Gender Bending and Racialized Masking in Performing Arts and Popular Culture
Evelyn Annuß, Raz Weiner (eds.)
Opening
Notes on Facing Drag
Evelyn Annuß
Caribbean Critical Thought and “Drag” Performances of Indigenization
Zimitri Erasmus
Temporal Drag and Queering Fabulations
Transtemporal Making-Out—On “Temporal Drag” in Jessica Dunn Rovinelli’s So Pretty (2019)
Sam Ehrentraut
“Whose Portrait?” Fabulations and Triangulations in Shirley Clarke’s Portrait of Jason
Nanna Heidenreich
Performing along “the” Color Line
Blackface from Time to Time
Eric Lott
Reading the Blackened Faces of the Ku-Klux Klan in the Reconstruction-Era United States
Elaine S. Frantz
Gender Bending in the Southern Babylon: Black “Female Impersonators” in 1940s to 1960s New Orleans
Aurélie Godet
Facing Contemporary Commodification
Digital Blackface and Memetic Ambiguity
Katrin Köppert
On Arab Masquerades and Necropolitics: Invisibilization and Hypervisibilization in Israeli Popular Culture
Raz Weiner
Staging (Post)Colonial Relations
Borrowed Plumes, Jesuit Drag, and Costumes as Uncontrollable Residuals
Karin Harrasser
Japonist Drag: Performing Entangled Exoticisms in Dance and Theater around 1900
Julia Ostwald
