La cosa è scabrosa

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Ethnomusicology and Research on Minorities

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The mdw Archive Turns 25 – A Mission Statement

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Wie klingt Österreich – A Project for Teaching Contemporary Music History

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Review: Wissenskulturen im Dialog

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Resonances and Discords

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The Erasmus+ project Inclusive Pedagogy in Arts – Europe (IPA-E)

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Plena in San Juan

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Conference Report: Of Music-Making Parrots and Silent Sounds

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Cinematographia Musicae Popularis – Folk Music in Film

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Researching Music’s Healing Power

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Save our Data! On (Research) Data and How to Deal with It.

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How the Internet and smartphones have changed the way we listen to music

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Review: Analyzing Black Metal

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Conference Report: “Teaching Music – Studying Music”

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Conference Report: Accidental Change or Key Shift?

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“I am a musician now, in all earnestness and free from regret.”

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Review – Best of isaScience 2013–2016

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women* at the mdw, 1938 – 1945

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Conference Report: The Future of Higher Education in Music and Performing Arts

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Review: Sieben Blätter und ein Stein

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This was EPARM 2017

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Classical Musicians as Professional Emotion Managers

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Review – Treasures of Fieldwork on Music and Minorities