{"id":1029,"date":"2021-09-02T10:26:39","date_gmt":"2021-09-02T08:26:39","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/?p=1029"},"modified":"2025-07-22T11:02:20","modified_gmt":"2025-07-22T09:02:20","slug":"tocs-music-and-democracy","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/tocs-music-and-democracy\/","title":{"rendered":"Music and Democracy"},"content":{"rendered":"

Participatory Approachesn<\/h2>\n

Marko K\u00f6lbl and Fritz Tr\u00fcmpi (eds.)<\/em><\/h3>\n
\n

Ambivalences in Music and Democracy. Introductory Remarks<\/a><\/h4>\n

Marko K\u00f6lbl and Fritz Tr\u00fcmpi<\/em>
\n <\/p>\n

Part 1: From Recorded Democracy to Digital Participation?<\/h3>\n
\n

Entrepreneurial Tapists: Underground Music Reproduction and Distribution in the U.S. and U.S.S.R., 1960s and 1970s<\/a><\/h4>\n

Marsha Siefert<\/em><\/p>\n

New Model, Same Old Stories? Reproducing Narratives of Democratization in Music Streaming Debates<\/a><\/h4>\n

Rapha\u00ebl Nowak and Benjamin A. Morgan<\/em>
\n <\/p>\n

Part 2: Political Impacts of Bourgeois Music Culture<\/h3>\n
\n

The National Society of Music (1915\u20131922) and the Ambivalent Democratization of Music in Spain<\/a><\/h4>\n

David Ferreiro Carballo<\/em><\/p>\n

Verdi at the Heart of the Dictatorship: A celebrazione verdiana<\/em> Among Fascists<\/a><\/h4>\n

Gabrielle Prud\u2019homme<\/em>
\n <\/p>\n

Part 3: (Non\u2010)Democratic Participation in Popular Music and Performance Cultures<\/h3>\n
\n

The Intervision Song Contest: Popular Music and Political Liberalization in the Eastern Bloc<\/a><\/h4>\n

Dean Vuletic<\/em><\/p>\n

\u201cVodka, Beer, Papirosy\u201d: Eastern European Working-class Cultures Mimicry in Contemporary Hardbass<\/a><\/h4>\n

Ond\u0159ej Daniel<\/em><\/p>\n

Disembodiment and South Asian Performance Cultures<\/a><\/h4>\n

Rumya S. Putcha<\/em>
\n <\/p>\n

Part 4: Sonic Implications of Political Changes<\/h3>\n
\n

Music Activism in Serbia at the Turn of the Millennium: Counterpublics, Citizenship, and Participatory Art<\/a><\/h4>\n

Milena Dragi\u0107evi\u0107 \u0160e\u0161i\u0107 and Julija Mateji\u0107<\/em><\/p>\n

Expanding Musical Inclusivity: Representing and Re-presenting Musicking in Deaf Culture through Hip Hop<\/a><\/h4>\n

Katelyn E. Best<\/em>
\n <\/p>\n

Appendix<\/h3>\n
\n

About mdwPress<\/a><\/h4>\n

 <\/p>\n

\n

\"CC<\/a><\/p>\n

 <\/p>\n

This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Participatory Approachesn Marko K\u00f6lbl and Fritz Tr\u00fcmpi (eds.) Ambivalences in Music and Democracy. Introductory Remarks Marko K\u00f6lbl and Fritz Tr\u00fcmpi   Part 1: From Recorded Democracy to Digital Participation? Entrepreneurial Tapists: Underground Music Reproduction and Distribution in the U.S. and U.S.S.R., 1960s and 1970s Marsha Siefert New Model, Same Old Stories? Reproducing Narratives of Democratization …<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1029","post","type-post","status-publish","format-standard","hentry","category-mdwpress-tocs"],"yoast_head":"\nTable of Contents: K\u00f6lbl\/Tr\u00fcmpi (eds.): Music and Democracy<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/tocs-music-and-democracy\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Table of Contents: K\u00f6lbl\/Tr\u00fcmpi (eds.): Music and Democracy\" \/>\n<meta property=\"og:description\" content=\"Participatory Approachesn Marko K\u00f6lbl and Fritz Tr\u00fcmpi (eds.) 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