{"id":7687,"date":"2026-03-31T11:01:49","date_gmt":"2026-03-31T09:01:49","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=7687"},"modified":"2026-03-31T11:22:11","modified_gmt":"2026-03-31T09:22:11","slug":"mdwp008-013","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-013\/","title":{"rendered":"Figures"},"content":{"rendered":"<style>\n.bibliography {\nmargin-top: -1em;\npadding-left: 22px ;\n  text-indent: -22px ;\n} \n        .tsquotation strong {<br \/>\n            font-weight: bold;<br \/>\n        }<br \/>\n        .tsquotation em {<br \/>\n            font-style: italic !important;<br \/>\n        }<br \/>\n        .bibliography {<br \/>\n            margin-top: -1em !important;<br \/>\n            padding-left: 22px;<br \/>\n            text-indent: -22px;<br \/>\n        }<br \/>\n        figure {<br \/>\n            margin: 0;<br \/>\n        }<\/p>\n<\/style>\n<p>&nbsp;<\/p>\n<div class=\"one_half\">\n<p style=\"text-align: left;\"><span class='bdaia-btns bdaia-btn-medium' style=\"background:#b2b2b2 !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-012\/\" style=\"color:#000000 !important;\">&#129028;<\/a><\/span><\/div>\n<div class=\"one_half last\">\n<p style=\"text-align: right;\"><span class='bdaia-btns bdaia-btn-medium' style=\"background:#b2b2b2 !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-014\" style=\"color:#000000 !important;\">&#129030;<\/a><\/span><\/div><div class=\"clear-fix\"><\/div>\n<div class=\"bdaia-toggle close\"><h4 class=\"bdaia-toggle-head toggle-head-open\"><span class=\"bdaia-sio bdaia-sio-angle-up\"><\/span><span class=\"txt\">How to cite<\/span><\/h4><h4 class=\"bdaia-toggle-head toggle-head-close\"><span class=\"bdaia-sio bdaia-sio-angle-down\"><\/span><span class=\"txt\">How to cite<\/span><\/h4><div class=\"toggle-content\"><p>\n<div id=\"zotpress-ea74eb60198daf4372acd3e70a553e05\" 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ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_CITEABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_TARGET ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_URLWRAP ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_FORCENUM ZP_ATTR\"><\/span>\n        <span class=\"ZP_HIGHLIGHT ZP_ATTR\"><\/span>\n        <span class=\"ZP_POSTID ZP_ATTR\">7687<\/span>\n\t\t<span class=\"ZOTPRESS_PLUGIN_URL ZP_ATTR\">https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/plugins\/zotpress\/<\/span>\n\n\t\t<div class=\"zp-List loading\">\n\t\t\t<div class=\"zp-SEO-Content\">\n\t\t\t\t<span class=\"ZP_JSON ZP_ATTR\">%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%2275KZDHUJ%22%2C%22library%22%3A%7B%22id%22%3A4511395%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Annu%5Cu00df%22%2C%22parsedDate%22%3A%222025%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BAnnu%26%23xDF%3B%2C%20Evelyn.%202025.%20%26lt%3Bi%26gt%3BDirty%20Dragging.%20Performative%20Transpositions%26lt%3B%5C%2Fi%26gt%3B.%20mdwPress.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14361%5C%2F9783839474754%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14361%5C%2F9783839474754%26lt%3B%5C%2Fa%26gt%3B.%20%26lt%3Ba%20title%3D%26%23039%3BCite%20in%20RIS%20Format%26%23039%3B%20class%3D%26%23039%3Bzp-CiteRIS%26%23039%3B%20data-zp-cite%3D%26%23039%3Bapi_user_id%3D4511395%26amp%3Bitem_key%3D75KZDHUJ%26%23039%3B%20href%3D%26%23039%3Bjavascript%3Avoid%280%29%3B%26%23039%3B%26gt%3BCite%26lt%3B%5C%2Fa%26gt%3B%20%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Dirty%20Dragging.