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Posts By Eleonore Büning

Musikkritik

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Music Criticism, 2018. A Job Description

Objectivity, Crisis and Ratings, Praise and Derision.

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Special: Anton Bruckner | Arnold Schönberg: Jubilees in Focus

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“I teach out of passion.” Schönberg as a Teacher

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20BRUCKNER24: In Celebration of an Anachronist

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LEARN TO HEAR

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Anton Bruckner the Teacher

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Triangle of Viennese Tradition: Zemlinsky – Schönberg – Hoffmann

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The Fascination of Arnold Schönberg: An Interview with Ulrike Anton

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Special: Exile

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From Kabul to Exile – and to Vienna

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Into Exile and Back

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Migrant Musicians as Researchers

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“Erased!?”

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Resonating Contemporary History in Objects

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Special: The Music Education Cosmos

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“We’re Training to Be both Pedagogues and Artists”

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A Group Discussion About Music Education

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The Erasmus+ Project ALIISA and its Inclusive Arts Education-Focused Continuing Education Model

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Special: Protest

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“We Learn Marching Forward”: Protest and Popular Music

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Music as a Mouthpiece of the Protests in Iran

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Twelve-Tone Protest – Thoughts on Hanns Eisler’s Gegen den Krieg

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Art as Protest – Protest in Art

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Special: Ligeti 100

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A Master of Surprises

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The 2023 Vienna Days of Contemporary Piano Music

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Ligeti in Budapest and Vienna

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Kylwiria and Other Explorations

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Special: The Arts and Health

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Care Through Music – Music’s Role in Healthcare Professionals’ Work and Well-Being

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Music Therapy Opens Doors

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Experiencing—and Learning from— Music’s Effects on Health

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Art and Health

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Special: Film music

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“Even Hans Zimmer doesn’t want to copy Hans Zimmer”

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Modern Music in the Modern Film

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Hollywood and Exile – A Creative Symbiosis

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Special: Conducting

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“Music is a living, continually developing art”

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“Self-confidence can be illusory”

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Conductors – A Sea Change

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Developing Strong Personalities with Musical Vision – The Conducting Programme at the mdw

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Special: Ephemeral

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Appealing Disappearance

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Ephemeral Knowledge in Archives

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Mourning Voices. Ethnographic Notes on Musical Forms of Dealing with Death

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Music and Suicidality

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Special: Together

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The mdw Children’s Choir

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Collective Creativity – The Fascination of Working Together

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Together In Music?

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The Chamber Music Principle

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It’s Music that Won

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Special: Resilience

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Resilience: A Desire for Invulnerability?

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Traces in the Woods

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A Virtual Hangout

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Onward and Upward with the “Wanderer vom Eichkogel”

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“It was in music that I found the strength to get through the pandemic”

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“How am I holding up psychologically?”

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Crowdfunding: A Wide-Open Opportunity

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Communication, Participation & Trust

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Resilience-Building and Crisis-Proofing

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Special: Community Outreach

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The Sound of Public Housing

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“Music comes from all of us”

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Community Outreach by Museums

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Community Outreach at the mdw

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Special: Human Rights

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Revolt for Autonomy

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Public lecture by Ruth Wodak on the occasion of the International Human Rights Day 2020 Julia Kordina

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Criticising Populism

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Transistor Radio Revisited

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The Future Art Lab on the mdw Campus: A Star Is Born

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Beneath a Single Roof

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“In the Studios Day and Night”

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The Recording Hall and Control Rooms

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The Sound Theatre

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Arthouse Cinema

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The Future Art Lab in Pictures

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Special: Architecture & Sound – The Future Art Lab at the mdw

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The Concert Hall

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Special: Early Music

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“It takes courage to leave your comfort zone!”

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A Viennese Harpsichord for the mdw

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Music that Lives in the Present

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Early Music in pictures

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In memoriam Wolfgang Glüxam 1958–2020

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The History of Early Music at the mdw

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Special: Sustainable mdw

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Running the University with a Fair Ecological Footprint

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Academia’s Responsibility to Our Climate

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Sustainability and Digitisation

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“Up in the Air” – Artistic Careers in Times of Climate Crisis

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Special: Beethoven 2020

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“Beethoven, the Phenomenon”– Milestones between the Canonical and the Bizarre

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A Place that Remembers Beethoven: Theater an der Wien

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Beethoven in Competition: Viennese Tradition Meets Fresh Interpretations Text: Clemens Aigner

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Beethoven Year 2020 at the mdw

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Creative (Mis)Understandings – Methodologies of Inspiration

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Over There in the Land of Spices – 88 Days in India