1.0mdwPresshttps://www.mdw.ac.at/mdwpressJana Diewaldhttps://www.mdw.ac.at/mdwpress/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="3eqJOMPDS5"><a href="https://www.mdw.ac.at/mdwpress/mdwp009-001/">Notes on Facing Drag</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/mdwp009-001/embed/#?secret=3eqJOMPDS5" width="600" height="338" title="„Notes on Facing Drag“ – mdwPress" data-secret="3eqJOMPDS5" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Evelyn Annuß   How do we connect the manifold carnivalesque articulations of colonialism and racism to a queer understanding of drag in the sense of exaggerated display (Lorber 2004)? In what ways are these articulations reinvoked and commodified within new media assemblages and differentiated within diverse geographical contexts and varied trajectories of racialization and Othering? …https://www.mdw.ac.at/mdwpress/wp-content/uploads/2021/02/orcid.png6464