Konferenzen, Tagungen, Symposien, CfP



Stabstelle Forschungsförderung

Mag.a Therese Kaufmann, MA

Anton-von-Webern-Platz 1
1030 Wien

1. Stock, Raum B 01 23

Tel. +43 1 711 55-6100



Per/Forming Futures: Investigating Artistic Doctorates in Dance and Performance Conference

11 - 13 April 2019
Middlesex University, London

The 3-day conference will take placeat Middlesex University, London. Presenters include Annette Arlander, Robin Nelson, Vida Midgelow and Mathias Sperling among others.

The conference is arranged by Artistic Doctorates in Europe: Third Cycle Provision in Dance and Performance project (https://www.artisticdoctorates.com/) that is funded by Erasmus+.

more information and registration



JAR  Issue 20 and 21 - Journal for Artistic Research

JAR is a peer-reviewed journal and publishes artistic research from all arts disciplines, with or without academic affiliation, and includes the work of artistic research practitioners and theorists.

Rethinking the traditional journal format, JAR offers its contributors a free-to-use online space called the Research Catalogue (RC) where text can be woven together with image, audio and video material allowing for creative modes of presenting and documenting artistic work. The Journal is specifically interested in contributions that reflect upon and expose artistic practice as research, and welcomes submissions from artists interested in exchanging ideas and opening up the processes and methodologies that underlie their practice. Submissions from all kinds of artistic discipline are welcome, including (but not limited to) the visual arts, architecture, dance, design, film, literature, music, painting, performance, photography, poetry, sculpture, theatre, video art, urban planning, etc.

Deadline Issue 21: 15 July 2019

more Information and Submission



Diversitätsforschung: Von der Rekonstruktion zur Disruption?

Zeitschrift für Diversitätsforschung und -management
Themenschwerpunkt für das Heft 1/2020

Für dieses Heft wollen wir Forschungsbeiträge gewinnen, die sich empirisch wie theoretisch mit dem Potenzial diversitätssensibler bzw. -affirmativer Praktiken beschäftigen, die Möglichkeiten intersektional angelegter Identitätspolitiken diskutieren oder Konzepte wie Inklusion, Teilhabe oder Partizipation aus explizit diversitätsaffirmativer Perspektive weiterentwickeln. Es geht also um die Beschäftigung mit und das Ausloten von konkret "lebbaren" Alternativen in bestimmten Kontexten (Organisationen, Gesellschaft, etc.), die Differenzen als Fundament menschlicher (Ko-)Existenz voraussetzen anstatt eines zu adressierenden Problems.

Deadline 1. Mai (und 1. August 2019)

mehr Information



Musicology  with and without Borders

3rd Tbilisi International Musicological Conference

2 - 3 May 2019
V.Sarajishvili Tbilisi State Conservatoire, Tbilisi, Georgia

The Tbilisi International Musicological Conference is biennial conference on recent developments and future trends in Musicology. We welcome submissions that focus on any one or combination of the following:

1. Musical text fixation: transcriprions, notation,  documentation:
2. Artistic research;
3. Music, word and image;
4. Challenges of  Theory and History of Music;
5. Intertextual aspects of music;
6. Regime, ideology and music

Theme of the round table: “Teaching of musicological disciplines:  challenges and perspectives for HEIs"

Official languages of the Conference are English and Georgian. All papers will be published after the conference at the electronic journal “Musicology and Cultural Science” (http://gesj.internet-academy.org.ge/en/title_en.php?b_sec=§ion_l=muz).

more Information



Symposium  "Decolonising of Knowledges"

3. - 4. Mai 2019
mdw, 1030, Anton-von-Webern-Platz 1, Fanny Hensel-Saal

Die Diskussion über die Notwendigkeit einer Dekolonisierung von Wissensproduktion sowie eines kritischen Nachdenkens über “epistemic violence” (G. Ch. Spivak) wurde in den letzten Jahren zu einem zentralen Aspekt des postkolonialen Diskurses. Daraus kann ein klarer Auftrag an den universitären Bereich abgeleitet werden, und so thematisiert das Symposium die Bedingungen von “Decolonising of Knowledges” speziell an Kunstuniversitäten sowie im Kunst- und Kulturbereich.

