Konferenzen, Tagungen, Symposien, CfP
 

 


 



Stabstelle Forschungsförderung

Mag.a Therese Kaufmann, MA

Anton-von-Webern-Platz 1
1030 Wien

1. Stock, Raum B 01 23

Tel. +43 1 711 55-6100

forschungsfoerderung@mdw.ac.at

 

Elfriede  Jelinek: Alterität, Xenophobie und kulturelle Übersetzung

Interdisziplinärer Workshop für Nachwuchswissenschafter_innen

Vrije Universiteit Brussel, 12. - 14. Dezember 2018

Die Elfriede Jelinek Forschungsplattform bietet von 12. bis 14. Dezember 2018 einen interdisziplinären Workshop an der Vrije Universiteit in Brüssel an und freut sich, neue Teilnehmer/innen zu finden. Der Workshop richtet sich an Dissertant/innen, Projektmitarbeiter/innen, Postdocs und Habilitand/innen, die an Vorhaben zu Elfriede Jelinek arbeiten und an einer längerfristigen Vernetzung mit internationalen Expert/innen der Jelinek-Forschung interessiert sind.

mehr Information und CfP (Deadline 31. Mai 2018)

 


 

JAR Issue 19 - Call for Submissions

JAR publishes artistic research from all arts disciplines, with or without academic affiliation, and includes the work of artistic research practitioners and theorists. Rethinking the traditional journal format, JAR offers its contributors a free-to-use online space called the Research Catalogue (RC) where text can be woven together with image, audio and video material allowing for creative modes of presenting and documenting artistic work. The Journal is specifically interested in contributions that reflect upon and expose artistic practice as research, and welcomes submissions from artists interested in exchanging ideas and opening up the processes and methodologies that underlie their practice. Submissions from all kinds of artistic discipline are welcome, including (but not limited to) the visual arts, architecture, dance, design, film, literature, music, painting, performance, photography, poetry, sculpture, theatre, video art, urban planning, etc.

Deadline 15 December 2018

more Information

 


 

Arts and Citizenship - Towards Diversity of Cultural Expressions

12th Annual Conference of the Fachverband für Kulturmanagement

9 - 12 January 2019
mdw, Department of Cultural Management and Gender Studies (IKM)

The conference aims to focus equally on the academic tasks of research, teaching and dialogue with practitioners in the field at high level. We are looking for contributions that engage critically with the conference topic from theoretical and/or practical perspectives, using a variety of scientific or arts-based theories, methodologies and rich case studies.

more Information

Doctoral Colloquium

9 January 2018, afternoon

PhD and doctorate students as well as advanced students in Arts and Cultural Management were invited by the Young Academics Working Group of the Association for Cultural Management to submit proposals for the doctoral colloquium which is open to any thematic and methodological focus within the field of arts and cultural management.

more Information

 


 

RUUKKU  12: sonic art, sonic practice, and sonic thought: artistic research and music today

Sound is omnipresent and we live, think, feel, and experience in and through sound every day. Sound studies have developed mainly in the disciplines of acoustics and music. The former defines sound as mechanical waves while the latter considers it as discrete sounds organised in time. Artistic Research offers us opportunities to study sound from a different perspective. How do we live, think, feel, and experience in and through sound as artistic practitioners? What constitutes such knowledge production, and how does this search for knowledge relate to the other modes of knowledge and experience often associated with ‘music'?

RUUKKU 12 explores these questions by collecting case studies and insights related to the making of artistic event/work involving sound. Our hypothesis is that artistic practitioners invent and grasp knowledge on their way to establishing what will become new art, new practice, and new thought in sound. We are interested in finding out the extent and diversity of artistic knowledge production in and through sound. The questions may be approached in the context of environmental issues, historicity, technology, tradition, and all art or performative forms that involve sound.

