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Kira Henkel

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Review: Dialektik der Schrift. Zu Adornos Theorie der musikalischen Reproduktion [Dialectics of the Written. On Adorno’s Theory of Musical Reproduction]

It was to this fragment, hitherto viewed as being of secondary importance in research on Adorno, that the initiators of the international D-A-CH project “Writing Music. Iconic, performative, operative and material aspects in musical notation(s)” devoted the 2019 conference “Music, Writing, Difference – An Interdisciplinary Conference on Adorno’s Theory of Musical Reproduction”, which was held at the Arnold Schönberg Center in Vienna.

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