Unter dem Aspekt des Verhältnisses zwischen Wissen und Macht wird ein “Meeting of Knowledges” in den Blick genommen und die Möglichkeit von “Decolonising ‘World Music’” als kritisches Reframing der Musiken der Welt im Kontext aktueller Praktiken, Kämpfe und Bedingungen von Produktion und Rezeption ausgelotet.

Mit Vorträgen von José Jorge de Carvalho (Brasília), María do Mar Castro Varela (Berlin), Michael Birenbaum Quintero (Boston) und Gabriele Klein (Hamburg).
Workshop: South-Eastern Vocal Styles; Concert: Kurdophone.

Veranstaltung in englischer Sprache.

Anmeldung erbeten bis 8. April 2019 (Teilnahme kostenlos): transkulturalitaet@mdw.ac.at

mehr Information



Transformation  of the Audible


16 - 18 May 2019
Institute of Sonology - University of the ArtsThe Hague
Academy of Creative and Performing Arts - Leiden University
WEST Den Haag

The past two decades have seen an unprecedented growth in the interest in sound from a variety of domains. Within the artistic sphere, sound has extended its presence in museums and galleries worldwide; within the scholarly domain, through the blooming of the transdisciplinary field of Sound Studies. This expansion has prompted new questions as well to the realm of musical practices.

Transformations of the Audible will gather international scholars, researchers and practitioners from the domains of Music, the Arts and Sound Studies to investigate the ways we engage with sound: what are the factors and conditions which shape how we listen, how do these traverse our artistic practices and how do these practices in turn operate on our listening.

more Information (registration opens 8 April 2019)



Orpheus  Doctoral Conference: Music, Humans and Machines

22 - 23 May 2019

This conference explores musician’s long relationship with their instruments and instrumentalities, questioning issues of autonomy and agency in the apparent dichotomy between tools and musical expression. From the "mechane" of Greek theatres from which gods were suspended, to Mozart’s description of the Stein fortepiano’s knee-lever as “Die Maschine”, to the epoch-defining technologies of recording, sound synthesis, and algorithmic composition of more recent times, performers and composers have relied on mechanical means to create magic in their art.

more Information and CfP (Deadline 1 February 2019)



2. International Data Science Conference (iDSC 2019)

22. - 24. May 2019

Die Konferenz hat zum Ziel ForscherInnen, WissenschaftlerInnen, WirtschaftsexpertInnen sowie Studierende in Dialog rund um neue Ansätze zur Förderung agiler Methoden in einer datengesteuerten Welt zu bringen. Geplant sind zwei Tracks: ein Reserach Track, der „State of the Art“ Vorträge aus der Science Community bietet und ein Industry Track mit Beiträgen zu Applikationen und Best Practice Anwendungen.

more Information and CfP (Deadline 25 January 2019)



Wroclaw  Musicological Conference - The Culture-Making Role of Musical Patronage. Contexts - Meanings - Perspectives.

22 - 24 May 2019
Institute of Musicology at the University of Wroclav

The aim of the conference is to draw attention to the reasons and ways of supporting the artists in different historical periods, to the context of social relations between artists and their patrons together with mutual expectations resulting from the established cooperation and to discuss contemporary problems of musical life, e.g. the functioning of artists, cultural institutions and musical education, using music resources or participation of new media in supporting artists.

We invite both young and experienced researchers (not only musicologists) from various academic centres in Poland and abroad. We would also like to emphasize that the organizers do not request any registration fee from participants. The substantial content of the conference will be supervised by the Scientific Board who reserve the right to make their own selection of papers to be presented.

more Information and CfP (Deadline 15 February 2019)



Music  Encoding Conference

29 May - 1 June 2019
University of Vienna

The seventh Music Encoding Conference will take place in 2019, continuing this key annual event for dissemination and discussion for those working with, and on, music encoding.

