{"id":5976,"date":"2026-03-19T12:58:04","date_gmt":"2026-03-19T11:58:04","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=5976"},"modified":"2026-04-13T11:39:54","modified_gmt":"2026-04-13T09:39:54","slug":"book-harpsichord-italy","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/book-harpsichord-italy\/","title":{"rendered":"\u2018Per aures ad animum\u2019. The Harpsichord in the Sixteenth Century II: Italy"},"content":{"rendered":"<style>\n.bdaia-post-title {\ndisplay: none;\n}\nh1 {\n  margin: 12px 0 12px\n}\nh3 {\n  margin: 25px 0 12px\n}\n<\/style>\n<div class=\"one_third\"><img src=https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/Harpsichord_II_Cover-scaled.jpg\" alt=\"Book Cover of \u2018Per aures ad animum\u2019. The Harpsichord in the Sixteenth Century II: Italy\" width=\"350\" height=\"532\" class=\"alignnone size-medium wp-image-5902\" \/> &nbsp;<\/div>\n<div class=\"two_third last\">\n<h1>\u2018Per aures ad animum\u2019 <\/h1>\n<h2>The Harpsichord in the Sixteenth Century II: Italy<\/h2>\n<h3><em>Augusta Campagne, Markus Grassl (eds.)<\/em><\/h3>\n<p>&nbsp;<br \/>\n<span class='bdaia-btns bdaia-btn-medium' style=\"background:#dcb4aa !important;color:#000000 !important;\"><a href=\" https:\/\/www.mdw.ac.at\/mdwpress\/?p=5983&preview=true\" rel=\"nofollow\" style=\"color:#000000 !important;\">TABLE OF CONTENTS<\/a><\/span>\n<span class='bdaia-btns bdaia-btn-medium' style=\"background:#dcb4aa !important;color:#000000 !important;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/uploads\/mdwp017_Harpsichord_Italy.pdf\" target=\"_blank\" rel=\"nofollow\" style=\"color:#000000 !important;\">DOWNLOAD PDF<\/a><\/span>\n&nbsp;<\/p>\n<p>This volume examines a broad spectrum of topics concerning plucked keyboard instruments and keyboard music in the sixteenth century, with a particular focus on Italy and its profound influence on European keyboard culture. Contributions address issues of notation, instrument building, music theory, iconography, as well as the cultural and social roles of keyboard instruments and performance. Bringing together papers and lecture-recitals from a conference held in Bologna in 2024, the volume follows up on <a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/books-harpsichord\/\"><I>\u2018Universum rei harmonicae concentum absolvunt\u2018: The harpsichord in the Sixteenth Century<\/I><\/a> (mdwPress 2024).<\/p>\n<p><\/p>\n<p>With contributions from Mario Aschauer, Edoardo Bellotti (\u2020), Augusta Campagne, Vania Dal Maso, Paola Erdas, Markus Grassl, Jane Hatter, Martin Kirnbauer, Darryl Martin, Francesco Nocerino, Heidelinde Pollerus, Ian Pritchard and S\u00e9bastien Wonner.<\/p>\n<hr \/>\n<\/div><div class=\"clear-fix\"><\/div>\n<div class=\"one_third\">\n<h4>Metadata<\/h4>\n<p><span style=\"display: inline-block; width: 40%;\">Publication:<\/span> March 2026<br \/>\n<span style=\"display: inline-block; width: 40%;\">Print Length:<\/span> 434 pages<br \/>\n<span style=\"display: inline-block; width: 40%;\">License:<\/span> CC-BY<br \/>\n<span style=\"display: inline-block; width: 40%;\"><\/span> <a href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\" target=\"_blank\" rel=\"license noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/cc.svg\" style=\"vertical-align: middle\" alt=\"CC-Logo\" width=\"20\" height=\"20\"\/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/by.svg\" style=\"vertical-align: middle\" alt=\"BY-Logo\" width=\"20\" height=\"20\"\/><\/a><br \/>\n<span style=\"display: inline-block; width: 40%;\"><\/span> <img loading=\"lazy\" decoding=\"async\" style=\"vertical-align: middle;\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2024\/05\/Open_Access_logo.png\" alt=\"OA-Logo\" width=\"10\" height=\"10\" \/> <span style=\"color: #f47500;\">Open Access<\/span><\/p>\n<p><span style=\"display: inline-block; width: 30%;\">DOI:<\/span>10.21939\/harpsichord-italy-16c<br \/>\n<span style=\"display: inline-block; width: 30%;\">PDF-ISBN:<\/span>978-3-9505619-2-0<\/p>\n<\/div>\n<div class=\"two_third last\">\n<h4>About the Editors<\/h4>\n<p><strong>Augusta Campagne<\/strong> <a href=\"https:\/\/orcid.org\/0000-0001-6583-5621\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> taught harpsichord and figured bass at the mdw &#8211; University of Music and Performing Arts in Vienna. Her main research interests are early keyboard accompaniment and harpsichord music of the long 16th century.