{"id":3072,"date":"2024-06-04T12:13:38","date_gmt":"2024-06-04T10:13:38","guid":{"rendered":"https:\/\/www.mdw.ac.at\/mdwpress\/?p=3072"},"modified":"2024-07-24T11:08:07","modified_gmt":"2024-07-24T09:08:07","slug":"mdwp003-toc","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp003-toc\/","title":{"rendered":"‘Universum rei harmonicae concentum absolvunt’. The Harpsichord in the Sixteenth Century"},"content":{"rendered":"

Augusta Campagne and Markus Grassl (eds.)<\/em><\/h2>\n
\n

Contents<\/h2>\n

1 Introduction<\/a><\/h4>\n

Augusta Campagne and Markus Grassl<\/em><\/p>\n

2 The Rhetoric of Sweetness: Towards Ideals of Perception and Performance in Sixteenth-Century Keyboard Music<\/a><\/h4>\n

Catalina Vicens<\/em><\/p>\n

3 Keyboard Tablatures and Imaginary Instrumental Interchange in the Sixteenth Century<\/a><\/h4>\n

John Griffiths<\/em><\/p>\n

4 Hacking the System: Italian Keyboard Intavolatura and Scribal Habit<\/a><\/h4>\n

Ian Pritchard<\/em><\/p>\n

5 Singing, Reading, Writing, Playing: Practising with Tom\u00e1s de Santa Mar\u00eda<\/a><\/h4>\n

August Valentin Rabe<\/em><\/p>\n

6 \u2018Nach seinem selbst gefallen mit der Mensur wexln\u2019: Instances in Sixteenth-Century Keyboard Music Where Ornamentation and Changing Note Values Might Induce the Player to Vary the Beat<\/a><\/h4>\n

Domen Marin\u010di\u010d<\/em><\/p>\n

7 On the Performance Practice of Andrea Antico\u2019s Frottole intabulate da sonare organi, libro primo<\/em> (Rome, 1517)<\/a><\/h4>\n

Fabio Antonio Falcone<\/em><\/p>\n

8 Le mani di Cecilia: Hand Position and Fingering on Keyboards in Italian Iconographical Sources of the Renaissance<\/a><\/h4>\n

Maria Luisa Baldassari<\/em><\/p>\n

9 From Lisbon to Shewa via Goa: Renaissance Keyboards in the Christian Kingdom of Sixteenth-Century Ethiopia<\/a><\/h4>\n

Janie Cole<\/em><\/p>\n

10 Antonio de Cabez\u00f3n at the Centre of the World: Repertoire, Interpretation and Meaning<\/a><\/h4>\n

Andr\u00e9s Cea Gal\u00e1n<\/em><\/p>\n

11 Appendix<\/a><\/h4>\n

About mdwPress<\/a><\/h4>\n
\n

\"CC<\/a><\/p>\n

 <\/p>\n

This work is licenced under the Creative Commons Attribution 4.0 International Licence<\/a>.<\/p>\n

\n

\"mdw-Logo\"

The authors acknowledge the financial support by the Open Access Fund of the mdw \u2013 University of Music and Performing Arts Vienna.<\/figcaption>\n","protected":false},"excerpt":{"rendered":"

Augusta Campagne and Markus Grassl (eds.) Contents 1 Introduction Augusta Campagne and Markus Grassl 2 The Rhetoric of Sweetness: Towards Ideals of Perception and Performance in Sixteenth-Century Keyboard Music Catalina Vicens 3 Keyboard Tablatures and Imaginary Instrumental Interchange in the Sixteenth Century John Griffiths 4 Hacking the System: Italian Keyboard Intavolatura and Scribal Habit Ian …<\/p>\n","protected":false},"author":5,"featured_media":1772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-3072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mdwpress-tocs"],"yoast_head":"\nTable of Contents: The Harpsichord in the Sixteenth Century<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.mdw.ac.at\/mdwpress\/en\/mdwp003-toc\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Table of Contents: The Harpsichord in the Sixteenth Century\" \/>\n<meta property=\"og:description\" content=\"Augusta Campagne and Markus Grassl (eds.) 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