Deadline for Sumisstion 15 January 2019

more Information

 


 

Tagung  "Modellierung, Erschließung, Vergleich: Grafen in den Digitalen Geisteswissenschaften"

18 - 19. Jänner 2019
Akademie der Wissenschaften und der Literatur Mainz

Graphdatenbanken werden seit einigen Jahren in Forschungsvorhaben zur Modellierung von Forschungsdaten und erschließendem Wissen genutzt. Infolgedessen sehen wir jetzt eine weit verbreitete Erforschung ihres Potenzials in den Geisteswissenschaften: Graphen werden verwendet um soziale Netzwerke, Korrespondenznetze, Textvariationen, Texttraditionen, prosopographische Daten uvm. zu repräsentieren. Sie ergänzen zunehmend relationale oder auch auf XML beruhende Forschungsdatenrepositorien. In den verschiedenen Anwendungszusammenhängen werden heterogene Modellierungsansätze verfolgt. Diese verschiedenen Modellierungsansätze sollen im Rahmen der Tagung als erster Schritt für eine denkbare Harmonisierung vorgestellt und diskutiert werden.

Ziel der Tagung ist es, ein breites Spektrum an Möglichkeiten für graph-basierte Anwendungen in den Geisteswissenschaften aufzuzeigen. Dabei steht die Vielfalt der Modellierungsansätze und Anwendungen im Vordergrund, gleichzeitig soll die Möglichkeit der Generalisierung von Datenstrukturen für verschiedene Anwendungsbereiche untersucht werden. Die Konferenz wird sich daher sowohl auf eine Vielzahl von kreativen Ansätzen als auch auf die Identifizierung von Gemeinsamkeiten für die community-getriebene Entwicklung geisteswissenschaftlicher Graphmodelle konzentrieren.

mehr Information und CfP (Deadline 15. Oktober 2018)

 


 

Seminar: Time, History and Materials

26 January 2019
Canterbury Christ Church University, Kent (UK)

We invite proposals (c. 200 words) for presentations that critically explore the space spanned by different perspectives on time, history and material and address their role in all areas of music, sound art and related research, in all its possible technical, technological, musicological or theoretical aspects. Proposals are welcome for presentations in the form of paper (20 minutes), demonstration, performance, or any hybrid thereof.

more Information and CfP (Deadline 1 December 2018)

 


 

Open  Education in the Context of Digital Transformation

Call for Papers - Special Issue Zeitschrift für Hochschulentwicklung

With the proliferation of ubiquitous digital media, tools and devices the open education (OE) movement has gained momentum over the last decade. The majority of higher education institutions now use or explore educational technology of some kind to “enhance” on-campus learning or to offer “blended learning” programs to provide flexible learning opportunities. Open and distance learning has clearly moved from the fringes into mainstream higher education (XIAO, 2018). On the other hand, this expansion is accompanied by an internal and society-wide discussion on the impact of the digital transformation on higher education institutions.

The ZFHE is a peer-reviewed online journal that publishes scientific contributions of practical relevance concerning current higher education development issues. The focus is on didactical, structural, and cultural developments in teaching and learning. Topics that are innovative and still regarded as open in respect of their design options are preferred.

The ZFHE is published by a consortium of European researchers and funded by the Austrian Ministry for Science, Research and Economics.

Deadline for Submission 15 February 2019

more Information

 


 

Orpheus  Seminar - From Authorship and Spectatorship to Usership

21 - 22 February 2019
Orpheus Institute Ghent

In the performing arts, participatory, immersive spectatorship is commonplace, and in the political economy of music, funding follows usership in its various modes. As musicians working in contemporary culture, we might see ourselves as having moved from a polarised situation of authorship and spectatorship to a common state of usership. As theorist Stephen Wright suggests, ‘Usership represents a radical challenge to at least three stalwart conceptual institutions in contemporary culture: spectatorship, expert culture, and ownership.’ (Toward a Lexicon of Usership, Museum of Arte Útil, Van Abbemuseum, 2013).