The 2019 conference will be held in the beautiful and culturally rich city of Vienna, Austria, jointly organised by the Austrian Academy of Sciences, the Department of Musicology at the University of Vienna and the Mozart Institute of the Mozarteum Foundation Salzburg, on behalf of the Music Encoding Initiative community. The conference will be hosted at the University of Vienna over four days, with pre-conference workshops on Wednesday 29 May, the formal programme on Thursday 30 and Friday 31 May, and an ‘unconference’ on Saturday 1 June.

more Information and CfP (Deadline 7 December 2018)



Collaborative Creativity/Creative Collaboration

10. Internationale Konferenz "Music/Sonic Art: Practices and Theories"

31. Mai - 2. Juni 2019
Hochschule für Musik, Karlsruhe

Das Institut für Musikinformatik und Musikwissenschaft an der Hochschule für Musik, Karlsruhe lädt zur Einreichung von Abstracts ein. Kontakt: j.dack@mdx.ac.uk

mehr Information und CfP (Deadline 29. März 2019)



Grenzen  und Übergänge

5. Österreichische Citizen Science Konferenz

26. - 28. Juni 2019
Obergurgl (Tirol)

Im Sommer 2019 macht die 5. Österreichische Citizen Science Konferenz in Tirol Station. Die Universität Innsbruck und das Citizen Science Network Austria laden nach Obergurgl, wo sich die Citizen Science Community vom 26.–28. Juni unter dem Motto "Grenzen und Übergänge" auf über 2000m versammelt.

mehr Information

Das war die Citizen Science Konferenz 2018: Hier gehts zu den Proceedings der Konferenz https://www.frontiersin.org/books/Austrian_Citizen_Science_Conference_2018/1719



Hidden  Archives, Hidden Practices: Debates about music-making

28 - 29 June 2019
Aveiro, Portugal

In recent decades, research in the humanities has called for the displacement and multiplication of the addressed themes, and has defended approaches that integrate the study of archives, repertoires and musical practices which have been excluded from modern narratives. Similarly, inter- and transdisciplinary dialogue has fostered the emergence of new epistemologies that shift the focus from writings to performative scenarios, or from musical styles to musical practices.

The development of this focus in musical research is particularly evident in fields such as community music studies, local music studies, gender and music studies and artistic research in music. This conference intends to address this new outlook, and invites proposals that focus on these research developments.

more Information and CfP (Deadline 16 February 2019)



Saas-Fee Summer Institute of Art - States of Consciousness in Cognitive Capitalism

Call for Applications

4 - 23 July 2019

Building upon our past four year engagement with topics concerning estrangement, individuation, collectivity and art and politics in cognitive capitalism, Saas-Fee Summer Institute of Art 2019 will focus upon states of consciousness.

Saas-Fee Summer Institute of Art (SFSIA) is a nomadic, intensive summer academy with shifting programs in contemporary critical theory. SFSIA stresses an interdisciplinary approach to understanding the relationship between art and politics. SFSIA originated in Saas-Fee, Switzerland in 2015 and migrated to Berlin, Germany in 2016 where it is currently hosted by Spike.

more Information and CfA (Deadline 1 April 2019)


Complexities: Digital Humanities Conference

9 - 12 July 2019
Tivoli Vredenburg

The Digital Humanities (DH) Conference is the annual international conference of the Alliance of Digital Humanities Organizations. During two days of pre-conference workshops and the three-day conference, participants will present their newest research and the applications of their work.

