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Ursula Hemetek

Research

“I don’t pass judgement; I observe.”

This past June, the ethnomusicologist Ursula Hemetek became the first woman professor at an arts university to receive the Wittgenstein Award.

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Research

Amenca ketane

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Music as Memory

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Music, Migration, Belonging/s

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Review: Telling Sounds. Tracing Music History in Digital Media Archives

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Congratulations to the 2023 mdw young research award Winners

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Review: 1928. Vienna and the Contemporary Austrian Concert Song

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The mdw Greets its First Two Postdoctoral Fellows

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Transculturality_mdw: Music & Racism

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Review: YouTube and Music. Online Culture and Everyday Life

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Anti-Asian Racism: Popular Examples from 250 Years of Western Cultural History

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Review: Die Eroberung des Museums [Conquering the Museum]

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Music-Making at the Medical University of Vienna’s Comprehensive Center for Pediatrics

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“Sharing is Caring”, or: Why the Humanities, Social Sciences, and Cultural Studies Disciplines Should not Cede the Stage(s) to Others

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“We’re looking to keep this topic on a constant simmer.”

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Vitamins A, C, and—Relatedness?

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Review: Dialektik der Schrift. Zu Adornos Theorie der musikalischen Reproduktion [Dialectics of the Written. On Adorno’s Theory of Musical Reproduction]

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Review: Inklusives Musizieren. Praxis, Pädagogik, Ästhetik am Beispiel der All Stars Inclusive Band Wien

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Audio Dramatisations from the mdw Archive

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Review: Tuning up! The Innovative Potential of Musikvermittlung

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The International Gender Studies Conference Facing_Drag

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Parallel Societies

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Three Initiatives for Fair Music Cultures, Integrity, and Anti-racism

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Review: Music and Democracy: Participatory Approaches

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Xenakis 2022: Back to the Roots

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Queering Identity in Music – The 2021 MMRC Lecture

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Learning Musikvermittlung

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Review: Instrumentalists and Instrumental Practice at the Court of Albrecht V of Bavaria, 1550–1579

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Are we actually allowed?

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Now Online: The Karl Scheit Archive

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Review: Lieder, Geister und Tabus. Zum soziokulturellen Wandel der Musiktradition bei den Tao in Taiwan

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„Facing Ethnic Drag“: On the Kick-Off to an Event Series at mdw Gender Studies

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Contesting Border Regimes – Sounds and Images

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The Politics of “Critical Composition” in the Writings of Helmut Lachenmann

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Review: Knowing in Performing. Artistic Research in Music and the Performing Arts

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Rotting Sounds – Embracing the Temporal Deterioration of Digital Audio

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Review: One Nation Under a Groove – „Nation“ als Kategorie populärer Musik

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Is it a Man’s, Man’s, Man’s World?

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Expressive Performance on Single-Reed Woodwind Instruments: An Experimental Characterisation of Articulatory Actions

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Introducing the Structured Doctoral Programme at the mdw

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2020’s MMRC Lecture and an Interview with Dawn Chatty

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Between Music and Politics: Exiled Musicians in the Antifascist Fight of the French Popular Front

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Review: Einführung in die Kulturbetriebslehre

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Bye-Bye … Refugee Camps!

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voice science @ mdw

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Review: Vorzeichenwechsel. Gesellschaftspolitische Dimensionen von Musikpädagogik heute

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Marta Eggerth and Jan Kiepura between two Worlds

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The Dream of Becoming a Hochschule – A Research Report

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Review: Zauber, Improvisation, Virtuosität. Schriften zur Musik

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“Exposing the delimits of not-understanding”

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Let’s talk about gender!

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Review: Musik und Schrift. Interdisziplinäre Perspektiven auf musikalische Notationen

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The 2020 “Long Night of Research” at the mdw’s exil.arte Centre

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ipop Meets Vienna Pop

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Choral Figurations: Music – Theatre – Film

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Review: (Dis-)Orienting Sounds. Machtkritische Perspektiven auf populäre Musik.

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Review: Roads to Music Sociology

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The Development of Cultural Funding in Vienna Norbert Hofer

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Shifting Perspectives on Heinrich Schenker

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Facilitating Discourse between Research and Practice

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Review: Hugo Kauder (1888–1972): Komponist – Musikphilosoph – Theoretiker, Eine Biographie

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41st International EPTA Conference

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SAPERE AUDE! POP/ULIS/M/USIC/RESEARCH IN THE POSTFACTUAL ERA

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Digitising and Enriching our Cultural Heritage Together

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Review: Lothar Knessl. Vermittler neuer Musik, Autor, Komponist, Kurator.

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From Editions to Memoires, from Mangas to Motets.

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Quality Assurance in Humanities and Cultural Studies Publications

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Telling Music History (Differently?) – Music History Research Using Audio-Visual Sources

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rotting sounds

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What is Open Science? And to What End is Science Open?*

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Review: Transkulturelle Erkundungen

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The mdw’s New Publication Server

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“I don’t pass judgement; I observe.”

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Improvisation and Transformation – A Look at Two Phenomena in the Study of Rhythmics

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On Knowing in the Arts

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This Should Have Us Up in Arms!

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An Interview with Barbara Lüneburg

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Review: La cosa è scabrosa

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Ethnomusicology and Research on Minorities

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The mdw Archive Turns 25 – A Mission Statement

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Wie klingt Österreich – A Project for Teaching Contemporary Music History

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Review: Wissenskulturen im Dialog

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Resonances and Discords

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The Erasmus+ project Inclusive Pedagogy in Arts – Europe (IPA-E)

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Plena in San Juan

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Conference Report: Of Music-Making Parrots and Silent Sounds

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Cinematographia Musicae Popularis – Folk Music in Film

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Researching Music’s Healing Power

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Save our Data! On (Research) Data and How to Deal with It.

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How the Internet and smartphones have changed the way we listen to music

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Review: Analyzing Black Metal

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Conference Report: “Teaching Music – Studying Music”

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Conference Report: Accidental Change or Key Shift?

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“I am a musician now, in all earnestness and free from regret.”

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Review – Best of isaScience 2013–2016

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women* at the mdw, 1938 – 1945

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Conference Report: The Future of Higher Education in Music and Performing Arts

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Review: Sieben Blätter und ein Stein

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This was EPARM 2017

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Classical Musicians as Professional Emotion Managers

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Review – Treasures of Fieldwork on Music and Minorities