{"id":5752,"date":"2025-09-03T11:32:02","date_gmt":"2025-09-03T09:32:02","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=5752"},"modified":"2026-02-26T14:28:41","modified_gmt":"2026-02-26T13:28:41","slug":"mdwp004-toc","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp004-toc\/","title":{"rendered":"Music and Motion"},"content":{"rendered":"

Interweaving Artistic Practice and Theory in Dance and Beyond<\/h2>\n

Stephanie Schroedter (ed.)<\/em><\/h3>\n
\n

Preface<\/h4>\n

Stephanie Schroedter<\/em><\/p>\n

Introduction: Music for\/into\/as Motion \u2013 and Vice Versa. Exploring the Field in Artistic Practice and Theory<\/h4>\n

Stephanie Schroedter<\/em>
\n <\/p>\n

Case Studies from the Historical Avantgarde to Contemporary Practices<\/h3>\n
\n

Music, Dance, and Agency in Early French Comic Film<\/h4>\n

Sophie Benn<\/em><\/p>\n

Forced Freedom. Choreography and Music in Igor Stravinsky\u2019s Early Ballet Compositions<\/h4>\n

Christoph Flamm<\/em><\/p>\n

\u201cThe Creation of New Forms\u201d. Igor Stravinsky\u2019s Choreodrama The Rite of Spring<\/em> in the Context of the \u201cTheater Reform around 1900\u201d<\/h4>\n

Leila Zickgraf<\/em><\/p>\n

Petrushka\u2019s Survival<\/h4>\n

Jeremy Coleman<\/em><\/p>\n

\u201cHis dances were composed\u201d. On the Choreographies S\u00e9quence and Recueil<\/em> by Jean C\u00e9bron<\/h4>\n

Anja K. Arend and Matthias Geuting<\/em><\/p>\n

Dramatic Statement and Theatrical Expression. Esthetics of Movement in Klebe\/Gsovsky\u2019s Menagerie<\/em> and Zimmermann\/Roleffs Kontraste<\/em><\/h4>\n

Adrian Kuhl<\/em><\/p>\n

Related Sounds. Adriana H\u00f6lszky\u2019s Roses of Shadow<\/em> and Deep Field<\/em> in Martin Schl\u00e4pfer\u2019s Choreography<\/em><\/h4>\n

Barbara Dobretsberger<\/em><\/p>\n

Musicians as Performers. On the Relationship Between Dance and Music in the Works of Stephanie Thiersch and Brigitta Muntendorf<\/h4>\n

Gerald Siegmund<\/em><\/p>\n

Moving to the Beat of Its Own Drum. Contemporary Theatre Music in Relation to Gesture and Space<\/h4>\n

David Roesner<\/em><\/p>\n

Composing and Choreographing the Audience in Contemporary Music Theater<\/h4>\n

Fabian Czolbe<\/em><\/p>\n

Tarantella Helvetica. Representational Aspects of Animal Movement in Twentieth Century Opera Exemplified by Adaptations of Gotthelf\u2019s Black Spider<\/em><\/h4>\n

Leo Dick<\/em><\/p>\n

Dissolving and Emphasizing the Physical in the Digital Age. Reality, Appearance, and Virtual Perspectives in Alexander Schubert\u2019s Work<\/h4>\n

Rainer Nonnenmann<\/em><\/p>\n

The Danced Sound Sculpture<\/h4>\n

Julia H. Schr\u00f6der<\/em><\/p>\n

Openings in A Love Supreme<\/em><\/h4>\n

Daphne Leong<\/em>
\n <\/p>\n

Artistic Research with Sound and Performative Movement<\/h3>\n
\n

Mickey Mouse is Innocent. Reciprocal Exchange in the Art of Dance Accompaniment<\/h4>\n

Philip Feeney<\/em><\/p>\n

Contact Improvisation. Gestural Interactions in the Performative Encounter between Dance and Music<\/h4>\n

Ivo I. Berg<\/em><\/p>\n

The Dialogue of Sound and Movement in Improvisation<\/h4>\n

Simon Rose and Ingo Reulecke<\/em><\/p>\n

CORPUS Versus BODY. The Cello as a Corporeal Performative Instrument<\/h4>\n

Ulrike Brand<\/em><\/p>\n

Missing, Not Knowing, Taking Care Reflections on A Study on Effort<\/h4>\n

Keir GoGwilt and Bobbi Jene Smith<\/em><\/p>\n

SoundWave Surfing.<\/em> Gaming, Interactivity, and Contemporary Dance<\/h4>\n

John Toenjes<\/em><\/p>\n

Six Memos for a Pianist and a Self-Playing Piano.<\/em> Sketches on an Artistic Investigation of Spatial Phenomena<\/h4>\n

