1.0mdwPresshttps://www.mdw.ac.at/mdwpressJana Diewaldhttps://www.mdw.ac.at/mdwpress/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="B5Pj7q3ir5"><a href="https://www.mdw.ac.at/mdwpress/mdwp017-015/">Programme of the Symposium</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/mdwp017-015/embed/#?secret=B5Pj7q3ir5" width="600" height="338" title="„Programme of the Symposium“ – mdwPress" data-secret="B5Pj7q3ir5" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script>   ‘Per Aures ad Animum’ – The Harpsichord in the 16th Century II Museo San Colombano – Tagliavini Collection, Genus Bononiae (Bologna), Conservatorio di Musica Giovan Battista Martini, Genus Bononiae (Bologna) in cooperation with University of Music and Performing Arts Vienna (Department of Musicology and Performance Studies and Department of Early Music), Museo internazionale e …https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/download-1459070_1280.png