{"id":5983,"date":"2025-11-27T12:57:43","date_gmt":"2025-11-27T11:57:43","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=5983"},"modified":"2025-11-27T12:57:43","modified_gmt":"2025-11-27T11:57:43","slug":"per-aures-ad-animum-content","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/per-aures-ad-animum-content\/","title":{"rendered":"\u2018Per aures ad animum\u2019"},"content":{"rendered":"

The Harpsichord in the Sixteenth Century II: Italy<\/h2>\n

Augusta Campagne, Markus Grassl (eds.)<\/em><\/h3>\n
\n

Introduction<\/h4>\n

Markus Grassl, Augusta Campagne<\/em><\/p>\n

\n

PAPERS<\/h2>\n

Further Notions of Notation. Performance Practice, Composition, and Notational Formats in Neapolitan Keyboard Music ca. 1600<\/h4>\n

Ian Pritchard<\/em><\/p>\n

Hacking the System II. Notational Conventions in Early Sixteenth Century Printed Italian Keyboard Intavolature<\/em><\/h4>\n

Augusta Campagne<\/em><\/p>\n

The Rhetoric of Invertible Counterpoint in the Sixteenth Century. Between Keyboard Pedagogy and Performance Practice<\/h4>\n

Edoardo Bellotti (\u2020)<\/em><\/p>\n

Why Should One Build an Archicembalo? An Attempt at a Response According to Nicola Vicentino<\/h4>\n

Martin Kirnbauer<\/em><\/p>\n

Alessandro Fabri and his Pupils. Protagonists of the Art of the \u2018Zimbararo\u2019 in Naples<\/h4>\n

Francesco Nocerino<\/em><\/p>\n

Italian Instruments in England, and Their Adaption for Use<\/h4>\n

Darryl Martin<\/em><\/p>\n

Stringed Keyboard Instruments at the Courts of the Austrian Habsburgs in the Sixteenth Century \u2013 the \u2018Italian Perspective\u2019<\/h4>\n

Markus Grassl<\/em><\/p>\n

Sofonisba Anguissola at the Keyboard. Performance of Transgressive Musical Knowledge and Artistic Skill<\/h4>\n

Jane Hatter<\/em><\/p>\n

Appearance and Prestige. Phenomena of Keyboard Instrument Decoration in the Sixteenth Century<\/h4>\n

Heidelinde Pollerus<\/em><\/p>\n

\n

PRESENTATIONS<\/h2>\n

The Merulo Toccata in Codex Vienna, Minorite Convent, 714<\/h4>\n

Mario Aschauer<\/em><\/p>\n

Bassi ostinati<\/em> and Ornamental Formulas in the Intabolatura nova di varie sorte de balli<\/em>, Venice 1551 (I-Bc R.178), and in Similar Contemporary Sources for the Lute<\/h4>\n

Vania Dal Maso<\/em><\/p>\n

A Glimpse into the World of Antonio Valente, cieco Napoletano<\/em><\/h4>\n

Paola Erdas<\/em><\/p>\n

Andrea Gabrieli and the Venetian colorito<\/em><\/h4>\n

S\u00e9bastien Wonner<\/em><\/p>\n

\n

APPENDIX<\/h2>\n

Programme of the symposium<\/h4>\n

Authors<\/h4>\n

Abstracts<\/h4>\n

Abbreviations<\/h4>\n

List of Figures and Examples<\/h4>\n

About mdwPress\/About This Volume<\/h4>\n","protected":false},"excerpt":{"rendered":"

The Harpsichord in the Sixteenth Century II: Italy Augusta Campagne, Markus Grassl (eds.) Introduction Markus Grassl, Augusta Campagne PAPERS Further Notions of Notation. Performance Practice, Composition, and Notational Formats in Neapolitan Keyboard Music ca. 1600 Ian Pritchard Hacking the System II. Notational Conventions in Early Sixteenth Century Printed Italian Keyboard Intavolature Augusta Campagne The Rhetoric …<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-5983","post","type-post","status-publish","format-standard","hentry","category-mdwpress-tocs"],"yoast_head":"\n\u2018Per aures ad animum\u2019 – mdwPress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/per-aures-ad-animum-content\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Per aures ad animum\u2019 – mdwPress\" \/>\n<meta property=\"og:description\" content=\"The Harpsichord in the Sixteenth Century II: Italy Augusta Campagne, Markus Grassl (eds.) 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