Composers, performers, promoters and interested listeners all search for ways of shaking off their conventional roles in musical experience: composers curate ‘shows’, performers give talks, academics make YouTube videos; promoters and arts organizations, meanwhile, maximize ‘opportunity’. Yet, the very stuff of musical experience – its sonic materials, its performance practices, its listening conventions – carries the author-spectator relationship forward to such an extent that contemporary, musical activity is often a matter of adopting conscious strategies for escape.

more Information and CfP (Deadline 15 November 2018)

 


 

4th  Biennial Performance Philosophy Conference

"Between Institutions: How does Performance Philosophy intervene?"

14 - 17 March 2019
University of Amsterdam

The fourth biennial Performance Philosophy conference takes place in Amsterdam in the year of the 50th anniversary of the so-called "tomato incident" [Aktie Tomaat], in which a 1969 Amsterdam audience of theatregoers performed a historic intervention into the antiquated institution of Dutch theatre by pelting the stage with tomatoes. Instead of celebrating this occasion, we propose viewing it as an opportunity to inquire into the contemporary utility of concepts of intervention, institution and intoxication —i.e. beyond their counter-cultural legacy.

Researchers and practitioners are invited to explore intoxicating ways of intervening in institutions. We welcome contributions on interventions into, within or beyond artistic, educational and academic institutions.

more Information and CfP (Deadline 30 September 2018)

 


 

10th  SAR International Conference on Artistic Research 2019

21 - 23 March 2019
Zurich University of the Arts (ZHdK)

The 10th SAR conference is not guided by one theme, but organized around three topics and two types of session formats for input and discussion. This format puts the manifoldness of artistic research practices at the centre of the conference. The three topics are Productive Gaps, Enhanced Dissemination Formats, and Inspiring Failures, and contributions are invited in short and long formats (see the 'Call for Contributions' for details). A keynote presentation will be delivered for each of the three topics.

SAR encourages individual researchers and research groups, 3rd cycle candidates, postdocs, senior researchers and professors to submit for this conference!

more Information and CfP (Deadline 30 November 2018)

 


 

Orpheus Seminar: Simulation and Computer Experimentation in Music and Sound Art - Almat @ Orpheus Research Seminar 2019

21 - 22 March 2019
Orpheus Institute Ghent

Co-organisers:

Proposals are invited that critically explore the space spanned by the different perspectives on simulation and experimental computation addressing their role in all areas of music, sound art and related research, in all its possible technical, technological, musicological or theoretical aspects.

more Information and CfP (Deadline 8 December 2018)

 


 

6. Jahrestagung "Digital Humanities: multimedial und multimodal"

25. - 29. März 2019
Frankfurt a. M. und Mainz

Viele Forschungs- und Anwendungsbereiche der Digital Humanities gehen weit über die jeweils isolierte Betrachtung von Text-, Bild- oder Audiodaten hinaus. So produziert beispielsweise die digitale Erfassung von Artefakten sowohl Beschreibungen, Abzeichnungen und Fotografien als auch 3D-Repräsentationen der Oberflächengeometrie dieser Objekte, häufig ergänzt um multispektrale radiometrische Information. Bei der Erforschung unzureichend dokumentierter Sprachen wiederum werden unter anderem Video- und Audioaufnahmen zusammen mit Transkriptionen analysiert. Beispiele dieser Art zeigen, dass erst die gemeinsame Betrachtung von textuellen, visuellen oder auditiven Daten Zugänge zu forschungsrelevanten Digitalisaten erschließt. Das Spektrum geeigneter Methoden zur Analyse und Vermittlung solcher medienübergreifenden Aggregate ist entsprechend weit gefächert. Darüber hinaus zeichnet sich in den Digital Humanities nunmehr die Entwicklung ab, Methoden aus den Bereichen Virtual Reality oder Augmented Reality einzusetzen, für die multimodale Zugänge (etwa unter Nutzung von Head-Mounted Displays, Datenhandschuhen oder Eye-Tracking-Systemen) konstitutiv sind. Auch hier gilt, dass die jeweiligen Informationsobjekte nicht in Isolation, sondern in ihren wechselseitigen Bezügen und Konstituierungsverhältnissen betrachtet werden müssen.

