1.0mdwPresshttps://www.mdw.ac.at/mdwpressJana Diewaldhttps://www.mdw.ac.at/mdwpress/author/diewald/rich600338<blockquote class="wp-embedded-content" data-secret="FEwVFZlhcE"><a href="https://www.mdw.ac.at/mdwpress/mdwp004-017/">Mickey Mouse is Innocent</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.mdw.ac.at/mdwpress/mdwp004-017/embed/#?secret=FEwVFZlhcE" width="600" height="338" title="„Mickey Mouse is Innocent“ – mdwPress" data-secret="FEwVFZlhcE" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.mdw.ac.at/mdwpress/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Reciprocal Exchange in the Art of Dance Accompaniment Philip Feeney   Introduction At the heart of the rapport between dance and music in choreography lies the perennial chicken and egg conundrum of which came first, the music or the dance. Underlying that question is the assumption that one of the art forms needs to take …https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/2021/02/orcid.png