Deadline for proposals for posters, short papers, long papers, or multiple-panel papers: 27 November 2018

Deadline for submitting workshops and tutorials: 10 January 2019

more Information and CfP



IFK  Sommerakademie 2019: Happy End - Prospekte und Narrationen möglicher Zukunft

18. - 24. August 2019

Die IFK_Sommerakademie richtet sich an NachwuchswissenschafterInnen und kulturwissenschaftlich versierte KünstlerInnen, die ein zentrales Interesse an Kulturwissenschaften haben. Österreichische BewerberInnen oder solche, die an österreichischen Wissenschaftseinrichtungen arbeiten, werden besonders zur Antragstellung ermutigt.

Das Stipendium beinhaltet Unterbringung im Einzelzimmer, Verpflegung (exkl. Getränke) sowie Bereitstellung von Arbeitsunterlagen. Die Anreise an den Akademieort in Oberösterreich muss selbst übernommen werden.

mehr Information und CfP (Deadline 17. März 2019)




6th  Colloquium on Artistic Research in Performing Arts

28 - 30 August 2019

CARPA6 attends to the practice of artistic research in the performing arts, inquiring specifically into its potentials for bridging gaps and shifting territorial borders. How does artistic research in the performing arts create interfaces between, interlink and challenge different themes, practices, media, conventions, disciplines and contexts that inform its generation and expression? What kinds of creative interstices are generated? How do these processes change specific performing arts such as dance, theatre, music, performance and live art? What does artistic research do to the performing arts, how does it transform them? What kinds of futures is artistic research in the performing arts generating?

This year´s CARPA conference is followed by a post-conference event Future Manifestos that closes the three-year project Artistic Doctorates in Europe: Third Cycle Provision in Dance and Performance (ADiE).

more Information and CfP (Deadline 28 February 2019)



New  Takes on Recorded Music:

Performance, Creativity, Technology. A Performance Studies Network Research Forum

5 - 6 September 2019
University of Surrey

Deadline for Submission: 30 March 2019

Nähere Details und Kontakt: Georgia Volioti g.volioti@surrey.ac.uk.



10th  Vienna Music Business Research Days: The Future of Music Business

11 - 13 September 2019

The Vienna Music Business Research Days want to bring together scholars from all disciplines and interested music business professionals in Vienna every year in order to present their findings and exchange ideas about it.

Music business research is a new scientific approach at the intersection of economic, artistic, especially musical, cultural, social, legal, technological developments that aims at a better understanding of the creation/production, dissemination/distribution and reception/consumption of the cultural good music. It follows an inter-disciplinary research and teaching approach that is characterized by methodological diversity.

more information and CfP (Deadline 29 April 2019)



"What  is text, really? TEI and beyond" - Konferenz

18. - 20. September 2019
Uni Graz

Thus, this year’s theme ‘What is text, really?’ poses a fundamental question, which goes beyond the pure reference to the seminal 1990 paper by DeRose, Durand, Mylonas, and Renear. They answered it somewhat pragmatically introducing a model for text as an ordered hierarchy of content objects which can easily be formalised with digital technologies, but, as they said later on: text can be much more than that. Text encoding can make various aspects of texts explicit, enabling scholars to examine their nature and their relationship with other objects. In this context, the power of the TEI relies on its technological interactions, supporting software of all kinds operating upon texts, from visualisation to annotation tools, digital publishing systems, or statistical analysis. The TEI framework is a way of modelling knowledge and engaging in a dialogue with ontologies, conceptual models, and recent approaches such as text as graph. For text-centric disciplines the TEI offers a range of solutions that address core research needs. However, for object-based disciplines, like archaeology or museology, where text and its encoding is only a small part of their data modelling ecosystem, the value of TEI is not so clear and it competes with other modeling approaches.

