{"version":"1.0","provider_name":"mdwPress","provider_url":"https:\/\/www.mdw.ac.at\/mdwpress","author_name":"Max Bergmann","author_url":"https:\/\/www.mdw.ac.at\/mdwpress\/author\/bergmann-max\/","title":"On the Performance Practice of Andrea Antico\u2019s Frottole intabulate da sonare organi, libro primo (Rome, 1517) &#8211; mdwPress","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"OIyLvcLjqo\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp003-performance-practice-antico\/\">On the Performance Practice of Andrea Antico\u2019s Frottole intabulate da sonare organi, libro primo (Rome, 1517)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp003-performance-practice-antico\/embed\/#?secret=OIyLvcLjqo\" width=\"600\" height=\"338\" title=\"&#8222;On the Performance Practice of Andrea Antico\u2019s Frottole intabulate da sonare organi, libro primo (Rome, 1517)&#8220; &#8211; mdwPress\" data-secret=\"OIyLvcLjqo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.mdw.ac.at\/mdwpress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Fabio Antonio Falcone This article proposes a hypothetical way to conceive the interconnection between music and text in specific cases where the text is missing, such as in Andrea Antico\u2019s Frottole intabulate da sonare organi, libro primo (1517). First, I will present the subject and the research questions. Second, I will illustrate the methodology employed &hellip;","thumbnail_url":"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png"}