1.0mdwPresshttps://www.mdw.ac.at/mdwpressJana Diewaldhttps://www.mdw.ac.at/mdwpress/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="8OCNla3hqv"><a href="https://www.mdw.ac.at/mdwpress/mdwp004-030/">Rhythm and Meter in Dance as Bergsonian durée</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/mdwp004-030/embed/#?secret=8OCNla3hqv" width="600" height="338" title="„Rhythm and Meter in Dance as Bergsonian durée“ – mdwPress" data-secret="8OCNla3hqv" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Amy Ming Wai Tai 1   Many musicians consider meter to be a hierarchy of pulses, which are conceived sometimes as discrete, isochronous, and durationless time points, and other times as time spans demarcated by these time points.2 In this model, when we hear expressive variation, we quantize the continuum of time into discrete patterns …https://www.mdw.ac.at/mdwpress/wp-content/uploads/2021/02/orcid.png6464