How does the music education field deal with socio-political shifts, culturally relevant re-assessments of value, debates on norms, and new qualities?

The COVID-19 pandemic prevented the 11th Vienna Music Business Research Days from taking place this year at the mdw with its usual international audience in attendance. But despite the unfavourable situation, the entire conference went forward in the virtual realm.

After over 100 years at Lothringerstraße 18, the Department of Piano (formerly the Department of Keyboard Instruments—i.e., piano, piano vocal accompaniment, harpsichord, and organ) has moved to the mdw Campus at Anton-von-Webern-Platz.

Maria Happel and Annett Matzke, the Max Reinhardt Seminar’s new leading team, on their visions for this legendary theatre school.

At Austrian postsecondary institutions, recent months have seen teaching take place mostly online. So how has that worked out? What’s gone well, and what hasn’t? Here’s what members of the mdw teaching staff have to say.

Who doesn’t know them: Marta Eggerth and Jan Kiepura, the dream-couple of movies, opera, and operetta, the superstars of the mid-20th century. Their voices enthralled the masses, interwove multiple genres, and converted people to opera and operetta in an era where both were thought to have long been on their last legs.

Malina Nwabuonwor and Alexander Reinberg study in Film Academy Vienna’s Screenplay Writing and Dramaturgy class. The two young authors spoke with mdw Magazine about how they got started writing, their takeaways from experiences studying abroad, and where they find inspiration for their work.