<\/p>\n<p><strong>Markus Grassl<\/strong> <a href=\"https:\/\/orcid.org\/0000-0003-2080-9264\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-600\" src=\"https:\/\/www.mdw.ac.at\/mdwpress\/wordpress\/wp-content\/uploads\/2021\/02\/orcid.png\" alt=\"orcid\" width=\"19\" height=\"19\" \/><\/a> is professor at the Institute of Musicology and Performance Studies at the mdw \u2013 University of Music and Performing Arts in Vienna. His research focuses on early instrumental music, the music of the French Baroque, and the history of performance of early music in the 20th century.<\/p>\n<p><\/p>\n<h4>Citation<\/h4>\n<div id=\"zotpress-c367d74dc9cd4bf002a495c57a1b27ab\" class=\"zp-Zotpress zp-Zotpress-Bib wp-block-group\">\n\n\t\t<span class=\"ZP_API_USER_ID ZP_ATTR\">4511395<\/span>\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\">{4511395:DU3VPMHQ}<\/span>\n\t\t<span class=\"ZP_COLLECTION_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TAG_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_AUTHOR ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_YEAR ZP_ATTR\"><\/span>\n        <span class=\"ZP_ITEMTYPE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_INCLUSIVE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">chicago-author-date<\/span>\n\t\t<span class=\"ZP_LIMIT ZP_ATTR\">50<\/span>\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">default<\/span>\n\t\t<span class=\"ZP_ORDER ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TITLE 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The Harpsichord in the Sixteenth Century II: Italy<\/i>. mdwPress. <a class='zp-ItemURL' href='https:\/\/doi.org\/10.21939\/harpsichord-italy-16c'>https:\/\/doi.org\/10.21939\/harpsichord-italy-16c<\/a>. <a title='Cite in RIS Format' class='zp-CiteRIS' data-zp-cite='api_user_id=4511395&item_key=DU3VPMHQ' href='javascript:void(0);'>Cite<\/a> <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/div><div class=\"clear-fix\"><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":6103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[38],"tags":[],"class_list":["post-5976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Harpsichord in the Sixteenth Century II: Italy (mdwPress)<\/title>\n<meta name=\"description\" content=\"\u2018Per aures ad animum\u2019. 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The Harpsichord in the Sixteenth Century II: Italy (mdwPress) - ed. by Augusta Campagne &amp; Markus Grassl\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mdw.ac.at\/mdwpress\/book-harpsichord-italy\/\" \/>\n<meta property=\"og:site_name\" content=\"mdwPress\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-19T11:58:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-13T09:39:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/uploads\/Harpsichord_II_Cover-674x1024.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"674\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Christian Keitel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christian Keitel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.mdw.ac.at\/mdwpress\/book-harpsichord-italy\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.mdw.ac.at\/mdwpress\/book-harpsichord-italy\/\"},\"author\":{\"name\":\"Christian Keitel\",\"@id\":\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/#\/schema\/person\/e3640cab101b5d1d6b5074236eaed250\"},\"headline\":\"\u2018Per aures ad animum\u2019. 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