{"id":1765,"date":"2023-10-13T16:57:44","date_gmt":"2023-10-13T14:57:44","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=1765"},"modified":"2026-03-03T10:43:03","modified_gmt":"2026-03-03T09:43:03","slug":"books-harpsichord","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/books-harpsichord\/","title":{"rendered":"\u203aUniversum rei harmonicae concentum absolvunt.\u2039 The Harpsichord in the Sixteenth Century"},"content":{"rendered":"<style>\n.bdaia-post-title {\ndisplay: none;\n}\nh1 {\n  margin: 12px 0 12px\n}\nh3 {\n  margin: 25px 0 12px\n}\n<\/style>\n<div class=\"one_third\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1958\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2023\/10\/Harpsichord_Cover_v1.3-674x1024.png\" alt=\"book cover, old painting of women playing the harpsichord\" width=\"350\" height=\"532\" \/>&nbsp;<\/div>\n<div class=\"two_third last\">\n<h1>\u203aUniversum rei harmonicae concentum absolvunt\u2039<\/h1>\n<h2>The Harpsichord in the Sixteenth Century<\/h2>\n<h3><em>Augusta Campagne, Markus Grassl (eds.)<\/em><\/h3>\n<p>&nbsp;<br \/>\n<span class='bdaia-btns bdaia-btn-medium' style=\"background:#dcb4aa !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp003-toc\/\" rel=\"nofollow\" style=\"color:#000000 !important;\">ONLINE LESEN<\/a><\/span><span class='bdaia-btns bdaia-btn-medium' style=\"background:#dcb4aa !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/mdwp003_Harpsichord.pdf\" target=\"_blank\" rel=\"nofollow\" style=\"color:#000000 !important;\">DOWNLOAD PDF<\/a><\/span>\n<p>Der Band befasst sich mit verschiedenen Themen der Tastenmusik des 16. Jahrhunderts. Dazu geh\u00f6ren \u00e4sthetische Vorstellungen des Tastenspiels, die Verbreitung des Cembalos im 16. Jahrhundert, die Tastennotation und ihre Besonderheiten, Fragen von Tempo, Rhythmus und Ornamentierung sowie ikonographische Quellen als Grundlage f\u00fcr die Rekonstruktion von Spieltechniken.<\/p>\n<p><!--more--><\/p>\n<p>Er versammelt die Ergebnisse einer Tagung, die 2021 an der mdw \u2013 Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien stattfand. Die Beitr\u00e4ge decken ein breites Spektrum an Aspekten des Musikstils, des Repertoires und der Auff\u00fchrungspraxis sowie der soziokulturellen Bedeutung von Zupfinstrumenten im 16. Jahrhundert ab. Das Buch richtet sich an Musikwissenschaftler_innen und Musiker_innen.<\/p>\n<p><em>Das Buch ist auf Englisch erschienen.<\/em><\/p>\n<\/div><div class=\"clear-fix\"><\/div>\n<div class=\"one_third\">\n<h4>Metadaten<\/h4>\n<p><span style=\"display: inline-block; width: 40%;\">Ver\u00f6ffentlichung:<\/span> Juni 2024<br \/>\n<span style=\"display: inline-block; width: 40%;\">Umfang:<\/span> 258 Seiten<br \/>\n<span style=\"display: inline-block; width: 40%;\">Lizenz:<\/span><a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/deed.de\" target=\"_blank\" rel=\"license noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/cc.svg\" style=\"vertical-align: middle\" alt=\"CC-Logo\" width=\"20\" height=\"20\"\/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/by.svg\" style=\"vertical-align: middle\" alt=\"BY-Logo\" width=\"20\" height=\"20\"\/><\/a><br \/>\n<span style=\"display: inline-block; width: 40%;\"><\/span><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/Open_Access_logo.png\" style=\"vertical-align: middle\" alt=\"OA-Logo\" width=\"10\" height=\"10\"\/> <span style=\"color:#f47500\">Open Access<\/span><\/p>\n<p><span style=\"display: inline-block; width: 40%;\">DOI:<\/span><a href=\"https:\/\/dx.doi.org\/10.21939\/harpsichord-16c\" target=\"_blank\" rel=\"noopener\">10.21939\/harpsichord-16c<\/a><br \/>\n<span style=\"display: inline-block; width: 40%;\">PDF-ISBN:<\/span>978-3-9505619-0-6<br \/>\n<\/div>\n<div class=\"two_third last\">\n<h4>\u00dcber die Herausgeber_innen<\/h4>\n<p><strong>Augusta Campagne<\/strong> <a href=\"https:\/\/orcid.org\/0000-0001-6583-5621\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> lehrte Cembalo und Generalbass an der mdw &#8211; Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien. Ihre Forschungsschwerpunkte sind fr\u00fche Klavierbegleitung und Cembalomusik des langen 16. Jahrhunderts.<\/p>\n<p><strong>Markus Grassl<\/strong> <a href=\"https:\/\/orcid.org\/0000-0003-2080-9264\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> ist Professor am Institut f\u00fcr Musikwissenschaft und Interpretationsforschung an der mdw \u2013 Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Wien. Seine Forschungsschwerpunkte sind die fr\u00fche Instrumentalmusik, die Musik des franz\u00f6sischen Barock und die Geschichte der Auff\u00fchrung speziell \u00e4lterer Musik im 20. Jahrhundert.