%20Performative%20Transpositions%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Evelyn%22%2C%22lastName%22%3A%22Annu%5Cu00df%22%7D%5D%2C%22abstractNote%22%3A%22Dirty%20Dragging%20contributes%20to%20queer%20retheorizations%20and%20explores%20the%20ambivalence%20of%20transgressive%20performances%20under%20apartheid%2C%20Nazism%2C%20and%20Jim%20Crow%20through%20a%20transoceanic%20lens.%20The%20book%20takes%20up%20the%20ambivalence%20of%20%5Cu201cdirty%5Cu201d%20performance%20modes%5Cu2014spanning%20drag%20and%20carnival%20to%20propaganda%5Cu2014and%20extends%20readings%20of%20gender%20bending%20by%20incorporating%20perspectives%20on%20blackface%20and%20%5Cu201cracialized%20drag.%5Cu201d%20It%20%20explores%20violent%2C%20locally%20specific%20mobilizations%20of%20the%20transgressive%20along%20with%20the%20ways%20in%20which%20queer%20and%20creolized%20forms%20of%20performance%20intertwine%20to%20oppose%20identitarian%20boundaries.%20Given%20the%20current%20slide%20into%20right-wing%20authoritarianism%2C%20the%20book%20thereby%20gestures%20toward%20the%20potential%20joy%20of%20collectively%20making%20societal%20conditions%20dance%22%2C%22date%22%3A%222025%22%2C%22originalDate%22%3A%22%22%2C%22originalPublisher%22%3A%22%22%2C%22originalPlace%22%3A%22%22%2C%22format%22%3A%22%22%2C%22ISBN%22%3A%22978-3-8376-7475-0%22%2C%22DOI%22%3A%22%22%2C%22citationKey%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.14361%5C%2F9783839474754%22%2C%22ISSN%22%3A%22%22%2C%22language%22%3A%22en%22%2C%22collections%22%3A%5B%22RJ2DWDIJ%22%5D%2C%22dateModified%22%3A%222026-03-11T09%3A28%3A12Z%22%7D%7D%5D%7D<\/span>\n\n\t\t\t\t<div id=\"zp-ID-7687-4511395-75KZDHUJ\" data-zp-author-date='Annu\u00df-2025' data-zp-date-author='2025-Annu\u00df' data-zp-date='2025' data-zp-year='2025' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Annu\u00df, Evelyn. 2025. <i>Dirty Dragging. Performative Transpositions<\/i>. mdwPress. <a class='zp-ItemURL' href='https:\/\/doi.org\/10.14361\/9783839474754'>https:\/\/doi.org\/10.14361\/9783839474754<\/a>. <a title='Cite in RIS Format' class='zp-CiteRIS' data-zp-cite='api_user_id=4511395&item_key=75KZDHUJ' href='javascript:void(0);'>Cite<\/a> <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/p><\/div><\/div>\n<hr>\n<p><!-- \n\n<p style=\"text-align: right;\">[btn btnlink=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/10.1515_9783839425015-001.pdf\" btnsize=\"medium\" bgcolor=\"#b2b2b2\" txtcolor=\"#000000\" btnnewt=\"1\" nofollow=\"1\"]CHAPTER PDF <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/download-1459070_1280.png\" style=\"vertical-align: middle\" alt=\"Download-Logo\" width=\"17\" height=\"17\">[\/btn]\n\n --><br \/>\n<br \/>\n&nbsp;<\/p>\n<ol>\n<li class=\"Anhang_Liste\">Kewpie, District Six, near Invery Place, Cape Town, late 1960s. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886\/127).<\/li>\n<li class=\"Anhang_Liste\">Mogamat Kafunta Benjamin, indicating \u201csalted earth,\u201d District Six, Cape Town, 2019. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">Kewpie and Sodia (l.), Marie Antoinette Ball, Ambassador Club, Cape Town, Sir Lowry Road, Cape Town, 1967. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886\/81.3).<\/li>\n<li class=\"Anhang_Liste\">Kewpie and the Seapoint girls, District Six, near Invery Place, Cape Town, late 1960s. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886\/116.4).<\/li>\n<li class=\"Anhang_Liste\">District Six before the forced removals, undated paper clip. National Library of South Africa, Cape Town (PHA 3709 Coons).