{"id":7678,"date":"2026-03-31T11:03:51","date_gmt":"2026-03-31T09:03:51","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=7678"},"modified":"2026-03-31T11:23:35","modified_gmt":"2026-03-31T09:23:35","slug":"mdwp008-011","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp008-011\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<style>\n.bibliography {\nmargin-top: -1em;\npadding-left: 22px ;\n  text-indent: -22px ;\n} \n        .tsquotation strong {<br \/>\n            font-weight: bold;<br \/>\n        }<br \/>\n        .tsquotation em {<br \/>\n            font-style: italic !important;<br \/>\n        }<br \/>\n        .bibliography {<br \/>\n            margin-top: -1em !important;<br \/>\n            padding-left: 22px;<br \/>\n            text-indent: -22px;<br \/>\n        }<br \/>\n        figure {<br \/>\n            margin: 0;<br \/>\n        }<\/p>\n<\/style>\n<p>&nbsp;<\/p>\n<div class=\"one_half\">\n<p style=\"text-align: left;\"><span class='bdaia-btns bdaia-btn-medium' style=\"background:#b2b2b2 !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-010\/\" style=\"color:#000000 !important;\">&#129028;<\/a><\/span><\/div>\n<div class=\"one_half last\">\n<p style=\"text-align: right;\"><span class='bdaia-btns bdaia-btn-medium' style=\"background:#b2b2b2 !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-012\" style=\"color:#000000 !important;\">&#129030;<\/a><\/span><\/div><div class=\"clear-fix\"><\/div>\n<div class=\"bdaia-toggle close\"><h4 class=\"bdaia-toggle-head toggle-head-open\"><span class=\"bdaia-sio bdaia-sio-angle-up\"><\/span><span class=\"txt\">How to cite<\/span><\/h4><h4 class=\"bdaia-toggle-head toggle-head-close\"><span class=\"bdaia-sio bdaia-sio-angle-down\"><\/span><span class=\"txt\">How to cite<\/span><\/h4><div class=\"toggle-content\"><p>\n<div 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id=\"zp-ID-7678-4511395-75KZDHUJ\" data-zp-author-date='Annu\u00df-2025' data-zp-date-author='2025-Annu\u00df' data-zp-date='2025' data-zp-year='2025' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Annu\u00df, Evelyn. 2025. <i>Dirty Dragging. Performative Transpositions<\/i>. mdwPress. <a class='zp-ItemURL' href='https:\/\/doi.org\/10.14361\/9783839474754'>https:\/\/doi.org\/10.14361\/9783839474754<\/a>. <a title='Cite in RIS Format' class='zp-CiteRIS' data-zp-cite='api_user_id=4511395&item_key=75KZDHUJ' href='javascript:void(0);'>Cite<\/a> <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/p><\/div><\/div>\n<hr>\n<p><!-- \n\n<p style=\"text-align: right;\">[btn btnlink=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/10.1515_9783839425015-001.pdf\" btnsize=\"medium\" bgcolor=\"#b2b2b2\" txtcolor=\"#000000\" btnnewt=\"1\" nofollow=\"1\"]CHAPTER PDF <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/download-1459070_1280.png\" style=\"vertical-align: middle\" alt=\"Download-Logo\" width=\"17\" height=\"17\">[\/btn]\n\n --><\/p>\n<h2>A<\/h2>\n<p><\/p>\n<p class=\"bibliography\">Abrahams, Roger D. 2017. \u201cConflict Displays in the Black Atlantic.\u201d In <em>Public Performances: Studies in the Carnivalesque and Ritualesque<\/em>, edited by Jack Santino, 49<span class=\"EM-Dash\">\u2014<\/span>65. Logan: Utah State University Press.<\/p>\n<p class=\"bibliography\">Adamczak, Bini. 2017. <em>Beziehungsweise Revolution: 1917, 1968 und kommende<\/em>. Berlin: Suhrkamp.<\/p>\n<p class=\"bibliography\">Adams, Thomas Jessen, Sue Mobley and Matt Sakakeeny. 2019. \u201cIntroduction: What Lies beyond Histories of Exceptionalism and Cultures of Authenticity.