The Harpsichord in the Sixteenth Century II: Italy
Augusta Campagne, Markus Grassl (eds.)
Introduction
Markus Grassl, Augusta Campagne
PAPERS
Further Notions of Notation. Performance Practice, Composition, and Notational Formats in Neapolitan Keyboard Music ca. 1600
Ian Pritchard
Hacking the System II. Notational Conventions in Early Sixteenth Century Printed Italian Keyboard Intavolature
Augusta Campagne
The Rhetoric of Invertible Counterpoint in the Sixteenth Century. Between Keyboard Pedagogy and Performance Practice
Edoardo Bellotti (†)
Why Should One Build an Archicembalo? An Attempt at a Response According to Nicola Vicentino
Martin Kirnbauer
Alessandro Fabri and his Pupils. Protagonists of the Art of the ‘Zimbararo’ in Naples
Francesco Nocerino
Italian Instruments in England, and Their Adaption for Use
Darryl Martin
Stringed Keyboard Instruments at the Courts of the Austrian Habsburgs in the Sixteenth Century – the ‘Italian Perspective’
Markus Grassl
Sofonisba Anguissola at the Keyboard. Performance of Transgressive Musical Knowledge and Artistic Skill
Jane Hatter
Appearance and Prestige. Phenomena of Keyboard Instrument Decoration in the Sixteenth Century
Heidelinde Pollerus
PRESENTATIONS
The Merulo Toccata in Codex Vienna, Minorite Convent, 714
Mario Aschauer
Bassi ostinati and Ornamental Formulas in the Intabolatura nova di varie sorte de balli, Venice 1551 (I-Bc R.178), and in Similar Contemporary Sources for the Lute
Vania Dal Maso
A Glimpse into the World of Antonio Valente, cieco Napoletano
Paola Erdas
Andrea Gabrieli and the Venetian colorito
Sébastien Wonner