<\/li>\n<li class=\"Anhang_Liste\">Heinrich Egersd\u00f6rfer: Street Scene<span class=\"EM-Dash\">\u2014<\/span>Emancipation Day. <em>South African Illustrated News <\/em>1885: 580. National Library of South Africa, Cape Town.<\/li>\n<li class=\"Anhang_Liste\">Carnival, Athlone Stadium, Cape Flats, 2019. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">Atjas, Carnival, Hartleyvale Stadium, Observatory, Cape Town, undated. Kenny Misroll Private Collection (Cape Town).<\/li>\n<li class=\"Anhang_Liste\">T.&#160;D. Rice as <span class=\"Kapitaelchen\">Jim Crow<\/span>, 1830s. Library of Congress, Washington, DC (2004669584).<\/li>\n<li class=\"Anhang_Liste\"><span class=\"Kapitaelchen\">Zip Coon<\/span>, sheet music, 1830s. Library of Congress, Washington, DC (00650780).<\/li>\n<li class=\"Anhang_Liste\">Mr. Raw &amp; Mr. Raw, Carnival, Athlone Stadium, Cape Flats, 2019. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">Carnival, Cape Town, Wale Street at the corner of St. George, early 1960s, probably the Honolulu Dainty Darkies. National Library of South Africa, Cape Town (PHA 3155 CT Coons 005).<\/li>\n<li class=\"Anhang_Liste\">Mogamat Kafunta Benjamin and unknown friend, Carnival, nearby Green Point Track, Cape Town, undated, around 1990. Melvyn Matthews Private Collection (Cape Town).<\/li>\n<li class=\"Anhang_Liste\">Eva Braun, presumably at Studio Heinrich Hoffmann, ca. 1928\/29. Photograph from Braun\u2019s private album, Heinrich Hoffmann Collection, Bayerische Staatsbibliothek, Munich (hoff-333).<\/li>\n<li class=\"Anhang_Liste\">Advertising poster, <em>The Jazz Singer, <\/em>1927<em>.<\/em> William Auerbach-Levy, Bridgeman Images.<\/li>\n<li class=\"Anhang_Liste\">Virginia Serenaders, Sheet Music Cover, 1844. Harvard Theatre Collection on Blackface Minstrelsy, 1833<span class=\"EM-Dash\">\u2014<\/span>1906 (Houghton Library).<\/li>\n<li class=\"Anhang_Liste\">Billy Van, \u201cWm. H. West\u2019s Big Minstrel Jubilee.\u201d Advertising poster, 1900. Library of Congress, Washington DC (2014637077).<\/li>\n<li class=\"Anhang_Liste\">Lilian Gish as <span class=\"Kapitaelchen\">Elsie Stoneman <\/span>in D. W. Griffith\u2019s <em>The Birth of a Nation<\/em>, 1915 (screenshot).<\/li>\n<li class=\"Anhang_Liste\">Josephine Baker, portrait, Paris, 1927. . Photo: Lucien Wal\u00e9ry<\/li>\n<li class=\"Anhang_Liste\">Paul Colin, La revue n\u00e8gre au 1927. <em>Music-hall des Champs Elysees<\/em>, 1925. Josephine Baker lithograph, Stefano Bianchetti\/Bridgeman Images. \u00a9 Bildrecht, Vienna 2025.<\/li>\n<li class=\"Anhang_Liste\">Paul Colin, <em>Le Tumulte noir<\/em>, Josephine Baker lithograph, National Portrait Gallery, Smithsonian Institution (NPG.91.199.20A).<\/li>\n<li class=\"Anhang_Liste\">Ernst Krenek: <em>Jonny spielt auf <\/em>(score, title)<em>, <\/em>1927<em>.<\/em> Universal-Edition.<\/li>\n<li class=\"Anhang_Liste\">Hans Severus Ziegler: <em>Entartete Music: Eine Abrechnung <\/em>(title), 1939. bpk-Bildagentur.<\/li>\n<li class=\"Anhang_Liste\">Hanna Reitsch, flying through the Deutschlandhalle, <em>Ki sua heli, <\/em>Berlin, 1938. Traugott M\u00fcller Collection, Theaterhistorische Sammlungen of the Theater Studies Institute at the FU Berlin.<\/li>\n<li class=\"Anhang_Liste\">Rehearsal photo, <em>Ki sua heli, <\/em>Deutschlandhalle Berlin, 1938. Traugott M\u00fcller Collection, Theaterhistorische Sammlungen of the Theater Studies Institute at the FU Berlin.