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</html><description>Wenn Elfriede Jelinek in Kein Licht. Epilog? das strukturelle Bauelement der Klage zitiert, dann ruft sie eine kulturelle Praxis auf den Plan, von der ein durchaus subversives Potenzial ausgeht. Im antiken Griechenland stellte die Bestattung von Toten einen der wenigen Bereiche dar, in denen Frauen die tragende Rolle spielten. Nachweisen l&#xE4;sst sich dies bereits f&#xFC;r &hellip;</description><thumbnail_url>https://www.mdw.ac.at/mdwpress/wordpress/wp-content/uploads/2024/02/Abb.-3_Felber.jpg</thumbnail_url></oembed>
