1.0mdwPresshttps://www.mdw.ac.at/mdwpressJana Diewaldhttps://www.mdw.ac.at/mdwpress/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="xcDomsfb3J"><a href="https://www.mdw.ac.at/mdwpress/mdwp004-028/">Dances with Tables</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/mdwp004-028/embed/#?secret=xcDomsfb3J" width="600" height="338" title="„Dances with Tables“ – mdwPress" data-secret="xcDomsfb3J" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Materialities of Dance Practices in Metal during COVID-19 Daniel Suer and Florian Heesch   Introduction Among the numerous practices that constitute popular music cultures, dancing seems to belong to those that are generally less dependent on material things. In contrast to practices such as DJing and other instrumental activities, mediatized listening, or production practices, the …https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/2021/02/orcid.png