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Kirchberg, Zembylas: The Social Organization of Arts

Chapter 9 | Comparing the Production of Culture Perspective, the Sociological Neo‑Institutionalism and the Cultural Institutions Studies

For the analysis of the social organization of arts, many sociologists resort to social theories in order to explain the formation and transformation of social order, collective action and processes of interpretation and valuation of arts. They generate a perspective on the arts as a social activity that is connected with other social domains such as religion, business, education, labor, …

Chapter 10 | Networking the Arts – Going Beyond the Discussed Theories

This concluding chapter will be divided into several parts, expanding on the strengths and weaknesses of the theories discussed in this book in a way that is hopefully constructive and convincing for the reader. Consolidating appreciations of these theories have been written in the chapters 5 and 9. Now we take on the task of looking beyond these theoretical foundations …

References

Abbing, Hans. 2002. Why Are Artists Poor? The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press. Abbing, Hans. 2022. The Economies of Serious and Popular Arts. How They Diverged and Reunited. Cham: Palgrave Macmillan. Abend, Gabriel. 2008. “The Meaning of ‘Theory.’” Sociological Theory 26 (2): 173–199. https://doi.org/10.1111/j.1467-9558.2008.00324.x Abfalter, Dagmar, and Martin Piber. 2016. “Strategizing Cultural Clusters: Long-Range Socio-Political Plans …

List of Figures

Figure 1: Flow Chart of Interactions during the Formation of Arts. Chapter 2. Figure 2: The French Literary Field in the Second Half of 19th Century (cited in Bourdieu 1993 [1983], 49; see Bourdieu 1996, 122). Chapter 3. Figure 3: The Field of Cultural Production Embedded in the Field of Power and in Social Space (cited in Bourdieu 1996, 124). …

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