\u201d In <em>Remaking New Orleans. Beyond Exceptionalism and Authenticity<\/em>, edited by Thomas Jessen Adams and Matt Sakakeeny, 1<span class=\"EM-Dash\">\u2014<\/span>32. Durham, NC: Duke University Press.<\/p>\n<p class=\"bibliography\">Adams, Thomas Jessen and Matt Sakakeeny, eds. 2019. <em>Remaking New Orleans: Beyond Exceptionalism and Authenticity<\/em>. Durham, NC: Duke University Press.<\/p>\n<p class=\"bibliography\">Adams, Vincanne. 2019. \u201cNeoliberal Futures: Post-Katrina New Orleans, Volunteers, and the Ongoing Allure of Exceptionalism.\u201d In <em>Remaking New Orleans: Beyond Exceptionalism and Authenticity<\/em>, edited by Thomas Jessen Adams and Matt Sakakeeny, 288<span class=\"EM-Dash\">\u2014<\/span>306. Durham, NC: Duke University Press.<\/p>\n<p class=\"bibliography\">Adhikari, Mohamed, ed. 2013. <em>Burdened by Race: Coloured Identities in Southern Africa<\/em>. Cape Town: University of Cape Town Press.<\/p>\n<p class=\"bibliography\">Adhikari, Mohamed. 2013. \u201cPredicaments of Marginality: Cultural Creativity and Political Adaptation in Southern Africa\u2019s Coloured Communities.\u201d In <em>Burdened by Race: Coloured Identities in Southern Africa<\/em>, edited by Mohamed Adhikari, viii<span class=\"EM-Dash\">\u2014<\/span>xxxii. Cape Town: University of Cape Town Press.<\/p>\n<p class=\"bibliography\">Adorno, Theodor W. et al. 1950. <em>The Authoritarian Personality<\/em>. New York: Harper &amp; Brothers.<\/p>\n<p class=\"bibliography\">Adorno, Theodor W. et al. 1995. <em>Studien zum autorit\u00e4ren Charakter<\/em>. Frankfurt am Main: Suhrkamp.<\/p>\n<p class=\"bibliography\">Adorno, Theodor W. and Max Horkheimer. 1969 (originally published in 1944). <em>Dialektik der Aufkl\u00e4rung: Philosophische Fragmente<\/em>. Frankfurt am Main: S. Fischer.<\/p>\n<p class=\"bibliography\">Adorno, Theodor W. and Max Horkheimer. 2002. <em>Dialectic of Enlightenment: Philosophical Fragments<\/em>. Edited by Gunzelin Schmid Noerr. Translated by Edmund Jephcott. Stanford: Stanford University Press.<\/p>\n<p class=\"bibliography\">Adrian, Karl. 1924. <em>Von Salzburger Sitt\u2019 und Brauch<\/em>. Vienna: \u00d6sterreichischer Schulb\u00fccherverlag.<\/p>\n<p class=\"bibliography\">Adrian, Karl. 2002. \u201cPerchtenlauf und Perchtentanz.\u201d In <em>Im Winter und zur Weihnachtszeit: Br\u00e4uche im Salzburger Land<\/em>, vol.&#160;1, edited by Ulrike <span id=\"page230\" role=\"doc-pagebreak\" aria-label=\"230\" epub:type=\"pagebreak\"><\/span>Kammerhofer-Aggermann and Lucia Luidold, 1<span class=\"EM-Dash\">\u2014<\/span>5. 1<span class=\"Hochgestellt _idGenCharOverride-3\">st<\/span> ed. Salzburg: Salzburger Beitr\u00e4ge zur Volkskunde 13. Electronic new edition, 2014, <a href=\"https:\/\/brauch.at\/folge01\/ch06s09.html\"><span class=\"Hyperlink\">https:\/\/brauch.at\/folge01\/ch06s09.html<\/span><\/a>, accessed September&#160;17, 2024.<\/p>\n<p class=\"bibliography\">Agnew, Vanessa, Jonathan Lamb and Daniel Spoth, eds. 2009. <em>Settler and Creole Reenactment<\/em>. Basingstoke\/New York: Palgrave Macmillan.<\/p>\n<p class=\"bibliography\">Ahmed, Sara. 2014. <em>The Cultural Politics of Emotion<\/em>. Edinburgh: Edinburgh University Press.<\/p>\n<p class=\"bibliography\">Aitken, Robbie John Macvicar and Eve Rosenhaft. 2013. <em>Black Germany: The Making and Unmaking of a Diaspora Community, 1884<\/em><span class=\"EM-Dash\">\u2014<\/span><em>1960<\/em>. Cambridge: Cambridge University Press.