This year’s TEI conference wants not only to reach the community interested in digital representation and processing of text, but also to encourage scholars working on the fringes of the TEI and beyond to join us in discussion.

more Information and CfP (Deadline 1 May 2019)



Jahrestagung  der Gesellschaft für Musikforschung

23. - 26. September 2019
Universität Paderborn und Hochschule für Musik Detmold

Die Hauptsymposien der Tagung orientieren sich an den Forschungsschwerpunkten des Instituts: „Brückenschläge – Informatik und Musikwissenschaft im Dialog“ (Leitung: Prof. Dr. Andreas Münzmay, Prof. Dr. Joachim Veit), „Komponieren für das Radio: Akteure, Diskurse, Praktiken“ (Leitung: Prof. Dr. Camilla Bork, Prof. Dr. Antje Tumat), „Clara Schumann: Lied und Liedinterpretation“ (Leitung: Prof. Dr. Rebecca Grotjahn), „Musikwissenschaft – Feminismus – Kritik. Ein Generationenaustausch zum 25. Jubiläum der Fachgruppe Frauen- und Genderstudien“ (Leitung: Dr. Cornelia Bartsch, Sarah Schauberger M.A.).

Darüber hinaus sind Wissenschaftler*innen aller Disziplinen herzlich eingeladen, sich in folgenden Formaten mit eigenen Beiträgen an der Tagung zu beteiligen:

  • Fachgruppensymposien
  • freie Symposien
  • freie Referate (20 Min. und 10 Min. Diskussion)
  • Round Tables (60/90/120 Min.)
  • Posterpräsentationen (dauerhafte Ausstellung, 5 Min. Präsentation)
  • Projektpräsentationen (60/90/120 Min.)

mehr Information und CfP (Deadline 31. Jänner 2019)



9th ELIA Academy: What's going on Here? Decoding Digitality in Higher Arts Education

25 - 27 September 2019

The theme of the 9th ELIA Academy is digitality in higher arts education. Digitalisation offers challenge and opportunity across all artistic disciplines. Many of our students are embracing new forms of digital arts and these new blended practices extend our conceptions of creativity.

This is a challenging territory that the conference opens up as a creative space for debates, analysis and reflection.

more Information and CfP (Deadline 14 January 2019)



Forum Citizen Science - "Die Zukunft der Bürgerforschung"

26. - 27. September 2019
Westfälische Wilhelms-Universität Münster

"Die Zukunft der Bürgerforschung" - so lautet das Thema des diesjährigen Forum Citizen Science von Bürger schaffen Wissen. Interessierte aus Wissenschaft, Bürgerforschung und Wissenschaftskommunikation sind eingeladen, einen Programmvorschlag oder ein Short Paper einzureichen

mehr Information und CfP (Deadline 5. Mai 2019)



Best  Paper Award 2019: Musicologica Austriaca - Journal for Austrian Music Studies

The Austrian Musicological Society (Österreichische Gesellschaft für Musikwis­sen­schaft) is awarding a prize for the best academic paper on the broad topic of music and musical culture in or from Austria. Researchers from all musico­logical fields and related disciplines are encouraged to participate. We welcome all methodological perspectives on music, musicians, and musical culture asso­ci­ated with Austria in a broad sense.

The unpublished article should not exceed a length of 10,000 words and must be submitted in English. The evaluation of submissions will be conducted by a jury composed of the board of directors of the Austrian Musicological Society and the award-winning paper will be published as an open-access article in Musicologica Austriaca, free of charge. Papers that make use of the possibilities of multimedia (image, audio, and video files, for example) are particularly encouraged. Any copyright issues should be clarified by the author, but this can also be done subsequent to receiving the award.