<\/li>\n<li class=\"Anhang_Liste\">Rehearsal photo, <em>Ki sua heli, <\/em>Deutschlandhalle Berlin, 1938. Traugott M\u00fcller Collection, Theaterhistorische Sammlungen of the Theater Studies Institute at the FU Berlin.<\/li>\n<li class=\"Anhang_Liste\">Intermission photo, <em>Ki sua heli, <\/em>Deutschlandhalle Berlin, 1938. Traugott M\u00fcller Collection, Theaterhistorische Sammlungen of the Theater Studies Institute at the FU Berlin.<\/li>\n<li class=\"Anhang_Liste\"><em>Der Weg ins Reich, <\/em>Thingst\u00e4tte Heiligenberg, Reichsfestspiele Heidelberg, 1935. Theaterhistorische Sammlungen of the Theater Studies Institute at the FU Berlin.<\/li>\n<li class=\"Anhang_Liste\"><span class=\"Kapitaelchen\">Der Schwankende (<\/span>the waverer), costume sketch: Traugott M\u00fcller, 1938 (detail). Traugott M\u00fcller Collection, Theaterhistorische Sammlungen of the Theater Studies Institute at the FU Berlin.<\/li>\n<li class=\"Anhang_Liste\">Perchten procession, Gastein Valley, 1940. Salzburger Landesinstitut f\u00fcr Volkskunde (NSLA, rw_48-2).<\/li>\n<li class=\"Anhang_Liste\">Pinzgauer Tresterer, undated. \u00d6sterreichisches Volkskundemuseum, Vienna (CC PDM 1.0).<\/li>\n<li class=\"Anhang_Liste\">Krampus run, Gastein 2022, Bassetti Pass. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">Lynching Memorial, National Memorial for Peace and Justice, Montgomery, 2018. Photo: Alan Karchmer.<\/li>\n<li class=\"Anhang_Liste\">Supermarket, San Diego, California, social media post, 2020 (screenshot).<span class=\"Hochgestellt _idGenCharOverride-3\"> <\/span><\/li>\n<li class=\"Anhang_Liste\">Supermarket, Hillenburg, South Thuringia, social media post, 2020 (screenshot).<\/li>\n<li class=\"Anhang_Liste\">Ku Klux Klan mask once belonging to Joseph Boyce Stewart, 1870s, Lincoln County, Tennessee. Chicago History Museum (ICHI-062420).<\/li>\n<li class=\"Anhang_Liste\">Mistick Krewe of Comus, Mardi Gras Parade, New Orleans, 1867. <em>Frank Lesley\u2019s<\/em> <em>Illustrated Newspaper<\/em>, April&#160;6, 1867: 41. Library of Congress, Washington, DC (99614058).<\/li>\n<li class=\"Anhang_Liste\">\u201cMeeting of the Courts,\u201d Comus, Rex, Mardi Gras 1941, New Orleans. Photo: John N. Teunisson. The Historical New Orleans Collection (THNOC 1985.233.1).<\/li>\n<li class=\"Anhang_Liste\">\u201cGorilla or The Missing Link,\u201d watercolor drawing for the Mistick Krewe of Comus Parade 1873, New Orleans, Charles Briton. Tulane University, Carnival Collection.<\/li>\n<li class=\"Anhang_Liste\">\u201cDemoiselle Fly,\u201d watercolor drawing for the Mistick Krewe of Comus Parade 1873, New Orleans, Charles Briton. Tulane University, Carnival Collection.<\/li>\n<li class=\"Anhang_Liste\">Tramps, Mardi Gras, New Orleans, 1907. The Historical New Orleans Collection (THNOC 1981.261.58, 12.2.1907).<\/li>\n<li class=\"Anhang_Liste\">T. D. Rice as <span class=\"Kapitaelchen\">Jim Crow<\/span>, with spectators present on the stage of the American Theatre, Bowery, New York, 1833. Harvard Theatre Collection on Blackface Minstrelsy, 1833<span class=\"EM-Dash\">\u2014<\/span>1906 (Houghton Library).<\/li>\n<li class=\"Anhang_Liste\">Bert Williams, undated. Harvard Theatre Collection on Blackface Minstrelsy, 1833<span class=\"EM-Dash\">\u2014<\/span>1906 (Houghton Library).<\/li>\n<li class=\"Anhang_Liste\">Zulu King Baley Robertson, Mardi Gras, New Orleans, 1925. The William Russel Collection, The Historical New Orleans Collection (THNOC 92-48-L.77; MSS 520.3223).<\/li>\n<li class=\"Anhang_Liste\">Lee Circle, Mardi Gras, New Orleans, 2020 (cropped view). Photo: Evelyn Annu\u00df<\/li>\n<li class=\"Anhang_Liste\">Zulu Parade, Mardi Gras, Trem\u00e9, New Orleans, 2020. