{"id":4734,"date":"2025-02-20T12:10:48","date_gmt":"2025-02-20T11:10:48","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=4734"},"modified":"2025-06-16T15:05:22","modified_gmt":"2025-06-16T13:05:22","slug":"mdwp013-toc","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp013-toc\/","title":{"rendered":"Xenakis \u2013 Back to the Roots"},"content":{"rendered":"

Philological Approaches to Electroacoustic Music<\/h2>\n

Reinhold Friedl, Thomas Grill, Nikolaus Urbanek, Michelle Ziegler (eds.)<\/em><\/h3>\n
\n

Introduction<\/a><\/h4>\n

Reinhold Friedl, Thomas Grill, Nikolaus Urbanek and Michelle Ziegler<\/em><\/p>\n

Writing Electroacoustic Music: Xenakis\u2019s \u0152uvre as a Theoretical Challenge<\/a><\/h4>\n

Nikolaus Urbanek<\/em><\/p>\n

Archives, Sources, Persons and Personae in the Art of Electronic Sounds<\/a><\/h4>\n

Laura Zattra<\/em><\/p>\n

Sketching on Paper and Tape: Creative Practices of Early Tape Music<\/a><\/h4>\n

Michelle Ziegler<\/em><\/p>\n

Synchronising Different Temporalities: A Challenge of Writing in Musique Mixte<\/em> from 1958 to 1960<\/a><\/h4>\n

Elena Minetti<\/em><\/p>\n

Common Sonic Entities in the Electroacoustic and Orchestral Music of Iannis Xenakis<\/a><\/h4>\n

James Harley<\/em><\/p>\n

Spatial Treatment of Sound in the Polytope de Cluny<\/em><\/a><\/h4>\n

Pierre Carr\u00e9 and Fran\u00e7ois Del\u00e9cluse<\/em><\/p>\n

Orchestrating Noise: Traces of Myc\u00e8nes alpha<\/em> in An\u00e9moessa<\/em><\/a><\/h4>\n

Marko Slav\u00ed\u010dek<\/em><\/p>\n

Sonic Otherness. Traces of Traditional Musics in Xenakis\u2019s Electroacoustic \u0152uvre<\/a><\/h4>\n

Reinhold Friedl<\/em><\/p>\n

The Voice of the UPIC: Technology as Utterance<\/a><\/h4>\n

Peter Nelson<\/em><\/p>\n

La l\u00e9gende de Xenakis<\/a><\/h4>\n

Curtis Roads<\/em><\/p>\n

Why Did I Decide to Erase all Production Tapes of my Musique Concr\u00e8te Except for the Final Compositions? A Clarification<\/a><\/h4>\n

Michel Chion<\/em><\/p>\n

Xenakis: Back to the Roots. A Conversation with Nikolaus Urbanek and Michelle Ziegler<\/a><\/h4>\n

Jan Brocza, Reinhold Friedl, Thomas Grill, Katharina Klement, Christian Tschinkel and Anatol Wetzer<\/em><\/p>\n

About mdwPress<\/a><\/h4>\n

 <\/p>\n

\n

\"CC<\/a><\/p>\n

 <\/p>\n

This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License<\/a>.<\/p>\n

\n

\"\"<\/p>\n

 <\/p>\n

This publication received financial support from the Open Access Fund of mdw \u2013 University of Music and Performing Arts Vienna.<\/p>\n","protected":false},"excerpt":{"rendered":"

Philological Approaches to Electroacoustic Music Reinhold Friedl, Thomas Grill, Nikolaus Urbanek, Michelle Ziegler (eds.) Introduction Reinhold Friedl, Thomas Grill, Nikolaus Urbanek and Michelle Ziegler Writing Electroacoustic Music: Xenakis\u2019s \u0152uvre as a Theoretical Challenge Nikolaus Urbanek Archives, Sources, Persons and Personae in the Art of Electronic Sounds Laura Zattra Sketching on Paper and Tape: Creative Practices …<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-4734","post","type-post","status-publish","format-standard","hentry","category-mdwpress-tocs"],"yoast_head":"\nTable of Contents: Xenakis \u2013 Back to the Roots<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp013-toc\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Table of Contents: Xenakis \u2013 Back to the Roots\" \/>\n<meta property=\"og:description\" content=\"Philological Approaches to Electroacoustic Music Reinhold Friedl, Thomas Grill, Nikolaus Urbanek, Michelle Ziegler (eds.) 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