Deadline 30 September 2019

mehr Information



Musicological  Terms, Concepts and Categories

4th International Congress of the Society for Theory of Music

2 - 5 October 2019
Nazib Zhiganov Kazan State Conservatory

In consideration of preparing EUROMAC-10 Congress in Moscow in 2020, to build conceptual and terminological ‘bridges’ between musicological traditions in France, Germany, Italy, Russia, England and the United States by way of organizing and holding the Fourth International Congress of the Society for Music Theory seems to be a viable attempt. At the same time, it is obvious that terminology in every linguistic tradition continues to be a topical issue.

more Information and CfP (Deadline 1 May 2019)



Music  Schools - Masters of Collaboration? Creating interfaces in Music Education Systems

10. - 11. Oktober 2019

Das Institut für musikpädagogische Forschung, Musikdidaktik und Elementares Musizieren der mdw lädt zur Einreichung von Beiträgen für das European Music School Symposium am 10.-11. Oktober 2019 sowie für das European Music School Research Student Forum am 12. Oktober 2019 ein.

Kontakt: Univ.-Prof. Dr. Michaela Hahn

mehr Information und CfP folgen (Deadline 25. April 2019)



Internationales  Arnold Schönberg Symposium

17. - 19. Oktober 2019
Arnold Schönberg Center

Themenschwerpunkt des Symposiums ist das Skizzieren in der Wiener Schule. Im Zentrum stehen Kompositionsskizzen von Arnold Schönberg, Alban Berg und Anton Webern aus der Übergangszeit um 1908/09 sowie der Frühphase der Komposition mit zwölf nur aufeinander bezogenen Tönen in den Jahren 1921 bis 1924.

The symposium will be devoted to the sketches of the Viennese School. Particular focus will be given to the compositional sketches of Arnold Schönberg, Alban Berg and Anton Webern during both the transitional period around 1908/09 and during the early stages of composition with twelve tones which are related only with one another between 1921 and 1924.

CfP englisch
CfP deutsch
(Deadline 2. Februar 2019)



Telling  Stories - Performers(') Present International Artistic Research Symposium

23 - 26 October 2019
Yong Siew Toh Conservatory of Music (Singapur)

Narratives – whether historical, political, or musical; whether fact or fiction – are inextricably bound to the ways we experience the world, and the art that translates these experiences.

In the decade since we began hosting the triennial Performers(‘) Present symposium, artistic research has been undergoing rapid and ground-shifting transformations, with the performer’s voice becoming ever more present. As with our previous symposia, Telling Stories seeks to address and evolve the kaleidoscopic issues facing 21st-century performers, as they reflect on their practice in the context of significant shifts in politics, communications and technology, and performance practice.

more Information and CfP (Deadline 17 May 2019)



Ka-Ching! Der Klang des Geldes

Internationales, interdisziplinäres studentisches Symposium

7. - 10. November 2019

Dieses richtet sich an Studierende und Promovierende der Musikwissenschaften, Kunstgeschichte, Medienwissenschaften, Philosophie, Kulturwissenschaften, Wirtschaftswissenschaften und weiteren verwandten Studiengängen.

mehr Information und CfP (Deadline 15. April 2019)



7. Jahrestagung der Österreichischen Gesellschaft für Gleichstellung und Gender Studies

7. - 9. November 2019
Leopold-Franzens-Universität Innsbruck

Die Jahrestagung der ÖGGF vom 7.-9. November 2019 findet an der Universität Innsbruck statt und widmet sich der Untersuchung der Transformation von Geschlecht und Geschlechterverhältnissen in ihren historischen, räumlichen und wechselseitigen Beziehungen, Bedingungen und Wirkungen. Mit der Ausrichtung der Jahrestagung möchte die Interfakultäre Forschungsplattform Geschlechterforschung der Universität Innsbruck zugleich das 350-Jahr-Jubiläum der Universität Innsbruck ergänzen. Der Fokus liegt daher auf der Analyse von Wandlungsprozessen in Geschlechterverhältnissen.