Die Tagung will im Kontext dieser Entwicklungen einen Schwerpunkt darauf legen, den Medienbegriff und dessen Aufschlüsselung innerhalb der Digital Humanities zu thematisieren.

mehr Information und CfP (Deadline 30. September 2018)

 


 

Forum  Ircam Workshops

Paris, Centre Pompidou
26 - 29 March 2019

If you are a musician, sound engineer, composer, designer, if you work in research and development on new technologies, if you are professor or student, if you are professional or just aficionado you are very welcome to join us on this annual meeting at IRCAM in Paris.

The Ircam Forum workshops is a unique opportunity to meet the research and development teams as well as computer music designers and artists in residency at IRCAM. During these workshops, we will share news on technologies and expertise providing hands-on classes and demos on sound and music.

This meeting is a great place for participants to show their applications and new developments with technologies. Students are encouraged to present their projects and posters.

more Information and CfP (Deadline for Submission 14 November 2018)

 


 

AEC  European Platform for Artistic Research - EPARM Conference 2019

28 - 30 March 2019
Gheorghe Dima Academy
Cluj Napoca, Romania

The seventh EPARM conference welcomes music researchers, educators, students and/or performers to a three day exploration of artistic research in music.

To reflect the centrality of performance in artistic research, besides the usual programme featuring plenary and parallel sessions this year the event will include a special evening programme of performance and discussion: L8nite Performances

Proposals for short performances which are outcomes of artistic research are welcome for this evening programme.

more Information and CfP (Deadline 14 January 2019)

 


 

Musik, Schrift, Differenz - Eine interdisziplinäre Lektüre von Adornos Theorie der musikalischen Reproduktion

3. - 5. April 2019
Arnold Schönberg Center Wien

Dass musikalische Schrift nicht auf ihre Funktion als Zeichensystem zu reduzieren ist, das auf ein Klanggeschehen verweist und dessen wiederholte Realisierung ermöglicht, wird im aktuellen Forschungsdiskurs immer wieder geltend gemacht. So sind in den letzten Jahren zunehmend die materiellen Bedingungen schriftlicher Phänomene und ihre Eingebundenheit in sozio-kulturelle Kontexte in den Fokus gerückt.
Vor dem Hintergrund neuer Impulse der interdisziplinären Schriftforschung möchten wir dazu einladen, Adornos Überlegungen zur musikalischen Reproduktion zu reflektieren und produktiv weiterzudenken: Welche seiner Ansatzpunkte erweisen sich als fruchtbar für aktuelle Fragestellungen der Schriftforschung? Welche bieten einen gewinnbringenden Ausgangspunkt für weiterführende musikphilosophische Überlegungen zu Notenschrift und musikalischer Performanz? Und wie stellen sich die von Adorno artikulierten begrifflichen Konstellationen im Lichte jüngerer Notationspraktiken und ästhetischer Debatten sowie auch im Lichte der perspektivischen Neuausrichtungen (etwa des lingustic, iconic oder material turn) innerhalb geisteswissenschaftlicher Diskurse dar?

mehr information und CfP (Deadline 31. Oktober 2018)

 


 

Diversitätsforschung: Von der Rekonstruktion zur Disruption?

Zeitschrift für Diversitätsforschung und -management
Themenschwerpunkt für das Heft 1/2020

Für dieses Heft wollen wir Forschungsbeiträge gewinnen, die sich empirisch wie theoretisch mit dem Potenzial diversitätssensibler bzw. -affirmativer Praktiken beschäftigen, die Möglichkeiten intersektional angelegter Identitätspolitiken diskutieren oder Konzepte wie Inklusion, Teilhabe oder Partizipation aus explizit diversitätsaffirmativer Perspektive weiterentwickeln. Es geht also um die Beschäftigung mit und das Ausloten von konkret "lebbaren" Alternativen in bestimmten Kontexten (Organisationen, Gesellschaft, etc.), die Differenzen als Fundament menschlicher (Ko-)Existenz voraussetzen anstatt eines zu adressierenden Problems.