<\/p>\n<p class=\"bibliography\">Alexander, Michelle. 2012. <em>The New Jim Crow: Mass Incarceration in the Age of Colorblindness<\/em>. Revised Edition. New York: New Press.<\/p>\n<p class=\"bibliography\">Allen, James and John Littlefield. 2000. <em>Without Sanctuary: Lynching Photography in America<\/em>. Santa Fe: Twin Palms Publishers.<\/p>\n<p class=\"bibliography\">Alonzo, Christine and Peter Martin, eds. 2004. <em>Zwischen Charleston und Stechschritt<\/em>. Hamburg: D\u00f6lling und Galitz.<\/p>\n<p class=\"bibliography\"><a id=\"_idTextAnchor018\"><\/a>Altvater, Elmar. 2017. \u201cKapital und Anthropoz\u00e4n.\u201d In <em>Re: Das Kapital; Politische \u00d6konomie im 21. Jahrhundert<\/em>, edited by Mathias Greffrath, 53<span class=\"EM-Dash\">\u2014<\/span>69. Munich: Antje Kunstmann.<\/p>\n<p class=\"bibliography\">Amin, Samir. 1998. <em>Spectres of Capitalism: A Critique of Current Intellectual Trends<\/em>. New York: Monthly Review Press.<\/p>\n<p class=\"bibliography\">Amlinger, Carolin and Oliver Nachtwey. 2022. <em>Gekr\u00e4nkte Freiheit: Aspekte des libert\u00e4ren Autoritarismus<\/em>. Berlin: Suhrkamp.<\/p>\n<p class=\"bibliography\">Amslinger, Julia, Franz Fromholzer and J\u00f6rg Wesche, eds. 2019. <em>Lose Leute: Figuren, Schaupl\u00e4tze und K\u00fcnste des Vaganten in der Fr\u00fchen Neuzeit<\/em>. Paderborn: Wilhelm Fink.<\/p>\n<p class=\"bibliography\">Andreassen, Rikke. 2015. <em>Human Exhibitions: Race, Gender and Sexuality in Ethnic Displays<\/em>. London\/New York: Routledge.<\/p>\n<p class=\"bibliography\">Andr\u00e9e-Eysn, Marie. 1905. <em>Die Perchten im Salzburgischen<\/em>. Braunschweig: Friederich Vieweg und Sohn.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 1996. \u201cUmbruch und Krise der Geschlechterforschung: Judith Butler als Symptom.\u201d <em>Das Argument<\/em> 216: 505<span class=\"EM-Dash\">\u2014<\/span>524.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 1998. \u201cThe Butler-Boom: Queer Theory\u2019s Impact on Women\u2019s\/Gender Studies.\u201d In <em>Queering the Canon: Defying Sights in German Literature and Culture<\/em>, edited by Christoph Lorey and John L. Plews, 73<span class=\"EM-Dash\">\u2014<\/span>86. Columbia: Camden House.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2005. <em>Elfriede Jelinek: Theater des Nachlebens<\/em>. Munich: Wilhelm Fink.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn, ed. 2009. <em>Stagings Made in Namibia: Postkoloniale Fotografie\/Postcolonial Photography?<\/em> Berlin: b_books.<\/p>\n<p class=\"bibliography\"><a id=\"_idTextAnchor019\"><\/a><span id=\"page231\" role=\"doc-pagebreak\" aria-label=\"231\" epub:type=\"pagebreak\"><\/span>Annu\u00df, Evelyn. 2011. \u201cF\u00fcr immer unser Afrika. Zur neokolonialen Modernisierung des deutschen Heimatfilms.\u201d In <em>Maskeraden des (Post-)Kolonialismus: Inszenierte Unter-Repr\u00e4sentationen der Anderen in der deutschsprachigen Literatur und im Film<\/em>, edited by Ortrud Gutjahr and Stefan Hermes, 323<span class=\"EM-Dash\">\u2014<\/span>345. W\u00fcrzburg: K\u00f6nigshausen &amp; Neumann.<\/p>\n<p class=\"bibliography\"><a id=\"_idTextAnchor020\"><\/a>Annu\u00df, Evelyn. 2011. \u201cVisual Afterlives of Colonialism: Images of Namibia on Contemporary German Television.\u201d <em>Journal of Namibian Studies<\/em> 9 (2011): 7<span class=\"EM-Dash\">\u2014<\/span>16.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn, ed. 2013. \u201ckollektiv auftreten.\u201d<em> <\/em>Special issue, <em>Forum Modernes Theater <\/em>28.1.