{"id":1811,"date":"2023-11-16T18:34:32","date_gmt":"2023-11-16T17:34:32","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=1811"},"modified":"2025-07-23T09:41:25","modified_gmt":"2025-07-23T07:41:25","slug":"tocs-travelling-gestures","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/tocs-travelling-gestures\/","title":{"rendered":"Travelling Gestures"},"content":{"rendered":"

Elfriede Jelineks Theater der (Trag\u00f6dien-)Durchquerung<\/h2>\n

Silke Felber<\/em><\/h3>\n
\n

Einleitend<\/a><\/p>\n

1 Routen, Wegmarken, Aussichten<\/a><\/h3>\n

1.1 Reisende Gesten?<\/a><\/h4>\n

1.1.1<\/strong> Die Geste als Travelling Concept<\/a>
\n1.1.2<\/strong> Es ist Sprechen und aus<\/a>
\n1.1.3<\/strong> Zitierend unterbrechen. Gesten mit Walter Benjamin denken<\/a><\/p>\n

1.2 Dramaturgien des (Dis-)Kontinuitiven<\/a><\/h4>\n

1.2.1<\/strong> Vom epischen Theater Brechts zum gestischen Theater Jelineks<\/a>
\n1.2.2<\/strong> Cut and Paste \u2013 Bausteine einer widerst\u00e4ndigen Praxis<\/a>
\n1.2.3<\/strong> Jelineks Trag\u00f6dienfortschreibungen \u2013 ein (Forschungs-)Abriss<\/a>
\n1.2.4<\/strong> Umbruch und Auftritt: Zwischen Mythos und Trag\u00f6die<\/a><\/p>\n

2 Antigone post Fukushima. Kontaminierte (Sprech-)Fl\u00e4chen<\/a><\/h3>\n

2.1<\/strong> Antigone auf der Spur<\/a>
\n2.2<\/strong> Doing Mourning Doing Difference<\/a>
\n2.3<\/strong> Das Nachleben der Klage<\/a>
\n2.4<\/strong> (P-)Reenactments des Unsagbaren<\/a><\/p>\n

3 Gesten im Dazwischen. Von der Unm\u00f6glichkeit des Wir<\/a><\/h3>\n

3.1<\/strong> In Between<\/a>
\n3.2<\/strong> Eigenartig andersartig<\/a>
\n3.3<\/strong> Who\u2019s who? Zur Performativit\u00e4t von Zugeh\u00f6rigkeit<\/a>
\n3.4<\/strong> Gesten alterisierender Nostrifizierung<\/a>
\n3.5<\/strong> Schiffbruch mit Zuschauer*in<\/a><\/p>\n

4 Die Bakchen im Skizirkus. Posttraumatische (Text-)K\u00f6rper<\/a><\/h3>\n

4.1<\/strong> Schnee Wei\u00df<\/a>
\n4.2<\/strong> Vermittelnde Instanzen. Wer spricht?<\/a>
\n4.3<\/strong> Zwischen Satyrn und Satire. Eine Spurensuche<\/a>
\n4.4<\/strong> In den schneewei\u00dfen Alpen. Interreferenzielle Schichtungen<\/a>
\n4.5<\/strong> Wehe, sie spuren nicht! Verfahren der Gewalteinschreibung<\/a>
\n4.6<\/strong> Posttraumatische Dramaturgien<\/a>
\n4.7<\/strong> \u00c4sthetiken des Dissoziativen<\/a><\/p>\n

5 Vibrant Matter. Von tobenden Waffen, klagenden Geigen und vielsagenden Textilien<\/a><\/h3>\n

5.1<\/strong> Wenn Affekte auftreten<\/a>
\n5.2<\/strong> Thing-Power<\/a>
\n5.3<\/strong> Kleider. Machen. Leute.<\/a><\/p>\n

6 Zu einer \u00c4sthetik des Paratragischen<\/a><\/h3>\n

6.1 Trag\u00f6die versus Kom\u00f6die: Divergenzen und Ann\u00e4herungen<\/a><\/h4>\n

6.1.1<\/strong> Figurenpersonal, Dramaturgie und Sprache<\/a>
\n6.1.2<\/strong> Maske und Kost\u00fcm<\/a>
\n6.1.3<\/strong> Metatheatralit\u00e4t und Auff\u00fchrungskontext<\/a>
\n6.1.4<\/strong> Chor<\/a><\/p>\n

6.2 Aristophanes und Jelinek. Verfahren des Paratragischen<\/a><\/h4>\n

6.2.1<\/strong> (Tages-)Politische Allusionen und ad-personam-Attacken<\/a>
\n6.2.2<\/strong> Chorisches Sprechen zwischen tragoidia<\/em> und comoidia<\/em><\/a>
\n6.2.3<\/strong> Sprachliche Verfahren des Paratragischen<\/a>
\n6.2.4<\/strong> Autoreferenzialit\u00e4t und Metatheatralit\u00e4t<\/a>
\n6.2.5<\/strong> Groteske K\u00f6rperlichkeit<\/a><\/p>\n

6.3 Wahnsinnig komisch? Parakomische Momente bei Euripides und Jelinek<\/a><\/h4>\n

7 Abschlie\u00dfend<\/a><\/h3>\n

8 Verzeichnisse<\/a><\/h3>\n

8.1<\/strong> Siglenverzeichnis<\/a>
\n8.2<\/strong> Literaturverzeichnis<\/a>
\n8.3<\/strong> Abbildungsverzeichnis<\/a><\/p>\n

\u00dcber mdwPress<\/a><\/h3>\n
\n

\"CC<\/a><\/p>\n

 <\/p>\n

Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 International Lizenz<\/a>.<\/p>\n

\n

\"\"
\n\"\"<\/p>\n

 
\nVer\u00f6ffentlicht mit Unterst\u00fctzung des Austrian Science Fund (FWF): PUB960-G und Unterst\u00fctzung aus den Mitteln der Open-Access-F\u00f6rderung der mdw – Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien.<\/p>\n","protected":false},"excerpt":{"rendered":"

Elfriede Jelineks Theater der (Trag\u00f6dien-)Durchquerung Silke Felber Einleitend 1 Routen, Wegmarken, Aussichten 1.1 Reisende Gesten? 1.1.1 Die Geste als Travelling Concept 1.1.2 Es ist Sprechen und aus 1.1.3 Zitierend unterbrechen. Gesten mit Walter Benjamin denken 1.2 Dramaturgien des (Dis-)Kontinuitiven 1.2.1 Vom epischen Theater Brechts zum gestischen Theater Jelineks 1.2.2 Cut and Paste \u2013 Bausteine einer …<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1811","post","type-post","status-publish","format-standard","hentry","category-mdwpress-tocs"],"yoast_head":"\nInhaltsverzeichnis: Felber: Travelling Gestures<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/tocs-travelling-gestures\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inhaltsverzeichnis: Felber: Travelling Gestures\" \/>\n<meta property=\"og:description\" content=\"Elfriede Jelineks Theater der (Trag\u00f6dien-)Durchquerung Silke Felber Einleitend 1 Routen, Wegmarken, Aussichten 1.1 Reisende Gesten? 1.1.1 Die Geste als Travelling Concept 1.1.2 Es ist Sprechen und aus 1.1.3 Zitierend unterbrechen. 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