The early decades of the 20th century witnessed three waves of emigration from Europe, the first of which occurred prior to and during World War I. European artists thus played a role in shaping US film from the very beginning—and the studio system, which became a foundation of American film’s success story, was in fact largely created by émigrés.
Ever since their founding in early 2021, Godot Komplex have been working on new concert formats for classical music. The declared goal of this collective is to integrate the audience into the performance and enable them to experience spaces outside their view of the stage. And as the winners of the competition “Let’s Get Digital”, these dedicated artists are now taking their first step towards a hybrid concert format.
Enrolled at the mdw since: 2018, Area(s) of study: Composition & Media Composition
What do Judy Garland, Georg Kreisler, and Doris Day have in common? These artists were all born in 1922, as was our jubilarian!
“It’s the source of my energy and existence—I wouldn’t ever want to do anything else, not even if I had a thousand options to choose from.” When Ira Süssenbach talks about her work as a stage director, her love of theatre is downright palpable. This fourth-year stage directing student at the Max Reinhardt Seminar spoke with mdw Magazine about her diploma production.
Since 2015, EFP – European Film Promotion has been introducing ten outstanding young directors along with their current films in the Future Frames section of each year’s Karlovy Vary International Film Festival. Several Film Academy Vienna students having been represented there over the past few years, and this year once again saw a film make it into the official selection: Magdalena Chmielewska presented her Max Ophüls Prize-winning film Lullaby at the festival, and she spoke with mdw Magazin about the significance of such a film festival invitation and why she’s always thinking about her next project.
This publication, prepared by editors Sarah Chaker (IMS) and Axel Petri-Preis (IMP) on the basis of an mdw lecture series, offers a conglomerate of theory and practice pertaining to the innovative potential of those community and audience engagement-related artistic and educational practices that are known collectively as Musikvermittlung.
From 23 to 25 June, the mdw hosted the conference Facing_Drag with renowned international guests from various fields of cultural studies and from the performing arts, continuing where last year’s online conference left off.
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