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2014. \u201cBlackface and Critique.\u201d <em>Forum Modernes Theater<\/em> 29.1<span class=\"EM-Dash\">\u2014<\/span>2: 64<span class=\"EM-Dash\">\u2014<\/span>72.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn, ed. 2014. \u201cVolksfiguren.\u201d Special issue, <em>Maske und Kothurn <\/em>60.2.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2015. \u201cVom Gemeinschaftssound zur vergemeinschafteten Vogelperspektive: Thingspiel und Medienentwicklung.\u201d In <em>Kunst im NS-Staat: Ideologie <\/em><span class=\"EM-Dash\">\u2014<\/span><em> \u00c4sthetik <\/em><span class=\"EM-Dash\">\u2014<\/span><em> Protagonisten<\/em>, edited by Wolfgang Benz and Stiftung Topographie des Terrors, 191<span class=\"EM-Dash\">\u2014<\/span>206. Berlin: Metropol.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2016. \u201cWollt ihr die totale Theaterwissenschaft? Raumdiskurse und Gr\u00fcndungsnarrative.\u201d In <em>Episteme des Theaters: Theaterwissenschaft&#173;liche Gesellschaft; Ausgew\u00e4hlte Beitr\u00e4ge der Jahrestagung 2014<\/em>, edited by Milena Cairo, Moritz Hannemann, Ulrike Hass, and Judith Sch\u00e4fer, 635<span class=\"EM-Dash\">\u2014<\/span>647. Bielefeld: transcript.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2017. \u201cThingspielen in \u00d6sterreich.\u201d In <em>Theater unter NS-Herrschaft<\/em>, edited by Brigitte Dallinger, Stefan Hulfeld, and Veronika Zangl, 239<span class=\"EM-Dash\">\u2014<\/span>256. G\u00f6ttingen: Vandenhoeck &amp; Ruprecht\/Vienna University Press.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2019. <em>Volksschule des Theaters: Nationalsozialistische Massenspiele. <\/em>Paderborn: Wilhelm Fink.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2022. \u201cAstramentum ex machina: Zum Queering kolonialer Schaukultur.\u201d In <em>Theatermaschinen <\/em><span class=\"EM-Dash\">\u2014<\/span><em> Maschinentheater: Von Mechaniken, Machinationen und Spektakeln<\/em>, edited by Bettine Menke and Wolfgang Struck, 349<span class=\"EM-Dash\">\u2014<\/span>368. Bielefeld: transcript.<\/p>\n<p class=\"bibliography\">Annu\u00df, Evelyn. 2022. \u201cDirty Dragging&#8230; Mixed up in Projects that Do&#8230; Harm&#8230;\u201d In <em>Mixed up with Others before We even Begin: Ausstellungskatalog<\/em>, mumok Wien, edited by Franz Thalmair, 30<span class=\"EM-Dash\">\u2014<\/span>35 (German), 78<span class=\"EM-Dash\">\u2014<\/span>83 (English). Cologne: Walther u. 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Adams, Thomas Jessen, Sue Mobley and Matt Sakakeeny. 2019. \u201cIntroduction: What Lies beyond &hellip;<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[270],"tags":[],"class_list":["post-7678","post","type-post","status-publish","format-standard","hentry","category-annuss-dirty-dragging-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bibliography &#8211; mdwPress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp008-011\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography &#8211; mdwPress\" \/>\n<meta property=\"og:description\" content=\"&nbsp; A Abrahams, Roger D. 2017. \u201cConflict Displays in the Black Atlantic.\u201d In Public Performances: Studies in the Carnivalesque and Ritualesque, edited by Jack Santino, 49\u201465. Logan: Utah State University Press. Adamczak, Bini. 2017. Beziehungsweise Revolution: 1917, 1968 und kommende. Berlin: Suhrkamp. 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