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">L.&#160;J. Goldstein und Mia Sarenna, Mardi Gras, New Orleans, 2020. L.&#160;J. Goldstein Private Collection (New Orleans).<\/li>\n<li class=\"Anhang_Liste\">Krewe du Jieux: L&#160;.J. Goldstein, Valerie Minerva, White Boy Joe Stern, Mardi Gras 2006, following Hurricane Katrina. L.&#160;J. Goldstein Private Collection (New Orleans).<\/li>\n<li class=\"Anhang_Liste\"><em>Times Democrat,<\/em> February&#160;25, 1903: 7. New Orleans Public Library.<\/li>\n<li class=\"Anhang_Liste\">Band of Mardi Gras Indians, <em>Times Democrat,<\/em> February&#160;25, 1903: 7 (detail). New Orleans Public Library.<\/li>\n<li class=\"Anhang_Liste\">Allison Tootie Montana, Big Chief of the Yellow Pocahontas, 1991. The Michael P. Smith Collection. The Historical New Orleans Collection (THNOC 2007.0103.2.122). Photo: Michael P. Smith.<\/li>\n<li class=\"Anhang_Liste\">Big Chief Jeremy Stevenson, Monogram Hunters, meeting Big Chief Corey Rayford, Black Feathers. Mardi Gras Practice, First and Last Stop Bar, Trem\u00e9, New Orleans, 2019. Photo: Ryan Hodgson Rigsbee.<\/li>\n<li class=\"Anhang_Liste\">Spy Boys, Meeting of the Tribes, Mardi Gras, Trem\u00e9, I-10 Bridge. New Orleans, 2020. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">Catalog cover of <em>Black Indians de la Nouvelle-Orl\u00e9ans, <\/em>Mus\u00e9e du quai Branly<span class=\"EM-Dash\">\u2014<\/span>Jacques Chirac, Paris, 2022.<\/li>\n<li class=\"Anhang_Liste\">Le Pavillon Hotel, Poydras Street, New Orleans, postcard. \u00a9 Le Pavillon Hotel.<\/li>\n<li class=\"Anhang_Liste\">Exhibition <em>Black Indians de la Nouvelle-Orl\u00e9ans, <\/em>Mus\u00e9e du quai Branly<span class=\"EM-Dash\">\u2014<\/span>Jacques Chirac, Paris, 2022. Photo: Evelyn Annu\u00df.<\/li>\n<li class=\"Anhang_Liste\">Baby Dolls, New Orleans, 1944. The Historical New Orleans Collection (THNOC MSS 536.33.3.1). Photo: Bradley Smith.<\/li>\n<li class=\"Anhang_Liste\">Marika Antifascista, La Legua, Chile, 2021. Photo: Elianira Riverors Piro.<\/li>\n<li class=\"Anhang_Liste\">Baby Dolls, under the bridge, Trem\u00e9, New Orleans, 2024. Photo: Aur\u00e9lie Godet.<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Kewpie, District Six, near Invery Place, Cape Town, late 1960s. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886\/127). Mogamat Kafunta Benjamin, indicating \u201csalted earth,\u201d District Six, Cape Town, 2019. Photo: Evelyn Annu\u00df. Kewpie and Sodia (l.), Marie Antoinette Ball, Ambassador Club, Cape Town, Sir Lowry Road, Cape Town, 1967. Kewpie Collection, GALA &hellip;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[270],"tags":[],"class_list":["post-7687","post","type-post","status-publish","format-standard","hentry","category-annuss-dirty-dragging-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Figures &#8211; mdwPress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-013\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Figures &#8211; mdwPress\" \/>\n<meta property=\"og:description\" content=\"&nbsp; &nbsp; Kewpie, District Six, near Invery Place, Cape Town, late 1960s. Kewpie Collection, GALA Queer Archive, Johannesburg, South Africa (AM2886\/127). Mogamat Kafunta Benjamin, indicating \u201csalted earth,\u201d District Six, Cape Town, 2019. Photo: Evelyn Annu\u00df. Kewpie and Sodia (l.), Marie Antoinette Ball, Ambassador Club, Cape Town, Sir Lowry Road, Cape Town, 1967. 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