Hanne Pilgrim, Adri\u00e1n Artacho, Leonhard Horstmeyer, and Markus Kupferblum<\/em><\/p>\n

Mutated Manipulations. A Musical-Gestural Perspective<\/h4>\n

Winnie Huang<\/em><\/p>\n

Embodying Expression in Classical Instrumental Performance Practice<\/h4>\n

Barbara L\u00fcneburg<\/em>
\n <\/p>\n

Music\/Sound and Dance\/Motion: Relations between Theory and Practice<\/h3>\n
\n

Choreomusical Research as an Artistic Translation Process. Interferences Between Music and Movement<\/h4>\n

Stephanie Schroedter<\/em><\/p>\n

Hearing the Dance and Watching the Music. Echoes and Anticipations<\/h4>\n

Stephanie Jordan<\/em><\/p>\n

Dances with Tables. Materialities of Dance Practices in Metal during COVID-19<\/h4>\n

Florian Heesch and Daniel Suer<\/em><\/p>\n

Listening through Seeing. Perceptual Aspects from the Field of Eurhythmics<\/h4>\n

Dorothea Weise<\/em><\/p>\n

Rhythm and Meter in Dance as Bergsonian dur\u00e9e<\/em><\/h4>\n

Amy Ming Wai Tai<\/em><\/p>\n

Rhythm and Relation. The Choreographic Politics of Sound and Motion<\/h4>\n

Gerko Egert<\/em><\/p>\n

Conducting Experiments. Theorizing Sound through Conductors\u2019 Movement in Experimental Music<\/h4>\n

Drake Andersen<\/em><\/p>\n

Bundling Meaningfulness in a Felt-Bodily Manner. Structured Movement as Aisthetic Labor<\/h4>\n

Birgit Abels<\/em><\/p>\n

Musical Dimensions of Motion-Based Interindividual Behaviors. Situated in an Interactive Music Environment<\/h4>\n

Jin Hyun Kim and Marta Rizzonelli<\/em><\/p>\n

Intertwined. Resonance, Affect, and Resistance in Open-Form Music\u2013Dance Performance<\/h4>\n

Jan Schacher<\/em>
\n <\/p>\n

APPENDIX<\/h3>\n
\n

Contributors<\/h4>\n

About mdwPress<\/h4>\n

 <\/p>\n

\n

\"CC<\/a><\/p>\n

 <\/p>\n

This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International Lizenz<\/a>.<\/p>\n

\n

\"\"      \"\"\n

 <\/p>\n

This publication received financial support from the Open Access Fund of mdw-University of Music and Performing Arts Vienna and was printed with the kind support of the German Research Foundation (DFG).<\/p>\n","protected":false},"excerpt":{"rendered":"

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Exploring the Field in Artistic Practice and Theory Stephanie Schroedter   Case Studies from the Historical Avantgarde to Contemporary Practices Music, Dance, and Agency in Early French Comic Film Sophie Benn Forced …<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-5752","post","type-post","status-publish","format-standard","hentry","category-mdwpress-tocs"],"yoast_head":"\nTable of Contents: Music and Motion – mdwPress<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp004-toc\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Table of Contents: Music and Motion – mdwPress\" \/>\n<meta property=\"og:description\" content=\"Interweaving Artistic Practice and Theory in Dance and Beyond Stephanie Schroedter (ed.) 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Exploring the Field in Artistic Practice and Theory Stephanie Schroedter   Case Studies from the Historical Avantgarde to Contemporary Practices Music, Dance, and Agency in Early French Comic Film Sophie Benn Forced …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.mdw.ac.at\/mdwpress\/mdwp004-toc\/\" \/>\n<meta property=\"og:site_name\" content=\"mdwPress\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-03T09:32:02+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-26T13:28:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.mdw.ac.at\/mdwpress\/wp-content\/uploads\/2023\/11\/by.png\" \/>\n\t<meta property=\"og:image:width\" content=\"403\" \/>\n\t<meta property=\"og:image:height\" content=\"141\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jana Diewald\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" 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