Traces of Traditional Musics in Xenakis’s Electroacoustic Œuvre Reinhold Friedl No expedition to Amazonia, Sikkim or Kilimamdjaro without a tape recorder. No tape experiments, no phonogène or electronic music in Paris, Milan or New York without Zulus, sorcerers and lamas.1 (Schaeffer 1960: 300) Introduction This article discusses a hitherto little-noticed aspect of Xenakis’s œuvre: the use of recordings of instruments from traditional …
Peter Nelson Iannis Xenakis, in his predilection for the ancient rather than the modern, has always proved a puzzle for theorisation focused on notions of the avant-garde. His own early critique of serialism (Xenakis 1955, 1956) already marked him as being on a different path to the generation of European and American composers who shaped the discourses of post-war music. …
Curtis Roads This is a personal account of the impact Xenakis had on my life over several decades.1 To be clear, I am not an expert on Xenakis’s life. These recollections view Xenakis through the narrow lens of my encounters with him. It has been wonderful to sift through my memories to reconstruct this narrative. To begin, it is important …
A Clarification Michel Chion This text aims to explain why it is difficult for me to consider the musical elements of my concrete music production for magnetic tape (composed between 1970 and 2000 – thereafter I increasingly used digital media) as archives or documents to be preserved for history and why, while preciously preserving the original of the finished works, I …
A Conversation with Nikolaus Urbanek and Michelle Ziegler Jan Brocza, Reinhold Friedl, Thomas Grill, Katharina Klement, Christian Tschinkel and Anatol Wetzer Note: The conversation reproduced below took place on 12 December 2022, at the University of Music and Performing Arts Vienna; some participants were connected via video conferencing software. The transcription of the conversation, which was conducted in German, was edited by all participants and subsequently translated …
The Open Access University Press of the mdw mdwPress is the open access academic publisher of the mdw – University of Music and Performing Arts Vienna. With this press, the mdw aims to increase the visibility of its research in all its diversity. Free from commercial motives, mdwPress makes research results freely accessible and reusable for the interested public. The …
Turning Social The Social-Transformative Potential of Music Mediation Axel Petri-Preis, Annette Ziegenmeyer (eds.) How can diverse musical interactions be productively used to promote inter- and transcultural communication, support human thriving and flourishing, empower marginalised social groups, or make society as a whole more sustainable, just and inclusive?
Wir freuen uns, dem Herausgeber*innenteam des International Journal of Music Mediation (IJMM) zum erfolgreichen Launch der Zeitschrift gratulieren zu können. Anläßlich der ersten Ausgabe waren Irena Müller-Brozović und Axel Petri-Preis in der Ö1 Intrada zu Gast. Das Gespräch ist hier in der Ö1 Mediathek nachzuhören.
Beim Symposium »Musik und Suizidalität« ist es gelungen, eine schwierige, herausfordernde und wichtige Thematik in ihrer Komplexität umfassend zu beleuchten. Ich freue mich, dass die Veranstaltung — als Kooperation zwischen dem Institut für Musikwissenschaft und Interpretationsforschung und dem Institut für Musiktherapie — nach pandemiebedingten Verschiebungen zahlreiche Forschende aus dem In- und Ausland an der mdw — Universität für Musik und darstellende Kunst Wien …