CfP Deutsch
CfP Englisch

Ende der Einreichfrist 28. Februar 2019



Orpheus  Research Summit 2019

11 - 15 November 2019
Orpheus Institute, Ghent

The Orpheus Research Summit addresses the need for a coherent programme of post-doctoral training in this area, as well as providing an invaluable moment of reflection and revitalisation for senior artist-researchers. We will explore individual and common themes, technical and theoretical topics concerning the current state of artistic research in music, in order to equip artists and institutions to plot their future. It is hoped that the Summit will be a source of personal inspiration and shared purpose.

more Information and registration (Deadline 7 June 2019)



Music  Meets Starting Researchers

International Interdisciplinary Scientific Conference

12 - 15 November 2019
Jázeps Vítols Latvian Academy of Music, Riga

The conference will take place in November 2019 and aims to identify cross-sectoral links between music and other synergistic fields of science. By enabling early-stage researchers to present papers at all levels of study and at all stages of scientific activity, the conference will provide presenters with the opportunity to present their scientific findings in their field of research, acquire international experience in the presentation of scientific papers, and publish their research findings.

We welcome the starting and early-stage researchers to apply for the conference.

more Information and CfP (Deadline 30 April 2019)



ELIA  Leadership Symposium

20 - 22 November 2019
Hangzhou, China

The symposium will be hosted by China Academy of Art, known as the first arts university in China. During the programme, the delegates will have the opportunity to explore Hangzhou, one of the most renowned and prosperous Chinese cities; network and establish new connections with leaders of higher arts education institutions. 

More info will be published soon.

more Information



The  Mediations of Music: Theodor W. Adorno's Critical Musicology Today

21 - 23 November 2019

Adornos Fragmente zu einer Theorie der musikalischen Reproduktion bilden auch einen Schwerpunkt der Tagung »The Mediations of Music«, die von
Gianmario Borio unter Mitarbeit von Stefano Jacoviello, Nicola Sani und
Stefano Velotti koordiniert wird. Das Verhältnis von Zeichen und Klang soll ebenso untersucht werden wie die Vermittlungen der Musik durch mechanische Reproduktion und elektronische Technologien.
Die Konferenz wird veranstaltet von der Fondazione Giorgio Cini (Venedig) und der Accademia Musicale Chigiana (Siena).

more Information



Analyse  und Interpretation

22. - 23. November 2019

Die Tagung des Instituts für Komposition, Musiktheorie und Hörerziehung der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart.

Vorschläge für Beiträge (Vortrag, Lecture-Recital, etc. bis zu einer Länge von 30-35 Minuten) mit einem kurzen abstract erbeten bis 1. März 2019.

Die Beiträge können in deutscher oder englischer Sprache erfolgen.

mehr Information und CfP (Ende der Einreichfrist 1. März 2019)



DARE 2019 - Machinic Assemblages of Desire

9 - 11 December 2019

3rd international conference on Deleuze and Artistic Research

more Information and CfP (Deadline 31 March 2019)



12. Forum Wissenschaftskommunikation

Schwerpunkt "Wissenschaft trifft Kunst"

10. - 12. Dezember 2019

Das Tagungsprogramm wird auch in diesem Jahr überwiegend aus Ihren Beiträgen über den thematisch offenen Call for Proposals zusammengestellt. Parallel hat der Programmbeirat einen thematischen Schwerpunkt mit dem Titel „Wissenschaft trifft Kunst“ festgelegt.

Zu diesem Schwerpunkt ist geplant, gezielt Referentinnen und Referenten einzuladen und verschiedene Themenbereiche zu beleuchten. Vorschläge passend zum Schwerpunktthema können sehr gerne eingereicht werden.

Das Einreichen von Vorschlägen durch Wissenschaftlerinnen und Wissenschaftler sowie durch Künstlerinnen und Künstler ist ausdrücklich erwünscht.

mehr Information und CfP (Deadline 10. April 2019)



Journal  of Embodied Research

Journal of Embodied Research solicits video articles of between 10 and 20 minutes that document and share the results of research projects in which embodied practice is an essential part of the methodology. There are no annual deadlines and video articles are published on a rolling basis throughout the year. Informal inquiries to JER can be made by emailing the journal editor at any time. Formal submissions should be made electronically through the website. 

more Information and Submission