Dirty Dragging. Performative Transpositions

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Dirty Dragging

Performative Transpositions

Evelyn Annuß

Dirty Dragging contributes to queer retheorizations and explores the ambivalence of transgressive performances under apartheid, Nazism, and Jim Crow through a transoceanic lens. The book takes up the ambivalence of “dirty” performance modes—spanning drag and carnival to propaganda—and extends readings of gender bending by incorporating perspectives on blackface and “racialized drag”. It explores violent, locally specific mobilizations of the transgressive along with the ways in which queer and creolized forms of performance intertwine to oppose identitarian boundaries. Given the current slide into right-wing authoritarianism, the book thereby gestures toward the potential joy of collectively making societal conditions dance.

Das Buch erscheint auch auf Deutsch.

Endorsements

Evelyn Annuß has written a definitive, detailed, multi-sited, transnational history of drag. This book offers a sinuous history of performance, race, collective world-making and unmaking and it uses various national archives to resist any simple equation between drag and subversion. Spectacles of cross-dressing and black-face, she shows, intertwine across several racial regimes confounding the usual separation of these practices and demanding a careful investigation into when and how racial and gender crossing and passing are deployed within toxic nationalism and when and how they become a repudiation of purity and a queer and radical embrace of the inauthentic, the barbaric and the other. Dirty Dragging offers startlingly new readings of drag performance and is an instant classic!” Jack Halberstam, author of Female Masculinity, The Drag King Book and Wild Things, Columbia University

Dirty Dragging is a must-read: a highly productive and politically important intervention in queer and gender studies, cultural and theatre studies, and above all in performance studies. Dirty Dragging has the potential to shape these disciplines in exemplary ways, because it not only breaks open binary and dualistic perspectives. By focusing on processes of creolization, drag, gender, racialization, and class can be understood as interconnected in new ways. Prof. Dr. Isabell Lorey, Kunsthochschule für Medien Köln

Evelyn Annus thinks across history, geography, and forms of political practice to offer a capacious conception of dragging. The non-linear weft of this work complicates notions of genealogy, origins, and indigeneity. Associate Prof. Zimitri Erasmus, University of the Witwatersrand

Metadaten

Veröffentlichung: Frühjahr 2026

Über die Autorin

Evelyn Annuß, Professorin für Gender Studies, leitet das International Research Center Gender and Performativity (ICGP) an der Universität für Musik und darstellende Kunst Wien. Sie arbeitet an der Schnittstelle von Ästhetik, Performativitätstheorien und der Kritik der Politik. Als Theater- und Literaturwissenschaftlerin beschäftigt sie sich u. a. mit politischen Spektakeln, ihrer Historizität und Medialität im Kontext von NS, Kolonialrassismen und (Re-)Faschisierung. Dirty Dragging geht aus Recherchen im südlichen Afrika, den USA und den Alpen hervor und ist im Rahmen ihres DFG-Heisenberg-Projekts Grenzziehungen und performative Transpositionen (FU Berlin) entstanden.