Counterpublics, Citizenship, and Participatory Art Milena Dragićević Šešić and Julija Matejić Abstract: This paper explores subaltern cultural counterpublics in Serbia in the last three decades, through different forms of performative and participatory music activism: from radio activism, public noise, and performances in public spaces during the 1990s, to self‐organized choirs in the 2000s and 2010s. By referring to the concept …