The reason for this conversation is a new critical edition of Arnold Schönberg’s sole completed work for organ, Variations on a Recitative op. 40, for Universal Edition.

In April of this year, the week-long festival “Balladen für einen Bulldozer” [Ballads for a Bulldozer], the first of its kind at the Department of Composition Studies and Music Production, offered an impressive platform on which to present and reflect upon contemporary music.

Early this June, the Wolkenturm in Grafenegg witnessed the spectacular concert Joe Zawinul’s Music Odyssey. It featured the Zawinul All Star Big Band, the radio.string.quartet and the Zawinul Legacy Band 3.0. Three days prior the Zawinul Legacy Band 3.0 and Tony Zawinul had given a workshop at the ipop.

This past summer semester, ipop – Department of Popular Music head Ralf von Appen taught a first-ever mdw seminar focused on the American singer Taylor Swift. Von Appen subjected Swift to close academic scrutiny together with academic assistant Mira Perusich and 23 students.

Starting with a concert in the Main Hall of the Amsterdam’s Concertgebouw, the MIAGI Orchestra—led by David Christopher Panzl—will be presenting entirely self-composed and -arranged material that will go on to be heard at venues including the Elbphilharmonie in Hamburg as well as Konzerthaus Berlin. Panzl has been working together with the South African organisation for several years.

“Psst, psst, psst, psst” echoes enticingly throughout the gilded hall of the Schönbrunner Schlosstheater. White shrouds hanging above the stage allude to the moon, which lights what has just been rehearsed. Such were the scenes that one could observe in February’s rehearsals for the mdw opera production Die lustigen Weiber von Windsor, which premières this March.

One of the foremost professional goals of many Leonard Bernstein Department students is obtaining a full-time post in a renowned orchestra. In the interest of improving their chances of auditioning successfully, the Bernstein Department and the Rectorate agreed back in March 2019 to establish orchestral master classes. The idea was to afford ambitious students an additional opportunity to engage in personal exchange with colleagues from the respective orchestras before actually auditioning.

It was a student job with concert organiser Jeunesse that laid the cornerstone of her passion for music mediation work with children and adolescents—and today, this mdw alumna is responsible for education as part of the Concert Planning & Administration staff at the Wiener Konzerthaus. At the moment, she’s busy organising the final event of KlangBildKlang together with her alma mater.

It’s 6:30 p.m. on a Tuesday. Students from various programmes are welcomed to the mdw’s Clara Schumann-Saal by Miriam Steinkühler-Fuchsberger, a member of the ipop – Department of Popular Music faculty. Her mission today, like on many Tuesdays past: to unleash students’ passion for singing together despite any tiredness after their day’s work at the University. mdw Magazine sat in on one of their rehearsals.

Art and science are two areas that have fascinated Haruki Noda ever since his childhood years, which included a huge dose of the natural sciences and an early musical start in the form of guitar lessons. It’s precisely this duality that one can so keenly sense in his present-day work as a composer, multimedia and performance artist, and musicologist.