<\/p>\n<h4>Zitation<\/h4>\n<div id=\"zotpress-ecd24eae2ffa6d1e4290cc582b9b3548\" class=\"zp-Zotpress zp-Zotpress-Bib wp-block-group\">\n\n\t\t<span class=\"ZP_API_USER_ID ZP_ATTR\">4511395<\/span>\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\">{4511395:KHXQ6EID}<\/span>\n\t\t<span class=\"ZP_COLLECTION_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TAG_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_AUTHOR ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_YEAR ZP_ATTR\"><\/span>\n        <span class=\"ZP_ITEMTYPE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_INCLUSIVE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">chicago-author-date<\/span>\n\t\t<span class=\"ZP_LIMIT ZP_ATTR\">50<\/span>\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">default<\/span>\n\t\t<span class=\"ZP_ORDER ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TITLE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWIMAGE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWTAGS ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_DOWNLOADABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_NOTES ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_ABSTRACT ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_CITEABLE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_TARGET ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_URLWRAP ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_FORCENUM ZP_ATTR\"><\/span>\n        <span class=\"ZP_HIGHLIGHT ZP_ATTR\"><\/span>\n        <span class=\"ZP_POSTID ZP_ATTR\">1765<\/span>\n\t\t<span class=\"ZOTPRESS_PLUGIN_URL ZP_ATTR\">https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/plugins\/zotpress\/<\/span>\n\n\t\t<div class=\"zp-List loading\">\n\t\t\t<div class=\"zp-SEO-Content\">\n\t\t\t\t<span class=\"ZP_JSON ZP_ATTR\">%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22KHXQ6EID%22%2C%22library%22%3A%7B%22id%22%3A4511395%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Campagne%20and%20Grassl%22%2C%22parsedDate%22%3A%222024%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BCampagne%2C%20Augusta%2C%20and%20Markus%20Grassl%2C%20eds.%202024.%20%26lt%3Bi%26gt%3B%26%23x2018%3BUniversum%20Rei%20Harmonicae%20Concentum%20Absolvunt%26%23x2019%3B.%20The%20Harpsichord%20in%20the%20Sixteenth%20Century%26lt%3B%5C%2Fi%26gt%3B.%20mdwPress.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.21939%5C%2Fharpsichord-16c%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.21939%5C%2Fharpsichord-16c%26lt%3B%5C%2Fa%26gt%3B.%20%26lt%3Ba%20title%3D%26%23039%3BCite%20in%20RIS%20Format%26%23039%3B%20class%3D%26%23039%3Bzp-CiteRIS%26%23039%3B%20data-zp-cite%3D%26%23039%3Bapi_user_id%3D4511395%26amp%3Bitem_key%3DKHXQ6EID%26%23039%3B%20href%3D%26%23039%3Bjavascript%3Avoid%280%29%3B%26%23039%3B%26gt%3BCite%26lt%3B%5C%2Fa%26gt%3B%20%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22%5Cu2018Universum%20rei%20harmonicae%20concentum%20absolvunt%5Cu2019.%20The%20Harpsichord%20in%20the%20Sixteenth%20Century%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Augusta%22%2C%22lastName%22%3A%22Campagne%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Markus%22%2C%22lastName%22%3A%22Grassl%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222024%22%2C%22originalDate%22%3A%22%22%2C%22originalPublisher%22%3A%22%22%2C%22originalPlace%22%3A%22%22%2C%22format%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22citationKey%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.21939%5C%2Fharpsichord-16c%22%2C%22ISSN%22%3A%22%22%2C%22language%22%3A%22en-GB%22%2C%22collections%22%3A%5B%22RJ2DWDIJ%22%5D%2C%22dateModified%22%3A%222025-03-07T15%3A26%3A44Z%22%7D%7D%5D%7D<\/span>\n\n\t\t\t\t<div id=\"zp-ID-1765-4511395-KHXQ6EID\" data-zp-author-date='Campagne-and-Grassl-2024' data-zp-date-author='2024-Campagne-and-Grassl' data-zp-date='2024' data-zp-year='2024' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Campagne, Augusta, and Markus Grassl, eds. 2024. <i>\u2018Universum Rei Harmonicae Concentum Absolvunt\u2019. The Harpsichord in the Sixteenth Century<\/i>. mdwPress. <a class='zp-ItemURL' href='https:\/\/doi.org\/10.21939\/harpsichord-16c'>https:\/\/doi.org\/10.21939\/harpsichord-16c<\/a>. <a title='Cite in RIS Format' class='zp-CiteRIS' data-zp-cite='api_user_id=4511395&item_key=KHXQ6EID' href='javascript:void(0);'>Cite<\/a> <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/div><div class=\"clear-fix\"><\/div>","protected":false},"excerpt":{"rendered":"<p>\u203aUniversum rei harmonicae concentum absolvunt\u2039 The Harpsichord in the Sixteenth Century Augusta Campagne, Markus Grassl (eds.) &nbsp; Der Band befasst sich mit verschiedenen Themen der Tastenmusik des 16. Jahrhunderts. Dazu geh\u00f6ren \u00e4sthetische Vorstellungen des Tastenspiels, die Verbreitung des Cembalos im 16. Jahrhundert, die Tastennotation und ihre Besonderheiten, Fragen von Tempo, Rhythmus und Ornamentierung sowie ikonographische &hellip;<\/p>\n","protected":false},"author":5,"featured_media":1772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-1765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Campagne, Grassl (eds.): The Harpsichord in the Sixteenth Century<\/title>\n<meta name=\"description\" content=\"The volume deals with various topics related to keyboard music and the harpsichord in the 16th century.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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