Deadline 1. Mai (und 1. August 2019)

mehr Information

 


 

Musicology  with and without Borders

3rd Tbilisi International Musicological Conference

2 - 3 May 2019
V.Sarajishvili Tbilisi State Conservatoire, Tbilisi, Georgia

The Tbilisi International Musicological Conference is biennial conference on recent developments and future trends in Musicology. We welcome submissions that focus on any one or combination of the following:

1. Musical text fixation: transcriprions, notation,  documentation:
2. Artistic research;
3. Music, word and image;
4. Challenges of  Theory and History of Music;
5. Intertextual aspects of music;
6. Regime, ideology and music

Theme of the round table: “Teaching of musicological disciplines:  challenges and perspectives for HEIs"

Official languages of the Conference are English and Georgian. All papers will be published after the conference at the electronic journal “Musicology and Cultural Science” (http://gesj.internet-academy.org.ge/en/title_en.php?b_sec=§ion_l=muz).

more Information and CfP (Deadline 15 December 2018)

 


 

Music  Encoding Conference

29 May - 1 June 2019
University of Vienna

The seventh Music Encoding Conference will take place in 2019, continuing this key annual event for dissemination and discussion for those working with, and on, music encoding.

The 2019 conference will be held in the beautiful and culturally rich city of Vienna, Austria, jointly organised by the Austrian Academy of Sciences, the Department of Musicology at the University of Vienna and the Mozart Institute of the Mozarteum Foundation Salzburg, on behalf of the Music Encoding Initiative community. The conference will be hosted at the University of Vienna over four days, with pre-conference workshops on Wednesday 29 May, the formal programme on Thursday 30 and Friday 31 May, and an ‘unconference’ on Saturday 1 June.

more Information and CfP (Deadline 7 December 2018)

 


 

Grenzen  und Übergänge

5. Österreichische Citizen Science Konferenz

26. - 28. Juni 2019
Obergurgl (Tirol)

Im Sommer 2019 macht die 5. Österreichische Citizen Science Konferenz in Tirol Station. Die Universität Innsbruck und das Citizen Science Network Austria laden nach Obergurgl, wo sich die Citizen Science Community vom 26.–28. Juni unter dem Motto "Grenzen und Übergänge" auf über 2000m versammelt.

mehr Information

Das war die Citizen Science Konferenz 2018: Hier gehts zu den Proceedings der Konferenz https://www.frontiersin.org/books/Austrian_Citizen_Science_Conference_2018/1719

 


 

Complexities: Digital Humanities Conference

9 - 12 July 2019
Tivoli Vredenburg
Utrecht

The Digital Humanities (DH) Conference is the annual international conference of the Alliance of Digital Humanities Organizations. During two days of pre-conference workshops and the three-day conference, participants will present their newest research and the applications of their work.

Deadline for proposals for posters, short papers, long papers, or multiple-panel papers: 27 November 2018

Deadline for submitting workshops and tutorials: 10 January 2019

more Information and CfP

 


 

Musicological  Terms, Concepts and Categories

4th International Congress of the Society for Theory of Music

2 - 5 October 2019
Nazib Zhiganov Kazan State Conservatory
Moscow

In consideration of preparing EUROMAC-10 Congress in Moscow in 2020, to build conceptual and terminological ‘bridges’ between musicological traditions in France, Germany, Italy, Russia, England and the United States by way of organizing and holding the Fourth International Congress of the Society for Music Theory seems to be a viable attempt. At the same time, it is obvious that terminology in every linguistic tradition continues to be a topical issue.

more Information and CfP (Deadline 1 May 2019)